{"id":1184,"date":"2019-06-25T10:44:37","date_gmt":"2019-06-25T14:44:37","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=1184"},"modified":"2019-06-25T10:44:37","modified_gmt":"2019-06-25T14:44:37","slug":"frager4","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/frager\/frager4\/","title":{"rendered":"MALCOLM FRAGER COLLECTION: Index to Binders Collections"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

A<\/a>\u00a0|\u00a0B<\/a>\u00a0|\u00a0C<\/a>\u00a0|\u00a0D<\/a>\u00a0|\u00a0E<\/a>\u00a0|\u00a0F<\/a>\u00a0|\u00a0G<\/a>\u00a0|\u00a0H<\/a>\u00a0|\u00a0I<\/a>\u00a0|\u00a0J<\/a>\u00a0|\u00a0K<\/a>\u00a0|\u00a0L<\/a>\u00a0|\u00a0M<\/a>\u00a0| N |\u00a0O<\/a>\u00a0|\u00a0P<\/a>\u00a0| Q |\u00a0R<\/a>\u00a0|\u00a0S<\/a>\u00a0|\u00a0T<\/a>\u00a0| U |\u00a0V<\/a>\u00a0|\u00a0W<\/a>\u00a0| X | Y |\u00a0Z<\/a><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Binders
\nCollection(s)<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Abeille<\/th>\n<\/tr>\n
66<\/a><\/td>\nIl Rondeaux<\/td>\n<\/tr>\n
 <\/td>\nAbt<\/th>\n<\/tr>\n
74<\/a>
\n54<\/a>
\n54<\/a>
\n44<\/a><\/td>\n		Duetten, Op.174
\nGute Nacht . . . , Op.137, no.2
\nIch sehe dich . . . ,Op.137, no.3
\nLieder, Op.109, no.1<\/td>\n<\/tr>\n
 <\/td>\nAlbeniz<\/th>\n<\/tr>\n
1<\/a><\/td>\nIberia<\/td>\n<\/tr>\n
 <\/td>\nAscher<\/th>\n<\/tr>\n
74<\/a><\/td>\nL’Alliance, Op.50<\/td>\n<\/tr>\n
 <\/td>\nAuber<\/th>\n<\/tr>\n
54<\/a>
\n52<\/a><\/td>\n		Aurora d’Italia e di Germania
\nOverture, La Muette de Portici<\/td>\n<\/tr>\n
 <\/td>\n<\/a>B\u00e9dard<\/th>\n<\/tr>\n
77<\/a><\/td>\nTheme d’Agliati, variations<\/td>\n<\/tr>\n
 <\/td>\nBeethoven<\/th>\n<\/tr>\n
7<\/a>
\n3<\/a>
\n3<\/a>
\n7<\/a>
\n7<\/a>
\n3<\/a>, 7<\/a>
\n77<\/a>
\n7<\/a>
\n3<\/a>
\n7<\/a>
\n7<\/a>
\n3<\/a>
\n7<\/a>
\n3<\/a>, 7<\/a>
\n7<\/a>
\n45<\/a>
\n3<\/a>
\n3<\/a>
\n3<\/a>
\n3<\/a>
\n3<\/a>, 7<\/a>
\n7<\/a>
\n7<\/a>
\n7<\/a>
\n69<\/a>
\n78<\/a>
\n3<\/a>
\n7<\/a>
\n8<\/a>
\n8<\/a>
\n8<\/a>
\n8<\/a>
\n8<\/a>
\n8<\/a>
\n8<\/a>
\n61<\/a>
\n7<\/a>
\n7<\/a>
\n7<\/a>
\n3<\/a>
\n7<\/a>
\n4<\/a>
\n4<\/a>
\n4<\/a>
\n4<\/a>
\n4<\/a>
\n4<\/a>
\n2<\/a>
\n2<\/a>
\n2<\/a>
\n3<\/a>, 5<\/a>
\n3<\/a>, 5<\/a>
\n3<\/a>, 5<\/a>
\n5<\/a>
\n5<\/a>
\n2<\/a>, 6<\/a>, 82<\/a>
\n2<\/a>
\n2<\/a>, 46<\/a>
\n2<\/a>, 46<\/a>, 74<\/a>
\n2<\/a>, 6<\/a>, 46<\/a>
\n2<\/a>
\n2<\/a>
\n2<\/a>, 46<\/a>
\n82<\/a>
\n2<\/a>, 89<\/a>
\n74<\/a>
\n2<\/a>, 61<\/a>
\n2<\/a>
\n2<\/a>
\n2<\/a>, 6<\/a>
\n46<\/a>
\n2<\/a>
\n5<\/a>
\n5<\/a>
\n5<\/a>
\n59<\/a>
\n7<\/a>
\n7<\/a>
\n53<\/a>
\n3<\/a>
\n77<\/a>
\n3<\/a>
\n7<\/a>
\n3<\/a>
\n50<\/a>
\n3<\/a><\/td>\n		Adagio with Variations, Op.34
\nAir suisse, WoO 64
\nAndante Favori, WoO 57
\nAndante, WoO 57
\nDas Waldmadchen, WoO 71
\nEs war einmal, WoO 66
\nFantasie, Op.77
\nFifteen Variations, Op.35
\nFugue, Op.137
\nGod save the King, WoO 78
\nIch hab ein kleines Huttchen nur, Anh.10
\nKind willst du ruhig schlafen, WoO 75
\nKind, willst du ruhig schlafen, WoO 75
\nLa stessa, WoO 73
\nLeichte Variations, WoO 77
\nLieder, WoO129
\nMarch from the Ruins of Athens, Op.114
\nMarche de Dressler, WoO 63
\nMarche Funebre, Op.26
\nMenuet, WoO 82
\nMenuetto delle Nozze, WoO 68
\nMich brannt ein heisses Fieber, WoO 72
\nNel cor piu, WoO 70
\nNine Variations and March, WoO 63
\nOuverture, Egmont, for four hands, Op.84
\nPolonaise, Op.89
\nPrelude, WoO 55
\nQuant’e bello, WoO 69
\nQuartet, Op.127
\nQuartet, Op.130
\nQuartet, Op.131
\nQuartet, Op.132
\nQuartet, Op.135
\nQuartet, Op.74
\nQuartet, Op.95
\nRondo, Op.51, no.2
\nRule Britannia, WoO 79
\nSchweizerlied, WoO 64
\nSeptett, Op.20
\nSeptetto, Op.20
\nSix Variations, Op.76
\nSonate for cello (violin) and piano, Op.102, no.1
\nSonate for cello (violin) and piano, Op.102, no.2
\nSonate for cello (violin) and piano, Op.5, no.1
\nSonate for cello (violin) and piano, Op.5, no.2
\nSonate for cello (violin) and piano, Op.69
\nSonate for cello and piano, Op.69
\nSonate, Op.10, no.1
\nSonate, Op.10, no.2
\nSonate, Op.10, no.3
\nSonate, Op.101
\nSonate, Op.106
\nSonate, Op.109
\nSonate, Op.110
\nSonate, Op.111
\nSonate, Op.13
\nSonate, Op.14, no.1
\nSonate, Op.14, no.2
\nSonate, Op.2, no.1
\nSonate, Op.2, no.2
\nSonate, Op.2, no.3
\nSonate, Op.22
\nSonate, Op.26
\nSonate, Op.27
\nSonate, Op.27, no.1
\nSonate, Op.27, no.2
\nSonate, Op.28
\nSonate, Op.31, no.1
\nSonate, Op.31, no.2
\nSonate, Op.31, no.3
\nSonate, Op.49, no.2
\nSonate, Op.7
\nSonate, Op.81a
\nSonate, Op.90
\nSonatine, Op.79
\nSymphony, for four hands, Op.60, no.1
\nTandeln und Scherzen, WoO 76
\nThirty-two Variations, Op.36
\nTrio, Op.70, no.1
\nTriumph March, WoO 2a
\nVariations, Op.35
\nVariations, Op.76
\nVieni Amore, WoO 65
\nVienni, Amore, WoO 65
\nViolin Sonate, Op.47
\nWaldmadchen, WoO 71<\/td>\n<\/tr>\n
 <\/td>\nBerwald<\/th>\n<\/tr>\n
47<\/a><\/td>\nGrande Sonate, Op.6<\/td>\n<\/tr>\n
 <\/td>\nBeyer<\/th>\n<\/tr>\n
74<\/a><\/td>\nMorceaux Elegants, Op.99<\/td>\n<\/tr>\n
 <\/td>\nBlodek<\/th>\n<\/tr>\n
67<\/a><\/td>\nOuvertura<\/td>\n<\/tr>\n
 <\/td>\nBlumenthal<\/th>\n<\/tr>\n
63<\/a><\/td>\nLa Source, Caprice, Op.1<\/td>\n<\/tr>\n
 <\/td>\nBoieldieu<\/th>\n<\/tr>\n
58<\/a>
\n52<\/a><\/td>\n		Overture, Caliph von Bagdad
\nOverture, La Dame Blanche<\/td>\n<\/tr>\n
 <\/td>\nBorodin<\/th>\n<\/tr>\n
86<\/a>
\n86<\/a><\/td>\n		Chez ceux-la chez nous
