{"id":1133,"date":"2021-07-13T12:01:33","date_gmt":"2021-07-13T16:01:33","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=1133"},"modified":"2025-10-17T12:20:59","modified_gmt":"2025-10-17T16:20:59","slug":"ser8-9","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/courage\/ser8-9\/","title":{"rendered":"ALEXANDER COURAGE COLLECTION: Series 8-9"},"content":{"rendered":"

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<\/a>Series 8: Photographs<\/h3>\n

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<\/a>Sub-series A: Prints<\/strong><\/span><\/em><\/p>\n

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Sub-sub-series i: 4\u201d x 5\u201d sleeves<\/span><\/em><\/strong><\/p>\n

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OJAI FESTIVAL \u2013 1958<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\nOjai Festival rehearsal, A. Copland conducting, late 1950s [June 1958].
\nNote on back: Ojai Festival rehearsal, late \u201850s. Aa. Copland conducting Faur\u00e9\u2019s Pell\u00e9as + M\u00e9lisande a piece he obviously can\u2019t stand. [Photograph shows Copland smiling as he conducts the orchestra.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\nAaron Copland, Ojai Festival, late 1950s [June 1958].
\nNote on back: Aaron Copland rehearsing Le Tombeau de Couperin at Ojai late 1950s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\nLibbey Bowl stage, Ojai, CA, 1958.
\nNote on back: Libby (?Libbey) bowl Ojai. The stage through the great tree. 1958. [Photograph shows orchestra performing on stage.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\nLibbey Bowl, Ojai, CA, 1958.
\nNote on back: The great old sycamore at Libby Bowl Ojai + part of the festival crowd. 1958.
\nPhotograph by Alexander Courage.1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\nLibbey Bowl, Ojai, CA, 1958.
\nNote on back: Libby (?spelling) Bowl Ojai looking toward the stage. 1958. [Photograph shows a portion of the audience for the festival.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\nAaron Copland, Lawrence Morton, Ojai Festival, [June] 1958.
\nNote on back: Lawrence Morton and Aaron Copland. Ojai Festival, 1958.
\n[Photo shows Morton and Copland standing near microphone on stage before\/after rehearsal.]
\n1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\nAaron Copland, Lawrence Morton, Ojai Festival, June 1958.
\nNote on back: Lawrence Morton longtime director of the Ojai Festival with Aaron Copland, June 1958.
\n[Photo shows Morton and Copland in conversation on stage before\/after rehearsal.]
\n1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\nLawrence Morton, Ojai Festival, late 1950s [June 1958].
\nNote on back: Ojai, Calif. late 1950s \/ Lawrence Morton \u2013 Festival director \u2013 brother of Arthur.
\n[Photo shows Morton seated, likely watching rehearsal with Aaron Copland.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\nAaron Copland, Robert Ryan, Ojai Festival rehearsal, late 1950s [June 1958].
\nNote on back: Robert Ryan gets a cue from Aaron (contortionist) Copland during Lincoln Portrait rehearsal at Ojai, late 1950s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\nAaron Copland, Robert Ryan, Ojai Festival rehearsal, late 1950s [June 1958].
\nNote on back: Ojai Festival rehearsal late 50s. Robert Ryan narrating Lincoln Portrait. Composer conducting.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 5.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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20TH CENTURY FOX STUDIO & STAFF \u2013 1960s<\/strong><\/p>\n\n\n\n\n\n\n\n\n
sleeve 11<\/strong><\/td>\nLennie Hayton, Jeff Alexander (Lionel Newman’s office), ca. 1965.
\nNote on back: Lionel Newman\u2019s Office at 20th Cent. Fox. 1965? \/ Lennie Hayton and Jeff Alexander \/ photos on wall of L. Newman\u2019s daughters.
\nPhotograph by Alexander Courage. 1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\nHerbert Spencer, Lennie Hayton, ca. 1965.
\nNote on back: Herbert Spencer and Lennie Hayton in L. Newman\u2019s office. Picture on wall part of sketch by Jean Negelesco (director of \u201c3 coins in the fountain\u201d etc.).
\nPhotograph by Alexander Courage. 1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\nGeorge Korngold, 20th Century Fox studio, ca. 1965\u20131966.
\nNote on back: Two music editors at Fox c. 1965-6 \/ L. name escapes me \/ R. George Korngold \u2013 son of Erich Wolfgang.
\n1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\nJeff Alexander, [no date].
\nNote on back: Jeff Alexander doing his imitation of me.
\n1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\nFox Music Dept. Personnel, mid-1960s.
\nNote on back: Some of the Fox Music Dept. \/ Standing L\u2013R: Leonard Engel, head of music editing, composers Jeff Alexander + Morton Stevens \/
\nSeated L\u2013R: Paul Sprosty, music librarian, Lionel Newman \/ in BG Arthur Morton. Mid 60s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\nLennie Hayton, ca. 1968.
\nNote on back: Lennie Hayton 20th Cent. Fox c. 1968 \/ Len (married to Lena Horne) had just moved into a Music Dept. bungalow \/ Silly gifts from colleagues were all blue to match the new paint. Hence the blue Lennie photo. [Photo is tinted blue.]
\n1 color photograph, 3.5\u201d x 3.5.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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HUGO FRIEDHOFTER\u2019S 75TH BIRTHDAY \u2013 5\/3\/1977<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 17<\/strong><\/td>\nHenry Mancini, Elmer Bernstein, David Raksin, Larry Rosenman, Hugo Friedhofer, Alex North, Jeff Alexander, S. Cass, [May 3, 1977].
\n[Photo shows group seated while Friedhofer peruses unidentified score.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\nHugo Friedhofer’s 75th Birthday, [May 3, 1977].
\nNote on back: Leonard Rosenman\u2019s Malibu house \/ Hugo Friedhofer\u2019s 75th birthday lunch \/ males L\u2013R: Henry Mancini, Elmer Bernstein, David Racksin, L. Rosenman, Alex North (seated).
\n[Photo shows Friedhofer holding unidentified score.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\nHugo Friedhofer’s 75th birthday, May 3, 1977.
\nNote on back: Hugo Friedhofer\u2019s 75th Birthday at Leonard Rosenman\u2019s house in Malibu \/ standing: L to R. Henry Mancini, Elmer Bernstein, David Raskin, L. Rosenman (back), Lyn Murray. \/ Seated: H. Friedhofer, Alex North, Jeff Alexander.
\n[Photo shows gathered group while Friedhofer peruses unidentified score.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\nAnnemarie H\u00f6llger, Alex North, Hugo Friedhofer, [May 3, 1977].
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 21<\/strong><\/td>\nHugo Friedhofer, [Jeri Southern], Alex North, May 3, 1977.
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\nLeonard Rosenman’s house, Hugo Friedhofer’s 75th birthday, May 3, 1977.
\nNote on back: Leonard Rosenman\u2019s Malibu house 3 May \u201977 \/ Lunch to celebrate Hugo Friedhofer\u2019s 75th birthday \/ L\u2013R Jeri Southern, Hugo\u2019s dear friend; back of Alex North; H. F.; David Raksin hugging his about-to-be-ex-wife; Jo; and Elmer Bernstein.
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\nHugo Friedhofer’s 75th Birthday, May 3, 1977.
\nNote on back: Occasion of Hugo Friedhofer\u2019s 75th birthday lunch at Len Rosenman\u2019s Malibu house \/ Fred Steiner is ready with his viol da gamba while Lyn Murray fiddles with mikes before the entertainment begins \/ 3 May 1977.
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\nHugo Friedhofer, his wife, Hank Mancini, David Raksin, [May 3, 1977].
\n[Photo shows group seated at table on terrace.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\nHugo Friedhofer, his wife, Henry Mancini, David Raksin, [May 3, 1977].