\nMelodie Arabe<\/td>\n<\/tr>\n
 <\/td>\nBorodine<\/th>\n<\/tr>\n
76<\/a><\/td>\nOuverture, Prince Igor<\/td>\n<\/tr>\n
 <\/td>\nBrahms<\/th>\n<\/tr>\n
9<\/a>
\n68<\/a>
\n76<\/a>
\n84<\/a>
\n68<\/a>
\n70<\/a>
\n70<\/a>
\n70<\/a>
\n68<\/a>
\n54<\/a>, 84<\/a><\/td>\n		Hungarian Dances, WoO 1
\nHungarian Dances, for four hands, WoO 1
\nIntermezzi, Op.117
\nLiebestreu, Op.3, no.1
\nNeue Liebeslieder, for four hands, Op.65
\nQuartet, Op.25
\nQuartet, Op.26
\nQuartet, Op.60
\nWaltzes, for four hands, Op.52
\nWiegenlied, Op.49, no.4<\/td>\n<\/tr>\n
 <\/td>\nBrassin<\/th>\n<\/tr>\n
80<\/a>
\n80<\/a>
\n80<\/a><\/td>\n		Der Ritt der Walkuren, Der Ring der Nibelungen
\nFeuerzauber, Der Ring der Nibelungen
\nSiegmund’s Liebes Gesang, Der Ring der Nibelungen<\/td>\n<\/tr>\n
 <\/td>\nBurgm\u00fcller<\/th>\n<\/tr>\n
60<\/a>
\n60<\/a>
\n60<\/a><\/td>\n		Divertissements, Lucia di Lammermoor, Op.54, no.1
\nFleurs melodiques, Op.82, no.4
\nRondo Brillant, La Xacarilla de Marliani, Op.62, no.3<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Cateau<\/th>\n<\/tr>\n
76<\/a><\/td>\nBeim Souper<\/td>\n<\/tr>\n
 <\/td>\nCesi<\/th>\n<\/tr>\n
68<\/a><\/td>\nPensieri dell’Opera Aida, for four hands, Op.27<\/td>\n<\/tr>\n
 <\/td>\nChausson<\/th>\n<\/tr>\n
86<\/a><\/td>\nNanny<\/td>\n<\/tr>\n
 <\/td>\nChianchettini<\/th>\n<\/tr>\n
77<\/a><\/td>\nRondo, Les Delices de Cheltenham, Op.19<\/td>\n<\/tr>\n
 <\/td>\nChopin<\/th>\n<\/tr>\n
71<\/a>
\n12<\/a>
\n83<\/a>
\n71<\/a>
\n71<\/a>
\n12<\/a>
\n11<\/a>, 77<\/a>
\n75<\/a>
\n12<\/a>
\n10<\/a>
\n71<\/a>
\n13<\/a>
\n13<\/a>
\n10<\/a>, 13<\/a>, 63<\/a>,
\n60<\/a>, 71<\/a>
\n63<\/a>
\n74<\/a>
\n10<\/a>
\n10<\/a>
\n10<\/a>
\n71<\/a>
\n13<\/a>
\n71<\/a>
\n74<\/a>
\n13<\/a>
\n12<\/a>, 63<\/a>
\n63<\/a>
\n63<\/a>
\n13<\/a>
\n71<\/a>
\n71<\/a>
\n75<\/a><\/td>\n		Allegro de Concert, Op.46
\nAndante Spianato, Op.22
\nBallade, Op.47 163
\nBarcarolle, Op.60
\nBerceuse, Op.57
\nDeux Valses
\nEtudes, Op.10
\nEtudes, Op.25
\nFantaisie-Impromptu, Op.66
\nFantaisie-Impromptu, Op.66
\nGrande Polonaise brillante, Op.22
\nGrande Valse Brillante, Op.18
\nGrande Valse, Op.34, no.1
\nImpromptu, Op.29
\nMarche Funebre, Op.35
\nMazourkas, Op.59
\nMazurka, Op.24, no.4
\nMazurkas, Op.50
\nNocturnes, Op.15
\nNocturnes, Op.55
\nNocturnes, Op.62
\nPolonaises, Op.26
\nPolonaises, Op.71, no.3
\nRondo, Op.1
\nTrois Mazurkas, Op.63
\nValse Brillante, Op.34, no.1
\nValse Brillante, Op.64, no.1
\nValse Brillante, Op.64, no.2
\nValses, Op.64
\nValses, Op.64, no.1
\nValses, Op.70
\nWaltz<\/td>\n<\/tr>\n
 <\/td>\nCianchettini<\/th>\n<\/tr>\n
77<\/a><\/td>\nBeati immaculata in via<\/td>\n<\/tr>\n
 <\/td>\nCiechanowski<\/th>\n<\/tr>\n
60<\/a><\/td>\nRosignol<\/td>\n<\/tr>\n
 <\/td>\nClementi<\/th>\n<\/tr>\n
14<\/a>, 15<\/a>
\n14<\/a>
\n15<\/a>
\n14<\/a>
\n14<\/a>, 15<\/a>
\n14<\/a>
\n14<\/a>
\n14<\/a>, 15<\/a>
\n14<\/a>, 15<\/a>
\n14<\/a>, 15<\/a>
\n14<\/a>
\n14<\/a>
\n14<\/a>
\n14<\/a>
\n14<\/a>, 15<\/a>
\n15<\/a>
\n14<\/a>
\n14<\/a>
\n14<\/a>, 15<\/a>
\n14<\/a>
\n59<\/a>
\n77<\/a><\/td>\n		Sonate in A, Op.25, no.4
\nSonate in A, Op.50, no.1
\nSonate in B, Op.12, no.1
\nSonate in B, Op.12, no.2
\nSonate in B, Op.2, no.6
\nSonate in B, Op.24, no.2
\nSonate in b, Op.40, no.2
\nSonate in C, Op.2, no.2
\nSonate in C, Op.33, no.3
\nSonate in C, Op.34, no.1
\nSonate in C, Op.47, no.2
\nSonate in d, Op.40, no.3
\nSonate in d, Op.50, no.2
\nSonate in e, Op47, no.1
\nSonate in E-flat, Op.12, no.4
\nSonate in f-sharp
\nSonate in f-sharp, Op.25, no.5
\nSonate in g, Op.34, no.2
\nSonate in G, Op.40, no.1
\nSonate in g, Op.50, no.3
\nSonates
\nVariations, J’ai Vu Lise . . .<\/td>\n<\/tr>\n
 <\/td>\nConcone<\/th>\n<\/tr>\n
74<\/a><\/td>\nEtudes, Op.25<\/td>\n<\/tr>\n
 <\/td>\nConradi<\/th>\n<\/tr>\n
89<\/a><\/td>\nPolka Mazurka, Op.75, no.2<\/td>\n<\/tr>\n
 <\/td>\nCoria<\/th>\n<\/tr>\n
60<\/a>
\n60<\/a><\/td>\n		Fantasie brillante sur Semiramide, Op.42
\nFantasie de Concert, Op.21<\/td>\n<\/tr>\n
 <\/td>\nCramer<\/th>\n<\/tr>\n
61<\/a>
\n63<\/a>
\n42<\/a>
\n77<\/a>
\n61<\/a>
\n76<\/a>
\n61<\/a><\/td>\n		Etude
\nEtudes
\nGrand Duett, Op.33
\nIntroduction and Andante with variations
\nLe Petit Rien
\nTrauermarsch
\nVarie et Rondo, I’ai perdu mon Euridice<\/td>\n<\/tr>\n
 <\/td>\nCzerny<\/th>\n<\/tr>\n
89<\/a>
\n77<\/a>
\n51<\/a><\/td>\n		Rondino, Op.29
\nSouvenir Theatral, Norma
\nToccatina brillante, Op.63<\/td>\n<\/tr>\n
 <\/td>\n<\/a>D’Indy<\/th>\n<\/tr>\n
57<\/a><\/td>\nViolin Sonate, Op.59<\/td>\n<\/tr>\n
 <\/td>\nde Weber<\/th>\n<\/tr>\n
73<\/a>
\n66<\/a>
\n66<\/a><\/td>\n		Complete Works
\nGrande Polonoise, J59
\nRondo Brillante, Op.62<\/td>\n<\/tr>\n
 <\/td>\nDebussy<\/th>\n<\/tr>\n
86<\/a>
\n86<\/a>
\n86<\/a>
\n56<\/a><\/td>\n		Fetes Galantes
\nLes Cloches
\nRomance
\nViolin Sonate<\/td>\n<\/tr>\n
 <\/td>\nDiabelli<\/th>\n<\/tr>\n
48<\/a><\/td>\nSonate, for four hands, Op.33<\/td>\n<\/tr>\n
 <\/td>\nDietrich<\/th>\n<\/tr>\n
55<\/a><\/td>\nTrio, Op.14<\/td>\n<\/tr>\n
 <\/td>\nD\u00f6hler<\/th>\n<\/tr>\n
71<\/a>
\n74<\/a>
\n88<\/a><\/td>\n		Amusement de Salon, Op.18
\nNocturne, Op.24
\nVariations Brillantes, I Puritani, Op.13<\/td>\n<\/tr>\n
 <\/td>\nDonizetti<\/th>\n<\/tr>\n
60<\/a><\/td>\nPotpourris, le Fille du regiment<\/td>\n<\/tr>\n
 <\/td>\nDussek<\/th>\n<\/tr>\n
77<\/a>
\n65<\/a><\/td>\n		Andante, La consolation, Op.62
\nLe retour a Paris, Op.70<\/td>\n<\/tr>\n
 <\/td>\nDuvernoy<\/th>\n<\/tr>\n
74<\/a>
\n74<\/a><\/td>\n		Donizetti Fantasie, Op.245
\nFantasie, Lucia de Lamermoor, Op.180<\/td>\n<\/tr>\n
 <\/td>\nDvor\u00e1k<\/th>\n<\/tr>\n
69<\/a>
\n69<\/a>
\n67<\/a><\/td>\n		Quartet, Op.23
\nQuartet, Op.87
\nSlavonic Dances, Op.72<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Eeden<\/th>\n<\/tr>\n
54<\/a><\/td>\nAn meine Guitarre<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Faur\u00e9<\/th>\n<\/tr>\n
57<\/a><\/td>\nViolin Sonate, Op.118<\/td>\n<\/tr>\n
 <\/td>\nField<\/th>\n<\/tr>\n
66<\/a>
\n73<\/a>
\n73<\/a>
\n73<\/a>
\n81<\/a>
\n75<\/a>, 85<\/a>, 89<\/a>
\n73<\/a>
\n73<\/a>
\n73<\/a>
\n85<\/a><\/td>\n		Fantasie, Op.3
\nFifth Concerto
\nFirst Concerto
\nFourth Concerto
\nNocturne
\nNocturnes
\nSecond Concerto
\nSixth Concerto
\nThird Concerto
\nVariations<\/td>\n<\/tr>\n
 <\/td>\nFranck<\/th>\n<\/tr>\n
56<\/a><\/td>\nViolin Sonate<\/td>\n<\/tr>\n
 <\/td>\nFranz<\/th>\n<\/tr>\n
54<\/a><\/td>\nAch ihr Walder, Op.40, no.5<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Gade<\/th>\n<\/tr>\n
81<\/a><\/td>\nFantasiestucke, Op.41<\/td>\n<\/tr>\n
 <\/td>\nGelineck<\/th>\n<\/tr>\n
89<\/a><\/td>\nVariations, No.50<\/td>\n<\/tr>\n
 <\/td>\nGockel<\/th>\n<\/tr>\n
71<\/a><\/td>\nNocturne sentimentale<\/td>\n<\/tr>\n
 <\/td>\nGollmick<\/th>\n<\/tr>\n
66<\/a><\/td>\nVariations, Op.13<\/td>\n<\/tr>\n
 <\/td>\nGottschalk<\/th>\n<\/tr>\n
76<\/a><\/td>\nLasavane Balleade Creole, Op.3<\/td>\n<\/tr>\n
 <\/td>\nGounod<\/th>\n<\/tr>\n
84<\/a>
\n44<\/a>
\n54<\/a><\/td>\n		Ave Maria
\nConcertsaal Opern-Gesange und Lieder
\nFruhlingslied<\/td>\n<\/tr>\n
 <\/td>\nGraben-Hoffmann<\/th>\n<\/tr>\n
84<\/a><\/td>\nLieder, Op.49<\/td>\n<\/tr>\n
 <\/td>\nGraziani<\/th>\n<\/tr>\n
68<\/a><\/td>\nDivertimento, Faust, for four hands<\/td>\n<\/tr>\n
 <\/td>\nGregoir<\/th>\n<\/tr>\n
71<\/a>
\n71<\/a><\/td>\n		Morceau de Concours, Op.57
\nMorceau de Salon, Op.33<\/td>\n<\/tr>\n
 <\/td>\nGrund<\/th>\n<\/tr>\n
47<\/a><\/td>\nSonate, Op.9<\/td>\n<\/tr>\n
 <\/td>\nGr\u00fcnfeld<\/th>\n<\/tr>\n
75<\/a><\/td>\nMazurka, Op.14<\/td>\n<\/tr>\n
 <\/td>\nGumbert<\/th>\n<\/tr>\n
44<\/a>
\n67<\/a><\/td>\n		Seh ich die grune an, Op.10, no.3
\nTrehde’s (und Anderer) Transcriptionen<\/td>\n<\/tr>\n
 <\/td>\nGung’l<\/th>\n<\/tr>\n
89<\/a><\/td>\nDie Prager Walzer, Op.160<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Hamma<\/th>\n<\/tr>\n
82<\/a><\/td>\nFantasie, Op.37<\/td>\n<\/tr>\n
 <\/td>\nHandel<\/th>\n<\/tr>\n
65<\/a>
\n77<\/a>
\n43<\/a><\/td>\n		Chaconne
\nFugues and Cappriccio
\nVariations and Aria<\/td>\n<\/tr>\n
 <\/td>\nHaydn<\/th>\n<\/tr>\n
17<\/a>
\n17<\/a>
\n17<\/a>
\n47<\/a>
\n54<\/a>
\n16<\/a>
\n17<\/a>
\n17<\/a>
\n16<\/a>, 17<\/a>
\n16<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a>
\n16<\/a>, 17<\/a>
\n16<\/a>
\n17<\/a>
\n16<\/a>
\n17<\/a>
\n16<\/a>, 17<\/a>
\n17<\/a>
\n16<\/a>, 17<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a>
\n16<\/a>
\n16<\/a>, 17<\/a>
\n17<\/a>
\n16<\/a>, 17<\/a>
\n17<\/a>
\n16<\/a>, 17<\/a>
\n16<\/a>, 17<\/a>
\n16<\/a>, 17<\/a>
\n17<\/a>
\n17<\/a>
\n16<\/a>
\n16<\/a>, 17<\/a>
\n17<\/a>
\n16<\/a>, 17<\/a>
\n17<\/a>
\n17<\/a>
\n18<\/a>
\n18<\/a>
\n18<\/a>
\n18<\/a>
\n18<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a>
\n17<\/a><\/td>\n		Adagio in F, H.XVI\/50
\nCapriccio in G, H.XVII\/1
\nFantasie in C, H.XVII\/4
\nLargo, for horn and piano
\nO susser Ton, H.XXVIa 42
\nSonate and Variations in f, H.XVII\/6
\nSonate in A, H.XVI\/12
\nSonate in A, H.XVI\/30
\nSonate in A-flat, H.XVI\/46
\nSonate in B, H. XVI\/41
\nSonate in B, H.XVI\/18
\nSonate in b, H.XVI\/32
\nSonate in B, H.XVI\/41
\nSonate in c, H.XVI\/20
\nSonate in C, H.XVI\/21
\nSonate in C, H.XVI\/35
\nSonate in C, H.XVI\/48
\nSonate in c-sharp, H. XVI\/36
\nSonate in c-sharp, H.XVI\/36
\nSonate in D, H. XVI\/42
\nSonate in D, H.XVI\/14
\nSonate in D, H.XVI\/19
\nSonate in D, H.XVI\/33
\nSonate in D, H.XVI\/37
\nSonate in D, H.XVI\/42
\nSonate in D, H.XVI\/51
\nSonate in E, H.XVI\/13
\nSonate in E, H.XVI\/22
\nSonate in E, H.XVI\/31
\nSonate in E, H.XVI\/32
\nSonate in e, H.XVI\/34
\nSonate in E-flat, H.XVI\/28
\nSonate in E-flat, H.XVI\/38
\nSonate in E-flat, H.XVI\/45
\nSonate in E-flat, H.XVI\/49
\nSonate in E-flat, H.XVI\/52
\nSonate in F, H.XVI\/23
\nSonate in F, H.XVI\/29
\nSonate in F, H.XVI\/47
\nSonate in G, H. XVI\/39
\nSonate in G, H.XVI\/27
\nSonate in G, H.XVI\/39
\nSonate in G, H.XVI\/40
\nSonate in g, H.XVI\/44
\nSonate in G, H.XVI\/6
\nSymphony (arr. for piano), H.92
\nSymphony, (arr. for piano) H.70
\nSymphony, (arr. for piano) H.91
\nSymphony, (arr. for piano) H.I 44
\nSymphony, (arr. for piano) H.I 67
\nVariations in A, H.XVII\/2
\nVariations in C, H.XVII\/5
\nVariations in E-flat, H.XVII\/3
\nVariations in f, H.XVII\/6<\/td>\n<\/tr>\n
 <\/td>\nHeintz<\/th>\n<\/tr>\n
75<\/a><\/td>\nAngereihte Stucke, Parsival<\/td>\n<\/tr>\n
 <\/td>\nHeller<\/th>\n<\/tr>\n
77<\/a>
\n75<\/a>
\n74<\/a>
\n43<\/a>
\n65<\/a>
\n81<\/a>
\n83<\/a>
\n43<\/a><\/td>\n		Caprice brillant, Op.27
\nCaprice, Elfenmarsch, Op.144
\nLa Poste, Op.35
\nLa Truit, Op.33
\nPolonaise, Op.104
\nPraeludien, Op.81
\nSalterello, Op.77
\nTarentelles, Op.85<\/td>\n<\/tr>\n