\n[Photo shows group seated at table on terrace.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\nHugo Friedhofer’s 75th Birthday, May 3, 1977.
\nNote on back: 3 May 1977 \/ Lenny Rosenman\u2019s terrace in Malibu. Lunch in honor of Hugo Friedhofer\u2019s 75th birthday \/ Hugo, in white, holds forth to David Raksin (back to us). Jeri Southern, a great jazz vocalist + Hugo\u2019s great friend listens with Henry Mancini.
\n[Photo shows group seated at table on terrace.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\nHugo Friedhofer’s 75th Birthday, May 3, 1977.
\n[Same group and view as photo in sleeve 26.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\nHugo Friedhofer’s 75th Birthday, May 3, 1977.
\nNote on back: 3 May 1977 \/ Hugo Friedhofer\u2019s 75th birthday lunch at Len Rosenman\u2019s Malibu house \/ clockwise: Shirley + Fred Steiner, H. F., singer Jeri Southern, Henry Mancini + Robert Radnitz, producer of \u201cSounder.\u201d
\n[Photo shows group seated at table on terrace.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\nHugo Friedhofer’s 75th Birthday, May 3, 1977.
\n[Same group and similar view as photo in sleeve 28.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\nHugo Friedhofer’s 75th Birthday, May 3, 1977.
\nNote on back: 3 May 1977 \/ Rosenman Malibu house \/ Hugo Friedhofer\u2019s 75th birthday lunch \/ L to R: Robert Radnitz (producer), Elmer Bernstein (hand on chin), David Raksin, H. F., Jeri Southern + Henry Mancini (blue coat).
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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PARTY AT COURAGE\u2019S BEACH HOUSE \u2013 1974\u201375<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
sleeve 31<\/strong><\/td>\nDavid Raksin, [1974\u201375].
\nNote on back: David Raksin (\u201cLaura\u201d), 1974\u20135.
\n[Photo shows Raksin seated at piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\nAlexander Courage, David Raksin, [1974\u201375].
\n[Photo shows Raksin seated at piano with Courage standing.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\nDavid Raksin, Arthur Morton, Jerry Goldsmith, [1974\u201375].
\nNote on back: Party at my beach house 1974\u20135 \/ David Raksin playing \u2013 Arthur Morton, Jerry Goldsmith and ? listening.
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\nDavid Raksin, Arthur Morton, Jerry Goldsmith, [1974\u201375].
\n[Photo shows Raksin seated at piano with Morton and Goldsmith standing and listening.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 35<\/strong><\/td>\nDavid Raksin, [1974\u201375].
\n[Photo shows Raksin playing piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 36<\/strong><\/td>\nArthur Morton, David Raksin, 1974\u201375.
\nNote on back: Arthur Morton + David Raksin 1974\u20135. [Photo shows Morton and Raksin seated at piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\nAlexander Courage, David Raksin, 1974\u201375.
\nNote on back: AMC + David Raksin, 1974\u20135. [Photo shows Courage and Raksin seated at piano.]
\nPhotograph attributed to Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 38<\/strong><\/td>\nDavid Raksin, Carol Goldsmith, Arthur Morton, Jerry Goldsmith, 1974\u201375.
\nNote on back: Party 1974\u201375 \/ clockwise: D. Raksin, Carol Goldsmith, Arthur Morton, Jerry Goldsmith, (?).
\n[Photo shows Raksin seated at piano with group standing and listening.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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MISCELLANEOUS<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 3<\/strong><\/td>\nGeorgia Akst, [no date].
\nNote on back:Georgia Akst \u2013 daughter of Harry Akst \u2013 \u201cDinah\u201d; \u201cBaby Face\u201d; \u201cAm I Blue?\u201d; fine pianist and Andr\u00e9 Previn\u2019s first girl friend.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 40<\/strong><\/td>\nGeorgia Akst, [ca. 1949\u20131950].
\nNote on back: Georgia Akst c. 1949\u201350 \/ daughter of songwriter Harry Akst \u2013 (Dinah, Baby Face, etc.) \/ First girlfriend of Andre Previn. \/ Fine pianist and improviser. \/ Graduated from Beverly Hills High with Andre.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 41<\/strong><\/td>\nJeff Alexander, [no date].
\n[Photo of Alexander seated at piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 42<\/strong><\/td>\nAlexander Courage, Jerry Goldsmith’s house, [no date].
\nNote on back: Jerry Goldsmith\u2019s house \/ AMC boring a pretty young person (one of Jerry\u2019s daughters?)
\n[Photo of Courage playing piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 43<\/strong><\/td>\nAlexander Courage, Harry Lojewski, [Jerry Goldsmith\u2019s house], [no date].
\nNote on back: Harry Lojewski, new ret. head of music at MGM \/ A. Courage.
\n[Photo shows Lojewski and Courage seated at piano.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 44<\/strong><\/td>\nMareile Courage, Diana Spencer, Cyril Mockridge, late 1950s.
\nNote on back: Late 50s party at our house \/ my then wife Mariele seated L talks with Diana (Mrs. Herbert) Spencer \/ standing center Cyril Mockridge.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 45<\/strong><\/td>\nAdolph Deutsch, Betty Mockridge, late 1950s.
\nNote on back: Adolph Deutsch cuts our rug with Betty (Mrs. Cyril J. ) Mockridge, late 50s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 46<\/strong><\/td>\nAdolph Deutsch, Robert Emmet Dolan, [no date].
\nNote on back: Adolph Deutsch and Robert Emmet Dolan at Adolph\u2019s piano (Dolan: music director, composer mostly at Paramount).
\n1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 47<\/strong><\/td>\nAdolph Deutsch, ca. 1950.
\nNote on back: Adolph Deutsch c. 1950 with his Mark V drophead Jaguar. Motor cars were his real<\/u> love. Had quite a string. Two Asin Martins (at the same time). A Riley Racer (1931) and a Jowett Javelin Jupiter.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 48<\/strong><\/td>\nAdolph Deutsch, 1950s.
\nNote on back: Adolph Deutsch 50s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 49<\/strong><\/td>\nAdolph Deutsch, 1950s.
\nNote on back: Adolph Deutsch doing what he liked best, 50s.
\n[Photo shows Deutsch seated in 1931 Riley Racer.]
\n1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 50<\/strong><\/td>\nAdolph Deutsch, [no date].
\nNote on back: Adolph Deutsch (right) as Grand Marshal of some road race in So. Calif. Music! What\u2019s that?
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 51<\/strong><\/td>\nJerry Goldsmith, 1974
\nNote on back: Jerry Goldsmith enjoying a party in November 1974.
\n[Photo shows Goldsmith seated at piano.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 52<\/strong><\/td>\nJerry Goldsmith, Carol Goldsmith, John and Samantha Williams, and others, 1978.
\nNote on back: Party at Brentwood house 1978? \/ clockwise: Jerry Goldsmith (Carol in front of Jerry), John + Samantha Williams, Mrs. Ernie Lockett, Diana Spencer, author Robert Nathan, white haired lady in F.G. is my mother.
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 53<\/strong><\/td>\nJerry Goldsmith, Victor Vernon, Ray Heindorf, Harry Warren, 1960s.
\nNote on back: L to R: Jerry Goldsmith, Victor Vernon (mixer at Fox), Ray Heindorf (head of music at Warner), Harry Warren, 60s.
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 54<\/strong><\/td>\nRay Heindorf, Harry Warren, 1960s.
\n[Photo shows Heindorf and Warren at piano.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 55<\/strong><\/td>\nJerry Goldsmith, Carol Goldsmith, Herbert Spencer, Harry Warren, 1960s.
\n[Photo shows Warren seated at piano with group standing nearby.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 56<\/strong><\/td>\nMr. and Mrs. Jerry Goldsmith, [no date].
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 57<\/strong><\/td>\nJohn Green, Leith Stevens, [no date].
\nNote on back: John Green presents something to Leith Stevens. No date.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 58<\/strong><\/td>\nDavid Raksin, Leith Stevens, [no date].
\nNote on back: David Raksin presents some sort of recognition to Leith Stevens (or vice versa) (no date).
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 59<\/strong><\/td>\nWilbur (Bill) and Peggy Hatch, late 1950s.
\nNote on back: Wilbur (Bill) Hatch in hospital late 50s with wife Peggy \/ Bill got me started at CBS Radio in 1946 and as head of music at Desilu steered me into Star Trek, the dear man! Also for many years the music director of \u201cI Love Lucy.\u201d
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 4.\u201d<\/td>\n<\/tr>\n
sleeve 60<\/strong><\/td>\nLionel Newman, Ernie Lockett, Carol Goldsmith, John Williams, [no date].
\nNote on back: Party at Jerry Golsmith\u2019s for Ernie Lockett (visiting English music copyist) \/ L\u2013R: Lionel Newman, E. Locket (also known as Lucy), Carol Goldsmith, John Williams, (?).
\n[Photo shows John Williams at piano with group singing?, at Jerry Goldsmith\u2019s party.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 61<\/strong><\/td>\nSamantha Williams, Lionel Newman, John Williams, [no date].
\n[Photo shows John Williams seated at piano, at Jerry Golsmith\u2019s party.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 62<\/strong><\/td>\nLionel Newman, John Williams, Carol Goldsmith, [no date].
\nNote on back: Lionel Newman cutting up w\/ J. Williams + Mrs. Jerry Goldsmith.
\n[Photo shows John Williams seated at piano, at Jerry Goldsmith\u2019s party.]
\n1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 63<\/strong><\/td>\nLionel Newman, John Williams, Arthur Norton, [no date].
\nNote on back: Lionel Newman, John Williams, Arthur Norton\u2014just finished playing his ragtime.
\n[Photo shows Norton seated at piano with Newman and Williams standing\/listening, at Jerry Goldsmith\u2019s party.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 64<\/strong><\/td>\nJerry Goldsmith, Lionel Newman, John Williams, Carol Goldsmith, [no date].
\nNote on back: Party at Jerry Goldsmith\u2019s \/ in doorway: J. Goldsmith, singing: Lionel Newman, playing: John Williams, smiling: Carol Goldsmith.
\n[Photo from Jerry Goldsmith\u2019s party.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 65<\/strong><\/td>\nAnnemarie and Alex North, [no date].
\n[Photo shows the Norths standing with unidentified woman.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 66<\/strong><\/td>\nAlex North, Arthur Morton, Leonard Engel, [no date].
\n[Photo shows North, Morton, and Engel in conversation at party.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 67<\/strong><\/td>\nAlex and Annemarie North, late 1970s.
\nNote on back: Alex and Annemarie North at a party, late 70s.
\n[Photo shows the Norths seated in conversation with a group of unidentified people.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 68<\/strong><\/td>\nAnnemarie North, Tom Morris, Samantha Williams, Carol Goldsmith, Diana Spencer, Jerry Goldsmith, January 1981
\nNote on back: Our party at Bel Air Hote, Jan. 1981 \/ Annemarie North auditions for Tom Morris (then Gen. Manager of BSO) with her back up group consisting of Samantha Williams, Carol Goldsmith, and Diana Spencer \/ Jerry Goldsmith is wearing a suit<\/u>!
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 69<\/strong><\/td>\nLeonard Rosenman, David Raksin, Henry Mancini, Jeff Alexander, Lynn Murray, Alexander Courage, [no date].
\n[Photo shows group standing in front of two microphones in Leonard Rosenman\u2019s house.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 70<\/strong><\/td>\nLarry Rosenthal, 1977.
\nNote on back: Control booth, Anvil Studios, Denham, NW of London. Recording \u201cThe Island of Dr. Moreau\u201d 1977. Larry Rosenthal checking a score.
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 71<\/strong><\/td>\nHerbert Spencer, Harry Warren, Diane Spencer, [no date].
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 72<\/strong><\/td>\nIgor Stravinsky, UCLA, 1950s.
\nNote on back: (1) I. Stravinsky at a rehearsal at UCLA (50s) trying to get to his flask of Glenlivet and putting on his best (\u201cI hate you!\u201d) smile while being harangued by some fiddle player.
\nPhotograph by Alexander Courage. 1 black and white photograph, 3.5\u201d x 5.”<\/td>\n<\/tr>\n
sleeve 73<\/strong><\/td>\nIgor Stravinsky, [UCLA, 1950s].
\nNote on back: (2) I. Stravinsky goes for it [i.e., drinks from his flask of Glenlivet]. He kept it in that disreputable looking old case.
\nPhotograph by Alexander Courage. 1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 74<\/strong><\/td>\nEric Tomlinson, Jack Tillar, Larry Rosenthal, 1977.
\nNote on back: Lunch at a pub in Buckinghamshire during recording of \u201cThe Island of Dr. Moreau\u201d \/ clockwise: Eric Tomlinson (great Brit. music mixer), picture producer, Jack Tillar (runs a music service), and Laurence Rosenthal. 1977.
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 75<\/strong><\/td>\nJohn Williams at Alex North’s house, [no date].
\nNote on back: Alex North\u2019s house \/ John Williams + 3 fans \/ Small boy with number on back is Alex\u2019s son Dylan, now all grown up.
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 76<\/strong><\/td>\nJohn Williams party for Harry Warren, [no date].
\nNote on back: John Williams party for Harry Warren \/ standing L to R: David Raksin, Ray Heindorf, Herbert Spencer, Harry Warren, Lionel Newman, Vinton Vernon (ex music mixer at 20th Fox) \/ squatting: J. Williams.
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 77<\/strong><\/td>\nDavid Raksin, Herbie Spencer, Ray Heindorf, Marc Newman, Harry Warren, John Williams, Jerry Goldsmith, Lionel Newman, Vinton Vernon, [no date].
\n[Photo shows group at John William\u2019s party for Harry Warren; see previous sleeve.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 78<\/strong><\/td>\nJohn Williams, Carmela Spencer, Lawrence Rosenthal, Kritin Courage, [Elena Sterling], Herbert Spencer, Barbara Williams, late 1960s.
\nNote on back: Party at Brentwood house late 60s \/ clockwise: John Williams, Carmela Spencer (daughter of Herbert), Laurence Rosenthal, Kristin Courage (2nd wife), a friend, Herbert Spencer, Barbara (Ruick) Williams (John\u2019s 1st wife).
\n[Photo shows group seated at table for meal.]
\nPhotograph by Alexander Courage. 1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 79<\/strong><\/td>\nJohn Williams, Carmela Spencer, Larry Rosenthal, Elena Sterling, Herbie Spencer, Barbara Williams, [late 1960s].
\n[Photo shows group seated at table for meal at Brentwood house.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 80<\/strong><\/td>\n[John Williams, Carmela Spencer, Larry Rosenthal, Elena Sterling, Herbie Spencer, Barbara Williams, late 1960s].
\n[Photo shows group seated at table for meal at Brentwood house.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 81<\/strong><\/td>\nJohn Williams, Alex North, [early 1970s].
\n[Photo shows Williams and North seated at piano.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 82<\/strong><\/td>\n\u00a0John Williams, Alex North, early 1970s.
\n[Photo shows Williams and North seated at piano.]
\n1 color photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 83<\/strong><\/td>\nIan Fraser, John Williams, [early 1970s].
\nNote on back: Party at Jerry Golsmiths \/ Ian Fraser (10 Emmys so far for music direction) and John Williams (who has sworn off cigars).