 <\/td>\nHenselt<\/th>\n<\/tr>\n
65<\/a>
\n77<\/a>
\n43<\/a><\/td>\n		Etude caracteristique, Op.2
\nEtude, Op.5, no.3
\nEtudes<\/td>\n<\/tr>\n
 <\/td>\nHerold<\/th>\n<\/tr>\n
61<\/a><\/td>\nFantasie Brillante, Op.33<\/td>\n<\/tr>\n
 <\/td>\nHerz<\/th>\n<\/tr>\n
61<\/a>
\n61<\/a>
\n61<\/a>
\n60<\/a>
\n60<\/a>
\n60<\/a>
\n60<\/a>
\n61<\/a>
\n61<\/a>
\n60<\/a><\/td>\n		Airs de Ballets de Guillaume Tell
\nAirs de Ballets, Moise
\nAirs Varies, Op.30, no.1
\nCavatine de Semiramis
\nCavatine de Zampa, Op.66
\nDivertissement, Op.15
\nRondeau, Op.74
\nRondo Brillant
\nVariations Brillantes, Op.17
\nVariations de bravoure<\/td>\n<\/tr>\n
 <\/td>\nHess<\/th>\n<\/tr>\n
74<\/a><\/td>\nBerceuse, Op.42<\/td>\n<\/tr>\n
 <\/td>\nHoffmeister<\/th>\n<\/tr>\n
88<\/a><\/td>\nTrios concertantes<\/td>\n<\/tr>\n
 <\/td>\nHolst<\/th>\n<\/tr>\n
77<\/a><\/td>\nThe Favorite Irish Melody, Variations<\/td>\n<\/tr>\n
 <\/td>\nHummel<\/th>\n<\/tr>\n
61<\/a>
\n89<\/a>
\n77<\/a>
\n47<\/a><\/td>\n		Grand Concerto, Op.89
\nRondo, Op.11
\nRondo, Op.56
\nSonate, Op.19<\/td>\n<\/tr>\n
 <\/td>\nH\u00fcnten<\/th>\n<\/tr>\n
60<\/a>
\n52<\/a>
\n60<\/a>
\n60<\/a><\/td>\n		Airs Italiens varies, La Norma, Op.65, no.3
\nTheme Allemand, Op.26
\nTyrolienne de la Vestale de Mercadente, Op.124
\nVariations, Op.9<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Iarecki<\/th>\n<\/tr>\n
60<\/a><\/td>\nGrand Polka Concertante, Op.14<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Jarnach<\/th>\n<\/tr>\n
57<\/a><\/td>\nViolin Sonate<\/td>\n<\/tr>\n
 <\/td>\nJenike<\/th>\n<\/tr>\n
60<\/a><\/td>\nCommemoraison de Frederic Chopin<\/td>\n<\/tr>\n
 <\/td>\nJensen<\/th>\n<\/tr>\n
84<\/a>
\n84<\/a><\/td>\n		Gesange, Op.21
\nLehn’ deine Wang’ an meine Wang, Op.1, no.1<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Kafka<\/th>\n<\/tr>\n
82<\/a>
\n82<\/a><\/td>\n		Die Rose von Circassien, Op.130
\nIn Voslau, Brillantes Impromptu, Op.65<\/td>\n<\/tr>\n
 <\/td>\nKalkbrenner<\/th>\n<\/tr>\n
85<\/a>
\n82<\/a>
\n85<\/a>
\n19<\/a><\/td>\n		Rondino, Op.32
\nScene Dramatique, Op.136
\nSonate, Op.1
\nTwenty-four Exercises<\/td>\n<\/tr>\n
 <\/td>\nKeinzl<\/th>\n<\/tr>\n
83<\/a>
\n83<\/a><\/td>\n		Aus meinem Tagebuche . . ., Op.15
\nTanzweisen, Op.21<\/td>\n<\/tr>\n
 <\/td>\nKochubey<\/th>\n<\/tr>\n
44<\/a><\/td>\n“Skazhite ei”<\/td>\n<\/tr>\n
 <\/td>\nKretschmer<\/th>\n<\/tr>\n
43<\/a><\/td>\nDer Brauttanz von Falun<\/td>\n<\/tr>\n
 <\/td>\nK\u00fccken<\/th>\n<\/tr>\n
54<\/a><\/td>\nDer Himmel hat eine Thrane geweint, Op.63<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Labitzky<\/th>\n<\/tr>\n
77<\/a><\/td>\nThe Joys of Life, Op.7<\/td>\n<\/tr>\n
 <\/td>\nLatour<\/th>\n<\/tr>\n
48<\/a><\/td>\nDuettino, for four hands<\/td>\n<\/tr>\n
 <\/td>\nLefebure-Wely<\/th>\n<\/tr>\n
74<\/a><\/td>\nLes Cloches du Monastere, Nocture, Op.54<\/td>\n<\/tr>\n
 <\/td>\nLekeu<\/th>\n<\/tr>\n
56<\/a><\/td>\nViolin Sonate<\/td>\n<\/tr>\n
 <\/td>\nLeybach<\/th>\n<\/tr>\n
74<\/a>
\n74<\/a><\/td>\n		Nocturne, Op.3
\nNocturne, Op.4<\/td>\n<\/tr>\n
 <\/td>\nLiszt<\/th>\n<\/tr>\n
80<\/a>
\n75<\/a>
\n78<\/a>
\n80<\/a>
\n75<\/a>
\n80<\/a>
\n80<\/a>
\n78<\/a>, 83<\/a>
\n83<\/a>
\n64<\/a>
\n43<\/a>
\n43<\/a>
\n80<\/a>, 83<\/a>
\n43<\/a>
\n43<\/a>
\n43<\/a>
\n76<\/a>
\n78<\/a>
\n80<\/a>
\n75<\/a>
\n75<\/a>
\n63<\/a>
\n75<\/a>
\n65<\/a>
\n80<\/a>
\n78<\/a><\/td>\n		Am Stillen Herd, S448\/R281
\nAufenthalt, S560\/R245
\nCanzone e Tarantelle, S162\/R10c
\nChants polonaise, Op.74
\nConcert Paraphrases, Ernani and Rigoletto, S432\/R265
\nDanse Macabre, S555\/R240
\nDer Fliegende Holander Ballade, S441\/R274
\nDie Rose, S571\/R259
\nElsa’s Brautzug zum Munster, Tannhauser and Lohengrin, S445\/R278
\nGrand Galop chromatique, S219\/R41
\nHungarian Rhapsodie, S244\/R106, no.11
\nHungarian Rhapsody, S244.R106, no.2
\nHungarian Rhapsody, S244\/R106
\nHungarian Rhapsody, S244\/R106, no.1
\nHungarian Rhapsody, S244\/R106, no.13
\nHungarian Rhapsody, S244\/R106, no.8
\nIsolden’s Liebest-Tod, S447\/R280
\nLegendes, S175\/R17
\nLose Himmel meine Seele, S495\/R174
\nMuller Lieder, S565\/R249
\nSoirees Musicales de Rossini, S424\/R236
\nSoirees Musicales, S424\/R236
\nUngeduld, S563\/R248
\nValse de Faust, S407\/R166
\nValse, Faust, S407\/R166
\nVerdi’s Opern-Album, S432-434\/R265-267<\/td>\n<\/tr>\n
 <\/td>\nLitolff<\/th>\n<\/tr>\n
71<\/a>
\n71<\/a>
\n71<\/a>
\n71<\/a><\/td>\n		Mazurkas, Op.40
\nNocturne, Op.62
\nPromenade du soir, Op.44
\nRomance, Op.90<\/td>\n<\/tr>\n
 <\/td>\nLoeschhorn<\/th>\n<\/tr>\n
65<\/a><\/td>\nAbend am Meer, Op.70, no.3<\/td>\n<\/tr>\n
 <\/td>\nLysberg<\/th>\n<\/tr>\n
68<\/a><\/td>\nDuo, for four hands Op.92<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Marschner<\/th>\n<\/tr>\n
54<\/a>
\n54<\/a>
\n54<\/a><\/td>\n		Antwort, Op.179, no.1
\nCaledon N. Motherwell’s Lieder, Op.125
\nMein Herz . . .<\/td>\n<\/tr>\n
 <\/td>\nMayer<\/th>\n<\/tr>\n
63<\/a>
\n60<\/a><\/td>\n		Grande Etude, Op.61, no.3
\nGrandes Etudes, Op.61<\/td>\n<\/tr>\n
 <\/td>\nMehul<\/th>\n<\/tr>\n
58<\/a><\/td>\nOverture, Die beiden Blinden von Toledo<\/td>\n<\/tr>\n
 <\/td>\nMendelssohn<\/th>\n<\/tr>\n
44<\/a>
\n20<\/a>
\n20<\/a>
\n44<\/a>
\n44<\/a>
\n69<\/a>
\n68<\/a>
\n77<\/a>
\n63<\/a>
\n78<\/a>
\n77<\/a>
\n77<\/a>
\n20<\/a>
\n20<\/a>
\n20<\/a>
\n20<\/a>
\n20<\/a>