\n[Photo shows Fraser and Williams seated at piano.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n
sleeve 84<\/strong><\/td>\nIan Fraser, John Williams, [early 1970s].
\n[Photo shows Fraser and Williams seated at piano.]
\n1 black and white photograph, 3.5\u201d x 5.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Sub-sub-series ii: 5\u201d x 7\u201d sleeves<\/span><\/em><\/strong><\/p>\n

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“BASIC INSTINCT” RECORDING \u2013 LONDON, 1992<\/strong><\/p>\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\nJerry Goldsmith, Bruce Botnick, Paul Verhoeven.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\nKenneth Hall, Paul Verhoeven.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\nBruce Botnick, music mixer.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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COMPOSERS AND LYRICISTS GUILD OF AMERICA \u2013 1950s\u20131960s<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 4<\/strong><\/td>\nComposers group discussing formation of a guild: John Mandel, Leith Stevens, Andr\u00e9 Previn, early 1960s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\nComposers groups discussing formation of a guild: Elmer Bernstein, Pete Rugolo, Henry Mancini, Bobby Troup, early 1960s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\nPeter Rugolo, early 1960s.
\nNote on back: Peter Rugolo, great composer-arranger for the Stan Kenton band in the 40s + 50s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\nAndr\u00e9 Previn, Mort Sahl, Elmer Bernstein, Pete Rugolo, Henry Mancini, early 1960s.
\nNote on back: Future CLGA discussion, early 60s \/ facing L to R: Andr\u00e9 Previn, Mort Sahl (I don\u2019t recal why he was there), Elmer Bernstein, Pete Rugolo, Henry Mancini.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\nJohn Mandel, Leith Stevens, early 1960s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\nMort Sahl, Elmer Bernstein, Pete Rugolo, early 1960s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\nRehearsal for CLGA Hollywood Bowl concert, 1963.
\nNote on back: Hollywood Bowl, Sept. 1963 \/ Rehearsal for composers\u2019 guild (CLGA) concert \/ Composers + performers listen to John Green (white shirt). L\u2013R: Miklos Rozsa, Nelson Riddle, David Raksin, Alex North, Alfred Newman, Mahlon Merrick (Jack Benny\u2019s conductor), Henry Mancini, Bernard Herrmann, Percy Faith, Elmer Bernstein, Mahalia Jackson, and Jack Benny.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\nCLGA concert at Hollywood Bowl, 1963.
\nNote on back: Composer\u2019s guild concert at Hollywood Bowl, Step. 1963 \/ Lined up for rehearsal instructions are L\u2013R (with cigarette) Franz Waxman, Dimitri Tiomkin, Miklos Rozsa, Nelson Riddle, David Raksin, Alex North, Alred Newman, Mahlon Merrick (Jack Benny\u2019s conductor), Henry Mancini, Bernard Herrmann, Percy Faith, and Elmer Bernstein.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\nCLGA concert at Hollywood Bowl, 1963.
\nNote on back: Hollywood Bowl rehearsal for CLGA concert, Sept. 1963 \/ L\u2013R: John Green (from behind, white shirt), top of head of Miklo Rozsa, David Raksin, Alex North, Henry Mancini, Bernard Herrmann, Percy Faith, Elmer Bernstein, Jack Benny.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\nCLGA concert at Hollywood Bowl, 1963.
\nNote on back: Hollywood Bowl, Sept. 1963 \/ Rehearsal for CLGA concert \/ L\u2013R: David Raksin, Alex North, Alfred Newman, Mahlon Merrick (Jack Benny\u2019s conductor), Henry Mancini.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\nCLGA concert at Hollywood Bowl, 1963.
\nNote on back: Hollywood Bowl, Sept. 1963 \/ composer + performers at rehearsal for a concert to benefit the composers\u2019 guild (newly formed) \/ L\u2013R: Bernard Herrmann, Percy Faith (who conducted his arrangement of Max Steiner\u2019s \u201cA Summer Place\u201d), Elmer Bernstein, Mahalia Jackson, Andy Williams, and Jack Benny.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\nHollywood Bowl rehearsal, 1963.
\nNote on back: Hollywood Bowl, Sept. 1963 \/ Rehearsal for CLGA benefit concert \/ L\u2013R: Franz Waxman, Dimitri Tiomkin (back of), Miklos Rozsa, Nelson Riddle, David Raksin, Alex North, and Alfred Newman.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\nAlfred Newman, Hollywood Bowl concert, 1964.
\nNote on back: Alfred Newman, CLGA Hollywood Bowl concert rehearsal, May \u201964.
\n[Photo shows Newman leaning on podium with musicians in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 17<\/strong><\/td>\nAlfred Newman, Hollywood Bowl concert, 1964.
\nNote on back: Alfred Newman rehearsing for CLGA Bowl concert, May \u201964.
\n[Photo shows Newman conducting.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\nAlex North, Hollywood Bowl concert, 1964.
\nNote on back: Alex North rehearsing the march from \u201cCleopatra\u201d for composers\u2019 guild Hollywood Bowl concert, May 1964.
\n[Photo shows North examining score at podium.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\nAlex North rehearsing, 1964.
\nNote on back: Alex North conducting his march from \u201cCleopatra,\u201d May 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\nAlex North rehearsing, 1963.
\nNote on back: Alex North rehearsing, May 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 21<\/strong><\/td>\nFranz Waxman rehearsing, 1956.
\nNote on back: Franz Waxman rehearsing, possibly his \u201cJazz\u201d score for \u201cCrime in the Streets\u201d (bass sax), 1956.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\nFranz Waxman rehearsing, 1956.
\nNote on back: Franz Waxman rehearsing \/ The harpist is our own Dorothy Spencer Remsen, 1956.
\n[Photo shows Waxman conducting with Remsen on harp in the background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\nFranz Waxman rehearsing, 1956.
\nNote on back: Franz Waxman rehearsing, 1956.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\nFranz Waxman rehearsing, 1956.
\nNote on back: Franz Waxman rehearsing, 1956.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\nRobert Helfer, 1964.
\nNote on back: Robert (Bobbie) Helfer in one of his weary states \/ as\u00a0the\u00a0<\/u>orchestra contractor + later everyone\u2019s agent, he exercised\u00a0some<\/u>\u00a0power here, 1964.
\n[Photo shows Helfer seated with feet resting on chair.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\nDmitri Tiomkin rehearsing, 1964.
\nNote on back: Dimitri (Dimmy) Tiomkin rehearsing, May 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\nDmitri Tiomkin rehearsing, 1964.
\nNote on back: Dimitri Tiomkin rehearsing, May \u201864.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\nDmitri Tiomkin rehearsing, 1964.
\nNote on back: Dimitri Tiomkin rehearsing. John Green in BG, May \u201964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\nPercy Faith rehearsing, 1964.
\nNote on back: Percy Faith\u2014great arranger\u2014rehearsing, May 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\nPercy Faith rehearsing, 1964.
\nNote on back: Percy Faith rehearsing, May 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\nBernard Herrmann rehearsing, 1964.
\nNote on back: Bernard Herrmann rehearsing, May 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\nBernard Herrmann rehearsing, 1964.
\nNote on back: Bernard Herrmann rehearsing, May \u201964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\nMiklos Rozsa rehearsing, 1964.
\nNote on back: Miklos (Mickey) Rozsa rehearsing, May 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\nMiklos Rozsa rehearsing, 1964.
\nNote on back: Miklos Rozsa rehearsing, May 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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EASTMAN SCHOOL OF MUSIC<\/strong><\/p>\n\n\n\n\n\n\n\n\n
sleeve 35<\/strong><\/td>\nEastman School of Music, [no date].
\n[Photo shows two individuals talking in Cominsky Promenade.]
\n1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 36<\/strong><\/td>\nEastman School of Music, [no date].