\n20<\/a>
\n71<\/a>
\n20<\/a>
\n44<\/a>
\n44<\/a><\/td>\n		Auf der Wanderschaft, Op.71, no.5
\nConcerto, Op.25
\nConcerto, Op.40
\nFruhlingslied, Op.47, no.3
\nFruhlingslied, Op.71, no.2
\nKriegsmarsch der Prieste, for four hands, Op.74
\nKriegsmarsch der Priester aus Athalia, for four hands, Op.74
\nPhantasie, Op.28
\nRondo cappriccioso, Op.14
\nRondo capriccioso, Op.14
\nScherzo and Capriccio
\nSerenade and Allegro Giojoso, Op.43
\nSongs without Words, Op.19
\nSongs without Words, Op.30
\nSongs without Words, Op.38
\nSongs without Words, Op.53
\nSongs without Words, Op.62
\nSongs without Words, Op.67
\nSongs without Words, Op.85
\nVariations serieuses, Op.54
\nVenetianisches Gondellied, Op.57, no.5
\nVolkslied, Op.47, no.4<\/td>\n<\/tr>\n
 <\/td>\nMercadante<\/th>\n<\/tr>\n
60<\/a><\/td>\nReminiscenses, Varsovie<\/td>\n<\/tr>\n
 <\/td>\nMeyerbeer<\/th>\n<\/tr>\n
45<\/a>
\n67<\/a>
\n45<\/a><\/td>\n		Die Wahnsinnige
\nPotpourris, Die Hugenotten
\nSonntagslied<\/td>\n<\/tr>\n
 <\/td>\nMichaelis<\/th>\n<\/tr>\n
89<\/a><\/td>\nPolka<\/td>\n<\/tr>\n
 <\/td>\nMill\u00f6cker<\/th>\n<\/tr>\n
76<\/a><\/td>\nGasparone<\/td>\n<\/tr>\n
 <\/td>\nMoscheles<\/th>\n<\/tr>\n
61<\/a>
\n61<\/a><\/td>\n		Grandes Variations, Op.32
\nLa Tenerezza, la Tendresse Rondeau<\/td>\n<\/tr>\n
 <\/td>\nMoszkowski<\/th>\n<\/tr>\n
75<\/a>
\n87<\/a><\/td>\n		Stucke, Op.15
\nViolin Concerto, Op.30<\/td>\n<\/tr>\n
 <\/td>\nMoussorgsky<\/th>\n<\/tr>\n
86<\/a><\/td>\nRomances et Chansons<\/td>\n<\/tr>\n
 <\/td>\nMozart<\/th>\n<\/tr>\n
45<\/a>
\n22<\/a>
\n22<\/a>
\n53<\/a>
\n53<\/a>
\n42<\/a>
\n42<\/a>
\n45<\/a>
\n45<\/a>
\n85<\/a>
\n23<\/a>
\n23<\/a>
\n23<\/a>
\n25<\/a>
\n23<\/a>
\n25<\/a>
\n24<\/a>
\n23<\/a>
\n21<\/a>
\n62<\/a>, 72<\/a>
\n25<\/a>
\n23<\/a>
\n25<\/a>
\n48<\/a>
\n58<\/a>
\n48<\/a>
\n48<\/a>
\n48<\/a>
\n48<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n22<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n24<\/a>
\n23<\/a>
\n23<\/a>
\n23<\/a>
\n42<\/a>
\n23<\/a>
\n46<\/a>
\n21<\/a>, 23<\/a>
\n23<\/a>
\n21<\/a>
\n21<\/a>, 23<\/a>
\n85<\/a>
\n21<\/a>, 23<\/a>, 59<\/a>
\n21<\/a>, 23<\/a>
\n42<\/a>
\n22<\/a>
\n25<\/a>
\n22<\/a>
\n22<\/a>, 25<\/a>
\n22<\/a>, 25<\/a>
\n22<\/a>
\n22<\/a>, 25<\/a>
\n22<\/a>
\n22<\/a>
\n25<\/a>
\n22<\/a>, 25<\/a>
\n22<\/a>
\n22<\/a>, 25<\/a>
\n25<\/a>
\n22<\/a>, 25<\/a>
\n22<\/a>
\n22<\/a>, 25<\/a>
\n22<\/a>, 25<\/a>
\n22<\/a>
\n22<\/a>, 25<\/a>
\n22<\/a>
\n22<\/a>, 25<\/a>
\n45<\/a>
\n26<\/a>
\n26<\/a>
\n26<\/a>
\n26<\/a>
\n26<\/a>
\n26<\/a>
\n45<\/a><\/td>\n		Abend ist’s . . ., K.523
\nAriette Variee avec Violon obligee, K.374a
\nAriette Variee avec Violon obligee, K.374b
\nCollection of Quartets
\nCollection of Quintets
\nConcerto, K.466
\nConcerto, K.503
\nDie Engel Gottes Weinen, K519
\nEin Vielchen auf der Wiese, K476
\nFantasia, K.475
\nFantasie and Sonata, K.475 & 457
\nFantasie for four hands, K.608
\nFantasie, K.383a
\nFantasie, K.385g
\nFantasie, K.396
\nGigue, K.574
\nGrand Trio, K.563
\nGross Sonate, K.497
\nK547a
\nLieder
\nLitany, K.243
\nMenuet & March, K.576b
\nMenuet, K.576b
\nOverture, Die Entfuhrung, for four hands, K384
\nOverture, Don Giovanni, K.527
\nOverture, Don Juan, for four hands, K527
\nOverture, Figaro, for four hands, K492
\nOverture, Idomeneo, for four hands, K366
\nOverture, Schauspieldirektor, for four hands, K486
\nQuartet
\nQuartet, K.134a
\nQuartet, K.134b
\nQuartet, K.157
\nQuartet, K.158
\nQuartet, K.159
\nQuartet, K.159a
\nQuartet, K.168
\nQuartet, K.169
\nQuartet, K.171
\nQuartet, K.172
\nQuartet, K.173
\nQuartet, K.285a
\nQuartet, K.285b
\nQuartet, K.298
\nQuartet, K.368b
\nQuartet, K.387
\nQuartet, K.417b
\nQuartet, K.421b
\nQuartet, K.458
\nQuartet, K.464
\nQuartet, K.465
\nQuartet, K.499
\nQuartet, K.546
\nQuartet, K.575
\nQuartet, K.589
\nQuartet, K.590
\nQuatre Airs varies, K.454a
\nQuintet, K.174
\nQuintet, K.370a
\nQuintet, K.386c
\nQuintet, K.406
\nQuintet, K.478
\nQuintet, K.515
\nQuintet, K.516
\nQuintet, K.581
\nQuintet, K.593
\nQuintet, K.614
\nRondo
\nRondo, K.284b
\nRondo, K.511
\nSelections, K.501
\nSonate
\nSonate in E-flat
\nSonate, K.205b
\nSonate, K.300d
\nSonate, K.300k
\nSonate, K.315c
\nSonate, K.457
\nSonate, K.533
\nSonate, K.576
\nThree Duetts, K.497, 123a. 186c
\nVariations, Anh.2857
\nVariations, Anh.286
\nVariations, Anh.287
\nVariations, Anh.288
\nVariations, Anh.289
\nVariations, K.173c
\nVariations, K.189a
\nVariations, K.24
\nVariations, K.25
\nVariations, K.265
\nVariations, K.299a
\nVariations, K.300e
\nVariations, K.300f
\nVariations, K.315d
\nVariations, K.374c
\nVariations, K.416e
\nVariations, K.455
\nVariations, K.500
\nVariations, K.547b
\nVariations, K.573
\nVariations, K.581
\nVariations, K.613
\nVergiss Mein nicht
\nViolin Sonata, K.296
\nViolin Sonata, K.376
\nViolin Sonate, K.377
\nViolin Sonate, K.378
\nViolin Sonate, K.379
\nViolin Sonate, K.380
\nWenn die Lieb . . . , K524<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Offenbach<\/th>\n<\/tr>\n
67<\/a><\/td>\nOrfeus v Podsveti<\/td>\n<\/tr>\n
 <\/td>\nOnslow<\/th>\n<\/tr>\n
78<\/a><\/td>\nCaprice<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Pauer<\/th>\n<\/tr>\n
65<\/a>
\n63<\/a><\/td>\n		La Cascade Morceau de Concert, Op.37
\nLa Cascade, Op.37<\/td>\n<\/tr>\n
 <\/td>\nPiern\u00e9<\/th>\n<\/tr>\n
57<\/a><\/td>\nViolin Sonate, Op.36<\/td>\n<\/tr>\n
 <\/td>\nPixis<\/th>\n<\/tr>\n
88<\/a>
\n60<\/a><\/td>\n		Air Anglais varie, Op.93
\nGedanken des Abshiedes in der Nacht, Op.58<\/td>\n<\/tr>\n
 <\/td>\nPleyel<\/th>\n<\/tr>\n
88<\/a>
\n88<\/a><\/td>\n		Sonate
\nSonate, Op.41, no.3<\/td>\n<\/tr>\n
 <\/td>\nProch<\/th>\n<\/tr>\n
45<\/a><\/td>\nTraumlust<\/td>\n<\/tr>\n
 <\/td>\nPuccini<\/th>\n<\/tr>\n
67<\/a><\/td>\nSelections from Madam Butterfly<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Raff<\/th>\n<\/tr>\n
27<\/a>
\n70<\/a>
\n70<\/a>
\n27<\/a>
\n78<\/a><\/td>\n		Deux Marceaux de Salon, Op.20
\nQuartet, Op.202, no.1
\nQuartet, Op.202, no.2
\nSelected Pieces
\nSuite, Op.162<\/td>\n<\/tr>\n
 <\/td>\nReicha<\/th>\n<\/tr>\n
61<\/a><\/td>\nGrands Concertants, Op.101, no.7<\/td>\n<\/tr>\n
 <\/td>\nReinecke<\/th>\n<\/tr>\n
69<\/a><\/td>\nMusic zu Hoffmann’s Kindermarchen, for four hands, Op.46<\/td>\n<\/tr>\n
 <\/td>\nReinenke<\/th>\n<\/tr>\n
75<\/a><\/td>\nIndisches Marchen, Op.13, no.4<\/td>\n<\/tr>\n
 <\/td>\nReissiger<\/th>\n<\/tr>\n
88<\/a>
\n55<\/a><\/td>\n		Petits Rondeaux, Op.51
\nTrio, Op.25<\/td>\n<\/tr>\n
 <\/td>\nReitz<\/th>\n<\/tr>\n
59<\/a><\/td>\nOverture, Hero und Leander, for four hands, Op.11<\/td>\n<\/tr>\n
 <\/td>\nRichards<\/th>\n<\/tr>\n
82<\/a><\/td>\nRomance<\/td>\n<\/tr>\n
 <\/td>\nRiedel<\/th>\n<\/tr>\n
54<\/a><\/td>\nLieder, Op.3<\/td>\n<\/tr>\n
 <\/td>\nRies<\/th>\n<\/tr>\n
66<\/a>
\n89<\/a><\/td>\n		Air Militaire varie, Op.96, no.3
\nIntroduction and Rondo, Op.161<\/td>\n<\/tr>\n
 <\/td>\nRossini<\/th>\n<\/tr>\n
77<\/a>
\n66<\/a>
\n58<\/a>
\n48<\/a><\/td>\n		Overture, La Gazza Ladra
\nOverture, Othello
\nOverture, Tancredi
\nSonatine, for four hands<\/td>\n<\/tr>\n
 <\/td>\nRubenstein<\/th>\n<\/tr>\n
68<\/a>
\n75<\/a>
\n68<\/a>
\n62<\/a>
\n62<\/a>
\n62<\/a>
\n62<\/a>
\n62<\/a>
\n62<\/a>
\n69<\/a>
\n69<\/a>
\n84<\/a><\/td>\n		Balletmusik, for four hands
\nCaprices, Op.21
\nCharacter-Bilder, for four hands, Op.50
\nDer Asra, Op.32, no.6
\nDie Gedichte und das Requiem fur Mignon, Op.91, no.12
\nFruhlingslied, Op.32, no.3
\nFruhlinsglied, Op.32, no.2
\nLied, du bist wie eine Blume, Op.32, no.5
\nLieder, Op.34
\nQuartet, Op.66
\nQuintet, Op.55
\nSehnsucht, Op.8, no.5<\/td>\n<\/tr>\n
 <\/td>\nRubinstein<\/th>\n<\/tr>\n
54<\/a>
\n54<\/a>
\n40<\/a>
\n50<\/a>
\n50<\/a><\/td>\n		Lieder, Op.32, no.6
\nLieder, Op.83
\nPoints d’Orgue, Op.37
\nViolin Sonate, Op.13
\nViolin Sonate, Op.19<\/td>\n<\/tr>\n
 <\/td>\nRummel<\/th>\n<\/tr>\n
64<\/a><\/td>\nIntroduction, Variations et finale, Op.83<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Saint-Sa\u00ebns<\/th>\n<\/tr>\n
56<\/a>
\n56<\/a><\/td>\n		Violin Sonate, Op.102
\nViolin Sonate, Op.75<\/td>\n<\/tr>\n
 <\/td>\nSalomon<\/th>\n<\/tr>\n
42<\/a><\/td>\nConcerto<\/td>\n<\/tr>\n
 <\/td>\nSaran<\/th>\n<\/tr>\n
49<\/a><\/td>\nPolonaisen, for four hands, Op.3<\/td>\n<\/tr>\n
 <\/td>\nSatter<\/th>\n<\/tr>\n
65<\/a>
\n65<\/a><\/td>\n		Les Belles de New-York, Valses de Concert, Op.18
\nMelodie Variee, Op.13<\/td>\n<\/tr>\n
 <\/td>\nSch\u00e4ffer<\/th>\n<\/tr>\n
54<\/a><\/td>\nLieder, Op.20, no.2<\/td>\n<\/tr>\n
 <\/td>\nSchmidt<\/th>\n<\/tr>\n
66<\/a><\/td>\nGrande Sonate, Op.6, no.2<\/td>\n<\/tr>\n
 <\/td>\nSchubert<\/th>\n<\/tr>\n
69<\/a>
\n44<\/a>
\n31<\/a>
\n32<\/a>
\n31<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n45<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n30<\/a>
\n49<\/a>
\n30<\/a>
\n30<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n29<\/a>
\n32<\/a>
\n29<\/a>
\n49<\/a>
\n69<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n44<\/a>
\n30<\/a>
\n30<\/a>
\n32<\/a>
\n28<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n32<\/a>
\n54<\/a>
\n45<\/a>
\n31<\/a>
\n32<\/a>
\n31<\/a>
\n78<\/a>
\n31<\/a>
\n49<\/a>
\n53<\/a>
\n32<\/a>
\n31<\/a>, 33<\/a>
\n29<\/a>
\n30<\/a>
\n30<\/a>
\n32<\/a>
\n32<\/a>, 45<\/a>
\n30<\/a>
\n30<\/a>
\n32<\/a>
\n30<\/a>
\n28<\/a>
\n28<\/a>
\n28<\/a>
\n31<\/a>
\n32<\/a>
\n33<\/a>
\n32<\/a><\/td>\n		Allegro caracteristique, for four hands, D947
\nAm Meer, D957, no.12
\nAn die Leyer, D737
\nAn Mignon, D161
\nAntigone, D542
\nAuf dem Flusse, D911\/7
\nAufenthalt, D957\/5
\nDanksagung an den Bach, D795\/4
\nDas Fischermadchen, D975\/10
\nDas Lied im Grunen, D917
\nDas Wirthshaus, D911\/21
\nDer Doppelganger, D957\/13
\nDer Leyermann, D911\/24
\nDer Lindenbaum, D911\/5
\nDer Tod und das Madchen, D531
\nDer Wanderer, D493
\nDer Zwerg, D771
\nDeutsche Tanze und Ecossaisen, for four hands, D783
\nDeutsche Tanze und Ecossaisen, for four hands, Op.33
\nDeux Marches caracteristiques, for four hands, D968B
\nDeux Marsches caracterstiques, for four hands, D968B
\nDie Forelle, D550
\nDie Krahe, D911\/15
\nDie Mainacht, D194
\nDie Schone Mullerin, D795
\nDie Stadt, D957\/11
\nDie Taubenpost, D957\/14
\nDivertissement a la hongroise, for four hands, D818
\nErlkonig, D328
\nFantaisie, for four hands, D940
\nFantasie, for four hands, D940
\nFantasie, for four hands, Op.103
\nFruhlingssehnsucht, D957\/3
\nGanymed, D544
\nGesange das Harfners, D478
\nGesange, D711
\nGrande Marche funebre, for four hands, D859
\nGrande Marche heroique, for four hands, D885
\nGretchen am Spinnrade, D118
\nGrosse Sonate in a, Op.42
\nGute Nacht, D911\/1
\nHalt, D795\/3
\nHymne an die Jungfrau, D839