\n[Photo shows Robert Freeman and unidentified man unveiling portrait of Arkadia Yegudkin in Cominsky Promenade.]
\n1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\nEastman School of Music, [no date].
\n[Photo shows unidentified man holding French horn next to portrait of Arkadia Yegudkin.]
\n1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 38<\/strong><\/td>\nEastman School of Music, [no date].
\n[Photo shows Robert Freeman standing in front of stage in Kilbourn Hall addressing audience.]
\n1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 39<\/strong><\/td>\nKilbourn Hall, Eastman School of Music, [no date].
\n[Photo shows group of French hornists preparing for performance in Cominsky Promenade.]
\n1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 40<\/strong><\/td>\nEastman School of Music, [no date].
\n[Photo shows French horn on table in Cominsky Promenade.]
\n1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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JERRY GOLDSMITH IN HIS STUDIO \u2013 2\/28\/92<\/strong><\/p>\n\n\n\n
sleeve 41-60<\/strong><\/td>\nJ. Goldsmith Studio, February 28, 1992.
\n[20 photographs of different views of Goldsmith\u2019s studio, including several images of him posing in the studio or working at a keyboard or computer.]
\n20 color photographs, 4\u201d x 6\u201d, each in individual sleeves. Sleeves 42, 45, 46, 47, and 55 have multiple prints.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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“LEGEND” RECORDING \u2013 LONDON, 1985\u201386<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 61<\/strong><\/td>\nJerry Goldsmith conducting, 1985.
\nNote on back: Jerry Goldsmith conducting score of \u201cLegend\u201d in London 1985 \/ Oh, those 7\/16 bars!
\n[Photo shows Goldsmith standing at podium with both arms raised.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 62<\/strong><\/td>\nJerry Goldsmith, [1985\u201386].
\nNote on back: Jerry Goldsmith \/ London\u2014\u201cLegend.\u201d
\n[Photo shows Goldsmith at the piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 63<\/strong><\/td>\nCBS Studios control booth: Mike Ross, Ian Hamilton, Ridley Scott, Jerry Goldsmith, 1986.
\nNote on back: CBS Studios control booth, 1986, \u201cLegend\u201d \/ Foregrd.: Mike Ross, mixer; Bckgrd. L\u2013R: Ian Hamilton, producer; Ridley Scott, director; Jerry Goldsmith.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 64<\/strong><\/td>\nCBS Studios booth: Sidney Saxe, Jerry Goldsmith, [1985\u201386].
\nNote on back: London CBS Studios booth \u201cLegend\u201d \/ Sidney Saxe, contractor (in England\u2014fixer) of orchestra also concertmaster (in England\u2014leader) + J. Goldsmith.
\n[Photo shows Saxe and Goldsmith perusing score.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 65<\/strong><\/td>\nJerry Goldsmith working on score, 1986.
\nNote on back: Jerry Goldsmith working on his score for \u201cLegend\u201d in the basement studio of his house in London. 1986.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 66<\/strong><\/td>\nJerry Goldsmith conducting, 1985.
\nNote on back: London 1985 Jerry Goldsmith conducting\u00a0his<\/u>\u00a0score for \u201cLegend.\u201d
\n[Photo shows Goldsmith standing on podium with studio musicians in background.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 67<\/strong><\/td>\nJerry Goldsmith on break, 1985.
\nNote on back: London 1985 Jerry Goldsmith playing computer poker against himself during a break in the recording of \u201cLegend.\u201d
\n[Photo shows Goldsmith standing at computer in studio.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 68<\/strong><\/td>\nJerry Goldsmith, John Aldis, [1985].
\nNote on back: J. Goldsmith playing computer poker against himself during a break into \u201cLegend\u201d recording. Amused onlooker is John Aldis, the best chorus conductor in London.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 69<\/strong><\/td>\nJerry Goldsmith composing, 1986.
\nNote on back: J. Goldsmith composing score for \u201cLegend.\u201d London 1986.
\n[Photo shows Goldsmith in in the basement studio of his house in London.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 70<\/strong><\/td>\nJerry Goldsmith conducting, 1985.
\nNote on back: Jerry Goldsmith conducting score of \u201cLegend.\u201d London 1985.
\n[Photo shows Goldsmith standing at podium conducting musicians (not in frame).]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 71<\/strong><\/td>\nJerry Goldsmith conducting, 1986.
\nNote on back: Jerry Goldsmith conducting his score for \u201cLegend.\u201d CBS Studios in London, 1986. Score was replaced in the US release but retained worldwide.
\n[Photo shows Goldsmith conducting with studio musicians in background.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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ALEX NORTH’S 80TH BIRTHDAY PARTY \u2013 12\/1\/89<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\nAlex North and Samantha Williams.
\n[Photo shows Williams and North seated at table.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\nAlex North and Samantha Williams.
\n[Photo shows Williams and North seated at table.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\nLeonard Rosenman.
\nNote on back: Leonard Rosenman expressing his love and respect for Alex North at Alex\u2019s 80th birthday dinner. 1 Dec. \u201989.
\n[Photo shows banquet room with Rosenman standing in center of frame.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\nJerry Goldsmith.
\nNote on back: Jerry Goldsmith praises Alex North seated between Samuel Goldwyn Jr. and Samantha Williams (Mrs. John). 1 Dec. \u201989.
\n[Photo shows Goldsmith standing behind table with North, Goldwyn, and Williams (seated).]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\nJerry Goldsmith, Alex North, Samuel Goldwyn, Jr.
\nNote on back: Jerry Goldsmith speaks to Alex North during Alex\u2019s 80th birthday dinner \/ Smiling is Samuel Goldwyn, Jr. \/ 1 Dec. \u201989.
\n[Photo shows back of Goldsmith (standing) behind Goldwyn and North (seated).]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\nAlex North, Martin Ritt, Leonard Rosenman.
\nNote on back: Alex North\u2019s 80th birthday party \/ Foreground L\u2013R: Alex N., great director Martin Ritt. \/ Backgr. unknown, Leonard Rosenman \/ 1 Dec. 89.
\n[Photo shows group mingling at party.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\nSamuel Goldwyn Jr.
\nNote on back: ASCAP\u2019s 80th birthday dinner for Alex North \/ Words of praise from Samuel Goldwyn Jr. \/ 1 Dec. \u201989.
\n[Photo shows Goldwyn standing, addressing Alex North, seated at dinner table.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\nAnthony Franciosa.
\nNote on back: Alex North\u2019s 80th birthday dinner \/ 1 Dec. \u201989 \/ Words from his long-time friend Anthony Franciosa \/ Alex\u2019s birthday Dec. 4th.
\n[Photo shows Franciosa standing, addressing Alex North, seated at dinner table.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\nJohn Williams.
\nNote on back: Alex North\u2019s 80th birthday dinner. John Williams talks with Alex. 1 Dec, \u201989.
\n[Photo shows Williams and North in conversation, seated at dinner table.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\nHenry Mancini, John Williams.
\n[Photo shows Mancini and Williams in conversation at party.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\nHenry Mancini, JoAnn Mancini
\nNote on back: Alex North\u2019s 80th birthday dinner \/ L\u2013R. Henry Mancini, (composer) Artie Kane, his wife JoAnn who is copyist, librarian, and den-mother to us all \/ 1 Dec. \u201989.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\nLeonard Rosenman, Alex North, Henry Mancini, Jerry Goldsmith, John Williams
\nNote on back: Alex North\u2019s 80th birthday dinner \/ seated L\u2013R Leonard Rosenman, Alex North \/ standing L\u2013R Henry Mancini, Jerry Goldsmith, John Williams \/ 1 Dec. \u201989.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\nJohn Williams.
\nNote on back: (1) John Williams begins his panegyric to Alex North on the occasion of ASCAP\u2019s birthday dinner to Alex \/ 1 Dec. 1989.
\n[Photo shows Williams standing, addressing Alex North, seated at dinner table.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\nJohn Williams.
\nNote on back: (2) John Williams continues \/ 1 Dec. \u201989.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\nAlex North and John Williams
\nNote on back: (3) Alex North is touched by John Williams\u2019 praise \/ 1 Dec. \u201989.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\nJohn Williams.
\nNote on back: (4) John Williams expressed heartfelt praise of Alex North \/ 1 Dec. \u201989.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 17<\/strong><\/td>\nJohn Williams, Samantha Williams.
\nNote on back: End of John Williams\u2019 encomium of Alex North. John\u2019s wife Samantha applauds \/ 1 Dec. \u201989.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\nDylan North, Shirley Courage.
\nNote on back: Alex North\u2019s son [Dylan North] by his 2nd wife Anne Marie \/ (L) his then girlfriend \/ (R) Shirley Courage (long-time neighbor of North\u2019s).
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\nAlex and Annemarie North.
\n[Photo shows the Norths seated at dinner table.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\nJohn Williams, Jerry Goldsmith, Shirley Courage
\nNote on back: Alex North\u2019s 80th birthday dinner. 1 Dec. \u201989 \/ L. John Williams, R. Jerry Goldsmith (My wife Shirley in background).
\n[Photo shows group mingling at party.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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SCHOENBERG \u201cONE-MAN SHOW\u201d EXHIBIT \u2013 UCLA, 11\/1963<\/strong><\/p>\n\n\n\n\n\n\n
sleeve 21<\/strong><\/td>\nArnold Sch\u00f6nberg “One Man Show” at UCLA, 1963
\nNote on back: Arnold Sch\u00f6nberg \u201cOne-Man Show.\u201d UCLA Art Gallery \/ Nov. 1963.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\nArnold Sch\u00f6nberg exhibit, UCLA 1963
\nNote on back: Arnold Sch\u00f6nberg exhibition of paintings and drawings \/ UCLA Art Gallery, Nov. 1963.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\nArnold Sch\u00f6nberg exhibit, UCLA 1963
\nNote on back: UCLA Art Gallery Nov. 1963 \/ Arnold Sch\u00f6nberg exhibit.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\nArnold Sch\u00f6nberg exhibit, UCLA 1963
\nNote on back: Arnold Sch\u00f6nberg exhibit \/ UCLA Art Gallery, Nov. 1963.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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STRAVINSKY AT UCLA, 1950s<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
sleeve 25<\/strong><\/td>\nStravinsky rehearsing, late 1950s.
\nNote on back: Igor Stravinsky rehearsing at UCLA \/ late 1950s.
\n[Photo shows Stravinsky on podium, conducting.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\nRoyce Hall: Stravinsky rehearsing “Les Noces” with his pianists, late 1950s.
\nNote on back: UCLA \u2013 Royce Hall, late 1950s \/ I. Stravinsky discussing Les Noces with his pianists \/ L\u2013R unknown, Leonard Roseman, Leo Smit, and Carl Cohn.
\n[Photo shows Stravinsky and pianists perusing score together.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\nStravinsky, Leonard Rosenman, Carl Cohn, Ingolf Dahl, late 1950s.
\nNote on back: I. Stravisnky discussing Les Noces with his composer-pianists: L\u2013R Leonard Rosenman, Carl Cohn, and Ingolf Dahl \/ late 1950s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\nStravinsky rehearsing at Royce Hall, late 1950s.
\nNote on back: Igor Stravinsky rehearsing at Royce Hall, UCLA \/ late 1950s.
\n[Photo shows Stravinsky on podium, conducting.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\nStravinsky rehearsing, late 1950s.
\nNote on back: Igor Stravinsky rehearsing at UCLA \/ late 1950s.
\n[Photo shows Stravinsky on podium, conducting.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\nRobert Kraft, Stravinsky, Marni Nixon, late 1950s.
\nNote on back: UCLA rehearsal late 1950s \/ Robert Kraft, I. Stravinsky, Marni Nixon.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\nStravinsky, Marni Nixon, late 1950s.
\nNote on back: Igor Stravinsky makes a point to Marni Nixon \/ UCLA rehearsal, late 1950s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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JOHN WILLIAMS CONDUCTING<\/strong><\/p>\n\n\n\n
sleeves 32-56<\/strong><\/td>\nJohn Williams conducting, [no date].
\n[26 photographs of John Williams conducting at unidentified rehearsal or performance, American flag in background.]
\n26 color photographs, 4\u201d x 6\u201d, in individual sleeves with 2 photos (very similar shots) in sleeve 55.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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JOHN WILLIANS AT UNIVERSAL STUDIOS<\/strong><\/p>\n\n\n\n
sleeves 57-68<\/strong><\/td>\nJohn Williams [working in his studio at Universal Studios, 1992].
\n[12 photographs of different views of Williams\u2019s studio, including several images of him working at his desk or piano (on \u201cFar and Away\u201d); additional photos from series in Box 99\/53\u201361.]
\n12 color photographs, 4\u201d x 6\u201d, each in individual sleeves.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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JOHN WILLIAMS AT RECORDING STUDIO<\/strong><\/p>\n\n\n\n
sleeves 69-74<\/strong><\/td>\nJohn Williams at recording studio, [no date].
\n[6 photographs of Williams and colleagues in recording studio.]
\n6 color photographs, 4\u201d x 6\u201d, each in individual sleeves.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 98″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1626113433304{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

MISCELLANEOUS<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\nMara and Marzia Bagier, Leigh Harline.
\nNote on back: Mara and Marzia Bagier (granddaughter and daughter of the countess Mara of Cravat fame, charm Leigh Harline, great film composer who wrote \u201cWhen you wish upon a star\u201d etc.
\n[Photo shows Bagiers and Harline around table with birthday cake.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\nWolfgang Bagier, Bronislav Kaper, Rudi Fehr
\nNote on back: Three good friends \/ L\u2013R: Wine merchant Wolfgang Bagier, composer Bronislav Kaper, and Rudi Fehr, head of post-production at Warner Bros. and film editor extraordinaire.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\nElmer Bernstein, Pete Rugolo, early 1960s.
\n[Photo shows Bernstein and Rugolo seated at table with drinks.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\nHenry Mancini, early 1960s.
\n[Photo shows Mancini seated at table with drink.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\nBobby Troup, John Mandel, early 1960s.
\n[Photo shows Mandel talking with Troup in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\nAlexander Courage’s house, 1969.
\nNote on back: My house in Brentwood 1969 \/ A party to christen my wife Kristen\u2019s mural (it was in Life Magazine) in our pool \/ L\u2013R: Arthur Morton (in white jacket), Jo Raksin (David\u2019s then wife), Daniele Amphitheatrof, and David Raksin \/ At far right is May Amphitheatrof.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\nAnita Nye, Alexander Courage, Jerry Goldsmith, Alex North, [early 1970s].
\nNote on back: 8 hands (courtesy of Sibley Library) \/ L\u2013R: Anita Nye, AMC, J. Goldsmith, Alex North \/ Anita wrote a sosng called \u201cA Sunday Kind of Love.\u201d
\n[Photo shows Nye, Courage, Goldsmith, and North preparing to play an eight-hand piano piece.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\nAnita Nye, Annemarie North, Alex North, [early 1970s].
\nNote on back: L\u2013R: Anita Nye (wife of comedian Louis and a fine pianist), Annemarie North + Alex.
\n[Photo shows Alex North playing piano with Nye and Annemarie North standing behind him.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\nJerry Goldsmith and Alex North, early 1970s.