\nIch schnitt’ es gern . . ., D795\/7
\nIhr Bild, D957
\nIhr Bild, D957\/9
\nIm Haine, D738
\nLied des gefangenen Jagers, D843
\nMemnon, D541
\nMoments musicals, D780
\nOedip., D504
\nPolonoises, for four hands, D824
\nQuintet, D667
\nRast, D911\/10
\nSchwanengesang, D957
\nSix Grand Marches and Trios for four hands, D819
\nSix Grand Marches and Trios, for four hands, D819
\nSix Polonaises, for four hands, D824
\nStandchen, D889
\nStandchen, D957\/4
\nTrois Marches Heroiques, for four hands, D602
\nTrois Marches militaires, for four hands, D733
\nTrokne Blumen, D795\/18
\nVier Polonaisen, for four hands, D599
\nViolin Sonatine, D384
\nViolin Sonatine, D385
\nVioline Sonatine, D408
\nWilkommen und Abschied, D767
\nWinterreise, D595
\nWinterreise, D911
\nWohin?, D226<\/td>\n<\/tr>\n
 <\/td>\nSchulhoff<\/th>\n<\/tr>\n
34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a>
\n34<\/a><\/td>\n		Agitato, Op.15
\nAllegro brillant, Op.1
\nAndante and Etude de Concert, Op.3
\nCantabile, Op.26
\nCapriccio Appassionato, Op.21
\nCaprice, Op.10
\nCarnaval de Venise, Op.22
\nChanson des Paysans de Boheme, Op.25
\nEtude, Op.13
\nGalop di Bravura, Op.17
\nGrande Etude, Op.12
\nGrande Valse brillante, Op.6
\nIdylles, Op.23
\nIdylles, Op.27
\nImpromptus, Op.14
\nImpromptus, Op.8
\nMazurkas, Op.5
\nMazurkas, Op.9
\nMenuett aus Mozart’s Sinfonie
\nMorceau de Concert
\nNocturne, Op.11
\nNocturnes, Op.2
\nPensees Fugitives, Op.16
\nPolkas, Op.4
\nScherzi, Op.7
\nSerenade Espagnole, Op.29
\nSouvenir de la Grande Bretagne, Grand Caprice, Op.24
\nSouvenir de Varsovie, Mazurka, Op.30
\nSouvenir de Vienne, Op.28
\nStyriennes Originales and Mazurka, Op.18
\nValse Brillante, Op.20<\/td>\n<\/tr>\n
 <\/td>\nSchumann<\/th>\n<\/tr>\n
37<\/a>
\n37<\/a>
\n37<\/a>
\n38<\/a>
\n54<\/a>
\n37<\/a>
\n83<\/a>
\n37<\/a>
\n37<\/a>
\n36<\/a>
\n36<\/a>
\n36<\/a>, 40<\/a>
\n54<\/a>
\n54<\/a>
\n62<\/a>
\n54<\/a>
\n84<\/a>
\n54<\/a>
\n40<\/a>
\n37<\/a>, 40<\/a>
\n38<\/a>
\n54<\/a>
\n38<\/a>
\n38<\/a>
\n38<\/a>
\n36<\/a>
\n36<\/a>
\n45<\/a>
\n36<\/a>
\n37<\/a>
\n67<\/a>
\n36<\/a>, 37<\/a>
\n40<\/a>
\n45<\/a>
\n38<\/a>
\n84<\/a>
\n38<\/a>
\n38<\/a>, 84<\/a>
\n38<\/a>
\n54<\/a>
\n35<\/a>
\n38<\/a>
\n45<\/a>
\n62<\/a>
\n37<\/a>, 40<\/a>
\n39<\/a>
\n40<\/a>
\n36<\/a>
\n80<\/a>
\n37<\/a>
\n53<\/a>
\n53<\/a>
\n53<\/a>
\n53<\/a>
\n40<\/a>, 53<\/a>
\n83<\/a>
\n40<\/a>
\n38<\/a>
\n38<\/a>
\n38<\/a>
\n80<\/a>
\n36<\/a>, 40<\/a>
\n38<\/a>
\n35<\/a>
\n35<\/a>
\n35<\/a>
\n54<\/a>
\n75<\/a>
\n53<\/a>
\n53<\/a>
\n53<\/a>
\n50<\/a>
\n80<\/a>
\n44<\/a>
\n38<\/a>, 54<\/a>
\n68<\/a><\/td>\n		Abend-Lied, Op.85
\nAlbum fur die Jugend, Op.68
\nAlbumblatter, Op.99
\nAlemannia, Op.35, no.4
\nAlemannia, Op.35, no.8
\nAllegro, Op.8
\nCarnival, Op.9
\nClavierstucke fur die Jugend, Op.118
\nClavierstucke, Op.32
\nConcert-Allegro with Introduction, Op.134
\nConcerto, Op.54
\nDavidsbundler, Op.6
\nDer arme Peter, Op.53, no.3
\nDichterliebe, Op.48, no.7
\nDie Lowenbraut, Op.31, no.4
\nEr ist gekommen, Op.12, no.2
\nErstes Grun, Op.35, no.4
\nEs ist schon spat, Op.39, no.3
\nEtudes symphoniques, Op.13
\nFeuillets D’Album, Op.124
\nFrauenliebe une Leben, Op.42
\nFraunliebe und Leben, Op.42
\nGedichte, Op.30
\nGedichte, Op.35
\nGesange, Op.95
\nGrande Sonate, Op.11
\nGrande Sonate, Op.14
\nHymne an die Jungfrau, Op.52, no.6
\nIntroduction and Allegro appasionato, Op.92
\nKinderscenen, Op.15
\nKreisleriana, Op.15
\nKreisleriana, Op.16
\nLes Papillons, Op.2
\nLiebeslied, Op.51, no.5
\nLieder und Gesange, Op.27
\nLieder und Gesange, Op.53
\nLieder und Gesange, Op.77
\nLiederkreis, Op.39
\nLiederkreis, Op.39, no.12
\nLotosblume, Op.25
\nManfred Overture, for four hands, Op.115
\nMyrthen, Op.25
\nMyrthen, Op.25, no.1
\nNach Frankreich zogen zwei Grenadier, Op.49, no.1
\nNovelletten, Op.21
\nNovellettes, Op.21
\nPetites pieces, Op.99
\nPhantasiestucke, Op.12
\nPhantasiestucke, Op.12
\nPieces Romantiques, Op.12
\nQuartet, Op.41, no.1
\nQuartet, Op.41, no.2
\nQuartet, Op.41, no.3
\nQuartet, Op.47
\nQuintet, Op.44
\nRomance, Op.28, no.3
\nRomance, Op.32, no.3
\nRomances and Ballades, Op.53
\nRomances and Ballades, Op.53, no.2
\nRomances and Ballades, Op.64
\nRomanzen, Op.28
\nSonate, Op.22
\nSonntags am Rhein, Op.36, no.1
\nSymphony in d, for four hands, Op.120
\nSymphony, for four hands, Op.38
\nSymphony, for four hands, Op.61
\nTragodie, Op.64, no.3
\nTraumes-Wirren, Op.12, no.7
\nTrio, Op.110
\nTrio, Op.63
\nTrio, Op.80
\nViolin Sonate, Op.121
\nWaldscenen, Op.82
\nWenn ich in deine Augen seh, Op.48, no.4
\nWidmung, Op.25
\nZigeunerleben, for four hands, Op.29<\/td>\n<\/tr>\n
 <\/td>\nSechter<\/th>\n<\/tr>\n
88<\/a><\/td>\nBeliebte Melodien<\/td>\n<\/tr>\n
 <\/td>\nSeeling<\/th>\n<\/tr>\n
67<\/a><\/td>\nCharacterstuck, Op.2<\/td>\n<\/tr>\n
 <\/td>\nSmetana<\/th>\n<\/tr>\n
67<\/a>
\n67<\/a>
\n67<\/a>
\n67<\/a>
\n67<\/a>
\n67<\/a>
\n67<\/a>
\n67<\/a><\/td>\n		Cibulicka
\nFuriant
\nMedved
\nNasim Devam, Polka
\nObrocak
\nSkocna
\nSlepicka
\nSousedska<\/td>\n<\/tr>\n
 <\/td>\nSoergel<\/th>\n<\/tr>\n
47<\/a><\/td>\nVariations<\/td>\n<\/tr>\n
 <\/td>\nSousa<\/th>\n<\/tr>\n
76<\/a><\/td>\nThe Starts and Stripes Forever<\/td>\n<\/tr>\n
 <\/td>\nSpohr<\/th>\n<\/tr>\n
51<\/a><\/td>\nWalzes and Melodies<\/td>\n<\/tr>\n
 <\/td>\nSponholtz<\/th>\n<\/tr>\n