\nNote on back: Jerry Goldsmith and Alex North doing one of their 4-hands improvisations \/ early 70s.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\nHarry Lojewski and Alexander Courage, [Jerry Goldsmith\u2019s house], 1973\u201374.
\nNote on back: Harry Lojewski (then head of music dept. at MGM\/UA) and AMC at Goldsmith party 1973\u20134(?).
\n[Photo shows Lojewski and Courage seated at piano.]
\nPhotograph attributed to Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\nAdolph Deutsch, John Green.
\nNote on back: Adolph Deutsch and John Green entertain at a party.
\n[Photo shows Deutsch and Green playing piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\nHugo Friedhofer, Jeri Southern, Alex North, [May 3, 1977]
\n[Photo shows Friedhofer, Southern, and North mingling at Friedhofer\u2019s 75th birthday party.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.
\nFor more photos from Hugo Friedhofer\u2019s 75th Birthday, see Box XX\/XX\u2013XX.<\/em><\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\nCarol Goldsmith, Jerry Goldsmith, February 1976.
\nNote on back: Carol Goldsmith reacts to husband Jerry on his birthday in February 1976 \/ seated right: Herbert Spencer.
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\nEmmy Lou Morton, Jerry Goldsmith, Herbert Spencer, February 1976.
\n[Photo shows Morton, Goldsmith, and Spencer seated at table.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\nCarol and Jerry Goldsmith, Herbert Spencer, February 1976.
\nNote on back: Carol and Jerry Goldsmith on his 56th (?) birthday + Herbert Spencer + unknowns \/ Feb. 1976.
\n[Photo shows Jerry Goldsmith seated at table with birthday cake, surrounded by others.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\nCarol Goldsmith, Jerry Goldsmith, Herbert Spencer, February 1976.
\nNote on back: Carol Goldsmith hugs Jerry on his birthday + Herbert Spencer + unknown \/ Feb. 1976.
\n[Photo shows Jerry Goldsmith seated at table with birthday cake.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 17<\/strong><\/td>\nJerry Goldsmith and son Aaron, 1983.
\nNote on back: Jerry Goldsmith and son, Aaron (named for guess who) 1983 (?).
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\nParty at Jerry Goldsmith’s, 1983\u201384.
\nNote on back: Party at Jerry Goldsmith\u2019s, 1983\u20134(?) \/ L\u2013R: Arthur Morton, Patrick Williams, J. G. + Herbert Spencer, back of Leonard Engel, head of music editing at 20th Fox.
\n[Photo shows group mingling on Goldsmith\u2019s terrace.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\nJerry Goldsmith, Robert Nathan, Anna Lee, [no date].
\nNote on back: Jerry Goldsmith with two dear, old friends of ours: Robert Nathan, the author (Portrait of Jenny, etc.) and his English actress wife (the 7th<\/u>) Anna Lee.
\n[Photo shows Goldsmith, Nathan, and Lee seated on couch in conversation.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\nWilbur (Bill) Hatch, Bill Lawrence, Jules Von Gende, ca. 1950.
\nNote on back: Circa 1950 \/ Wilbur (Bill) Hatch, music director of \u201cThe Screen Guild Players\u201d an anthology series on radio with \u201cbig name stars,\u201d discusses something with Bill Lawrence (on right), the director, and Jules von Gende, the orchestra contractor. I was writing for Bill (H.) at that time.
\n[Photo shows Hatch, Lawrence, and Von Gende on podium with musicians in the foreground.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7.5\u201d.<\/td>\n<\/tr>\n
sleeve 21<\/strong><\/td>\nWilbur (Bill) Hatch, Peggy Hatch, Nancy Hatch, late 1940s.
\nNote on back: Late 1940s \/ Wilbur (Bill) Hatch (of \u201cI Love Lucy\u201d fame) in striped shirt, his wife, Peggy, in striped dress, and daughter Nancy, in plaid shirt, plus neighbors listen to a beekeeper who had just removed a hive. Bill was head of music at Desilu and got me the job on \u201cStar Trek.\u201d One of the world\u2019s best!
\n[Photo shows group of 11 (including Hatches) listening to beekeeper holding a hive frame.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7.5\u201d.<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\nPearl Kaufman, Leonard Rosenman, [no date].
\nNote on back: Pearl Kaufman (very fine local pianist) and Leonard Rosenman play serious 4-hands.
\n[Photo shows Kaufman and Rosenman playing piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\nEdward Kleban, late 1960s.
\nNote on back: Edward Kleban \/ late 1960s \/ lyricist of \u201cA Chorus Line.\u201d
\n[Photo shows Kleban playing piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\nEdward Kleban, late 1960s.
\nNote on back: Edward Kleban\u2014then a record producer\u2014later the lyricist of \u201cA Chorus Line\u201d \/ late 1960s.
\n[Photo shows Kleban and an unidentified toddler playing piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\n20th Century Fox: Arthur Morton, Lionel Newman, John Williams
\nNote on back: Lunch in the 20th Fox Commissary \/ Arthur Morton, Lionel Newman, John Williams.
\n[Photo shows Morton, Newman, and Williams seated at lunch table in conversation.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\nAlfred Newman rehearsing, 1964
\nNote on back: Alfred (Pappy) Newman rehearsing \/ May 1964.
\n[Photo shows Newman conducting at podium with musicians in the background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\nNewman family, [no date].
\nNote on back: Some Newmans (L\u2013R): unknown, Lionel, his wife Beverly, daughters Jennifer + Carol, brother Marc \/ large head\u2013Brother Robert\u2013former head of production at Goldwyn Studios.
\n[Photo shows group mingling.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\nNewman family, [no date].
\nNote on back: A gaggle of Newmans\u2013clockwise from Bobby (head), unknown, unknown, Lionel, daughter Carol (assoc. producer of \u201cThe Waltons\u201d), brother Marc (our agent).
\n[Photo shows group mingling at same event as previous photo.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\nJohn Williams, Lionel Newman, early 1980s.
\nNote on back: John Williams and Lionel Newman in Lionel\u2019s office at Fox, early 80s.
\n[Photo shows Newman, seated at desk, talking to Williams.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\nLionel Newman’s office at 20th Century Fox, [early 1980s].
\nNote on back: Lionel Newman\u2019s office at 20th Cent. Fox \/ Arthur Morton\u2019s hand, cigarette + smoke \/ John Williams regailing L. N.
\n[Photo shows Newman, seated at desk, talking to Williams; duplicate of previous photo with better lighting.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\nArthur Morton, David Newman, John Williams, Herbert Spencer, [early 1980s].
\nNote on back: In Lionel Newman\u2019s office at Fox \/ L\u2013R Arthur Morton, David Newman, John Williams + Herbert Spencer \/ [Newman] VP in charge of music Fox.
\n[Photo shows Morton, Newman, and Williams standing in Newman\u2019s office with Spencer seated in bottom right corner.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\nAlex North, Annemarie North, [early 1970s].
\nNote on back: My kitchen in Brentwood house. I had made a big stew with marrow bones. When Alex North found out about it, he rushed to get the marrow, which he loves, and is here consuming it with eager help from his wife, Anne Marie. He still talks about it.
\n[Photo shows the Norths eating stew in the Courages kitchen.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\nAlex North, early 1970s.
\nNote on back: An ecstatic Alex North consuming marrow from the bone \/ my kitchen, early 70s.
\n[Photo shows North eating stew in the Courages kitchen; Annemarie North blocked from view by Alex.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\nAnnemarie North, Alex North, Mrs. Ian Fraser, 1970s.
\nNote on back: Mrs. Ian Fraser, Annemarie North, Alex North, 70s.
\n[Photo shows Fraser and the Norths in conversation.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 35<\/strong><\/td>\nLeonard Rosenman, Kay Rosenman, late 1950s.