54<\/a><\/td>\nGondoliera<\/td>\n<\/tr>\n
 <\/td>\nSpontini<\/th>\n<\/tr>\n
51<\/a><\/td>\nPreussischer Volksgesang<\/td>\n<\/tr>\n
 <\/td>\nStrauss<\/th>\n<\/tr>\n
86<\/a>
\n86<\/a>
\n86<\/a>
\n86<\/a><\/td>\n		Himmelsboten zu Liebchens Himmelbett, Op.32, no.5
\nLiebeshymnus, Op.32, no.3
\nO susser Mai, Op.32, no.4
\nSehnsucht, Op.32, no.2<\/td>\n<\/tr>\n
 <\/td>\nSuchanek<\/th>\n<\/tr>\n
88<\/a><\/td>\nIntroduction et Rondeau<\/td>\n<\/tr>\n
 <\/td>\nSuk<\/th>\n<\/tr>\n
67<\/a><\/td>\nLiebeslied, Chanson d’amour, Op.71<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Taubert<\/th>\n<\/tr>\n
63<\/a>
\n71<\/a><\/td>\n		La Campanella Elegie et Idylle Etude, Op.41, no.1
\nSilvane, Op.60<\/td>\n<\/tr>\n
 <\/td>\nTedesco<\/th>\n<\/tr>\n
65<\/a><\/td>\nLe Carnival de Venise, Op.29<\/td>\n<\/tr>\n
 <\/td>\nThalberg<\/th>\n<\/tr>\n
64<\/a>
\n64<\/a>
\n64<\/a><\/td>\n		Fantasie, La Staniera, Op. 9
\nFantasie, Les Huguenots, Op.20
\nFantasie, Moise, Op.33<\/td>\n<\/tr>\n
 <\/td>\nTschaikowsky<\/th>\n<\/tr>\n
87<\/a>
\n67<\/a><\/td>\n		Violin Concerto, Op.35
\nWalzer aus Eugen Onegin<\/td>\n<\/tr>\n
 <\/td>\nTscha\u00efkowsky<\/th>\n<\/tr>\n
76<\/a><\/td>\nMorceaux, Op.72, no.17<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Verdi<\/th>\n<\/tr>\n
67<\/a><\/td>\nVioletta (La Traviata)<\/td>\n<\/tr>\n
 <\/td>\nVogel<\/th>\n<\/tr>\n
51<\/a><\/td>\nDemophon Overture, for four hands<\/td>\n<\/tr>\n
 <\/td>\nVolkmann<\/th>\n<\/tr>\n
55<\/a><\/td>\nTrio, Op.3<\/td>\n<\/tr>\n
 <\/td>\nvon B\u00fclow<\/th>\n<\/tr>\n
75<\/a><\/td>\nParaphrase, Die Meistersinger von Nurnberg<\/td>\n<\/tr>\n
 <\/td>\nvon Kolb<\/th>\n<\/tr>\n
65<\/a><\/td>\nIdyllen, Op.4, no.1<\/td>\n<\/tr>\n
 <\/td>\nvon Weber<\/th>\n<\/tr>\n
41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n85<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n89<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n78<\/a>
\n41<\/a>
\n41<\/a>
\n72<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a>
\n41<\/a><\/td>\n		“Sylvana” Overture, J87
\n“Turandot” Overture, J75
\nAbu Hassan Overture, J106
\nAllegro di Bravura
\nAufforderung zum Tanz, Rondo brillant, J260
\nBeherrscher der Geister Overture, J122
\nCapriccio, J56
\nCaprice, J56
\nConcertstuck, J282
\nDrei leichte Stucke, Op.3
\nEuryanthe Overture, J291
\nFreischutz Overture, J277
\nGrosse Polonaise, J59
\nGrosse Sonate, J138
\nGrosse Sonate, J199
\nGrosse Sonate, J206
\nGrosse Sonate, J287
\nJubel-Overture, J245
\nLeichte Piecen, Op.3
\nLetzer Walzer
\nOberon Overture, J306
\nPeter Schmoll Overture, J54
\nPolaca brillante, J268
\nPolacca brillante, J.268
\nPreciosa Overture, J279
\nRondo Brillant, J252
\nScene und Arie, Der Freischutz, J277
\nVariations, J141
\nVariations, J179
\nVariations, J219
\nVariations, J40
\nVariations, J43
\nVariations, J54<\/td>\n<\/tr>\n
 <\/td>\nVoss<\/th>\n<\/tr>\n
60<\/a>
\n60<\/a><\/td>\n		La Prophete Fantasie, Op.101
\nLes Mousquetaires de la Reine, Op.75<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Wagner<\/th>\n<\/tr>\n
84<\/a>
\n84<\/a>
\n84<\/a>
\n84<\/a>
\n84<\/a>
\n84<\/a>
\n67<\/a><\/td>\n		Arie der Elisabeth, Tannhauser
\nBrunnhilde, Die Walkure
\nElsa’s Ermanung an Ortud, Lohengrin
\nElsa’s Gesang an die Luft, Lohengrin
\nElsa’s Traum, Lohengrin
\nLiebeslied, Die Walkure
\nTannhauser Pilgerchor<\/td>\n<\/tr>\n
 <\/td>\nWanhal<\/th>\n<\/tr>\n
88<\/a><\/td>\nSonate characteristique<\/td>\n<\/tr>\n
 <\/td>\nWatlen<\/th>\n<\/tr>\n
79<\/a><\/td>\nScots Songs<\/td>\n<\/tr>\n
 <\/td>\nWieniawski<\/th>\n<\/tr>\n
87<\/a><\/td>\nViolin Concerto, Op.22<\/td>\n<\/tr>\n
 <\/td>\nWildford<\/th>\n<\/tr>\n
76<\/a><\/td>\nBallade, Op.24<\/td>\n<\/tr>\n
 <\/td>\nWolff<\/th>\n<\/tr>\n
68<\/a>
\n68<\/a><\/td>\n		Grand duo dramatique, for four hands, Op.217
\nGrand Duo ser Lohengrin, for four hands, Op.238<\/td>\n<\/tr>\n
 <\/td>\n<\/a>Zamrzla<\/th>\n<\/tr>\n
67<\/a><\/td>\nGondoliera, Melodia<\/td>\n<\/tr>\n
 <\/td>\nZeller<\/th>\n<\/tr>\n
76<\/a><\/td>\nDer Obersteiger<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

\u2190 MALCOLM FRAGER COLLECTION: Binders Collection\u2019s & Manuscripts \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

MALCOLM FRAGER COLLECTION: Works Consulted<\/a><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] A\u00a0|\u00a0B\u00a0|\u00a0C\u00a0|\u00a0D\u00a0|\u00a0E\u00a0|\u00a0F\u00a0|\u00a0G\u00a0|\u00a0H\u00a0|\u00a0I\u00a0|\u00a0J\u00a0|\u00a0K\u00a0|\u00a0L\u00a0|\u00a0M\u00a0| N |\u00a0O\u00a0|\u00a0P\u00a0| Q |\u00a0R\u00a0|\u00a0S\u00a0|\u00a0T\u00a0| U |\u00a0V\u00a0|\u00a0W\u00a0| X | Y |\u00a0Z Binders Collection(s)   Abeille 66 Il Rondeaux   Abt 74 54 54 44 Duetten, Op.174 Gute Nacht . . . , Op.137, no.2 Ich sehe dich . . . ,Op.137, no.3 Lieder, Op.109, no.1   Albeniz 1 Iberia   Ascher 74 L’Alliance, Op.50 […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1174,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Special_collections.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-1184","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1184"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1184\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1174"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1184"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}