\nNote on back: Late 50s \/ Leonard Rosenman and his\u00a02nd<\/u>\u00a0wife, Kay, who was quite a good songwriter, on the beach in Santa Monica.
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 36<\/strong><\/td>\nLeonard Rosenman, Alex North, ca. 1973.
\nNote on back: (L\u2013R) Leonard Rosenman + Alex North scraping through some 4 hands at my former, former house (1973?).
\n[Photo shows Rosenman and North playing piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\nAlex North and Arthur Morton, [1970s].
\n[Photo shows North and Morton playing piano, at the Courages\u2019 house.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 38<\/strong><\/td>\nArthur Morton, Alex North, 1990.
\nNote on back: Lunch at Alex North\u2019s summer 1990 \/ Arthur Morton talks with Alex.
\n[Photo shows Morton and North seated at table, in conversation.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 39<\/strong><\/td>\nArthur Morton, Alex North, 1990.
\nNote on back: Arthur Morton, Alex North \/ lunch at Alex\u2019s house \/ June 1990.
\n[Duplicate of previous photo.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 40<\/strong><\/td>\nAndr\u00e9 Previn in rehearsal, [ca. 1950s].
\nNote on back: A young Andr\u00e9 Previn in rehearsal (a jazz record date?). No date.
\n[Photo shows Previn playing piano.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 41<\/strong><\/td>\nAndr\u00e9 Previn rehearsing, 1950s.
\nNote on back: Andr\u00e9 Previn rehearsing \/ 1950s.
\n[Photo shows Previn seated on stool in recording studio.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 42<\/strong><\/td>\nAndr\u00e9 Previn, early 1960s.
\n[Photo shows Previn seated at table in conversation (others not visible in frame).]
\nPhotograph by Alexander Courage. 1 black and white photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 43<\/strong><\/td>\nAndr\u00e9 Previn, Miklos Rosza, rehearsal at Hollywood Bowl c.1950.
\nNote on back: c. 1950 \/ Andr\u00e9 Previn, soloist, and Miklos Rozsa, conductor in the Rachmaninoff\u2013Paganini Variations rehearsal at the Hollywood Bowl.
\n[Photo shows Previn, seated, looking at Rozsa, standing.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7.5\u201d.<\/td>\n<\/tr>\n
sleeve 44<\/strong><\/td>\nMiklos Rosza, Andr\u00e9 Previn, c. 1950.
\nNote on back: c. 1950 \/ Rehearsal: Miklos Rozsa conducting Andr\u00e9 Previn, soloist, Rachmaninoff\u2013Paganini Variations with the Meremblum Orchestra, a training orchestra of young musicians led + founded by Peter Meremblum. This in preparation for a Bowl concert with the L. A. Phil. \/ The intent man (grey suit, white shirt, dark tie) sitting under the ceiling light and behind the bespectacled \u2018cellist is Andr\u00e9\u2019s father Jack (Jacob). He had been a magistrate in Berlin and an amateur pianist. Unable to practice law here, he gave piano lessons to children of notables e.g., Liza Minelli. A real taskmaster, he can possibly be responsible for Andr\u00e9 disliking Bach.
\n[Photo shows Rozsa, Previn, and the orchestra rehearsing in a small room with a small audience in the background.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7.5\u201d.<\/td>\n<\/tr>\n
sleeve 45<\/strong><\/td>\nAndr\u00e9 Previn, ca. 1950.
\nNote on back: Andr\u00e9 Previn proves that a man can be an island as he points to his future tours in Japan with the Vienna Philharmonic.
\n[Photo shows Previn standing on rock surrounded by water.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7.5\u201d.<\/td>\n<\/tr>\n
sleeve 46<\/strong><\/td>\nHerbert Spencer, early 1980s.
\nNote on back: Herbert Spencer orchestrating another John Williams score in John\u2019s office at 20th Cent. Fox, early 80s \/ (very possibly \u201cStar Wars\u201d).
\n[Photo shows Spencer working on score at desk.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 47<\/strong><\/td>\nJames Spencer, John Williams, Herbert and Carmela Spencer, 1977.
\nNote on back: My house (later lost) 1977 \/ L\u2013R: James Spencer (now a successful art director), John Williams, Herbert Spencer, and daughter Carmela Spencer.
\n[Photo shows the Spencers and Williams seated on couch.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 48<\/strong><\/td>\nGeorge Tremblay and David Raksin, late 1960s.
\nNote on back: Late 60s \/ George Tremblay (the great west-coast exponent of the 12-tone system) and David Raksin play at my Brentwood house.
\n[Photo shows Tremblay and Raksin playing piano.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
sleeve 49<\/strong><\/td>\nJohn Williams, Lionel Newman, [no date].
\nNote on back: L\u2013R: John Williams, Lionel Newman listen to Harry Warren\u2019s \u201cAnd then I wrote\u2014.\u201d
\n[Photo shows Warren playing piano as William and Newman (and other party guests in the background) listen; at John Williams\u2019s house.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 50<\/strong><\/td>\nParty at John Williams’ house, early 1970s.
\nNote on back: Party at John Williams house, early 1970s \/ L to R: Carol Goldsmith (Mrs. Jerry), Marc Newman (everyone\u2019s agent, brother to Alfred and Lionel), Jerry Goldsmith, John Williams, Vinton Vernon (longtime music mixer at 20th Cent. Fox), Ray Heindorf (head of music dept., Warner Bros.), Lionel Newman (head of music dept., 20th Cent. Fox), at piano Harry Warren (very famous songwriter).
\n[Photo shows Warren at piano with group standing next to him; see Box 95\/67\u201345 for additional photos from party.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 51<\/strong><\/td>\nHarry Warren, Carol Goldsmith, Jerry Goldsmith, Herbert Spencer, early 1970s.
\nNote on back: Very great songwriter Harry Warren expresses surprise at something Carol Goldsmith has just said (or sung) at Jerry Goldsmith and Herbert Spencer look on. John Williams\u2019s house. Early \u201870s.
\n[Photo shows Warren seated at piano with Goldsmiths and Spencer standing to his right; see Box 95\/67\u201345 for additional photos from party.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 52<\/strong><\/td>\nHerbert Spencer, Harry Warren, Diana Spencer, 1970s.
\nNote on back: L\u2013R: Herbert Spencer, Harry Warren, Diana Spencer \/ party at John Williams\u2019 \/ 1970s.
\n[Photo shows Spencer, Warren, and Spencer standing together.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 53<\/strong><\/td>\nParty at John Williams’ house, early 1970s.
\nNote on back: Party at John Williams\u2019 house, early 70s \/ L\u2013R: David Raksin, Ray Heindorf (head of music at Warner Bros.), Herbert Spencer, Harry Warren, Lionel Newman + Vinton Lernon (longtime scoring stage music mizer at Fox), John W. squatting.
\n[Photo shows group posing in front of staircase in Williams\u2019s house; see Box 95\/67\u201345 for additional photos from party.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 54<\/strong><\/td>\nParty at John Williams’ house, early 1970s.
\nNote on back: Party at John Williams\u2019 house, early 70s \/ L\u2013R: David Raksin, Herbert Spencer, Ray Heindorf, Marc Newman, Harry Warren, John Williams, Jerry Goldsmith, Lionel Newman, and Vinton Vernon.
\n[Photo shows group posing in front of staircase in Williams\u2019s house; see Box 95\/67\u201345 for additional photos from party.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 55<\/strong><\/td>\nJohn Williams, Alex North, 1972.
\nNote on back: 1972 \/ My house in Brentwood \/ L\u2013R: my step-daughter Lisa, John Williams, and Alex North.
\n[Photo shows North and Williams playing piano with Lisa seated to their right; see Box 95\/33\u201341 for additional photos from event.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 56<\/strong><\/td>\nJohn Williams, Alex North
\nNote on back: 1972 \/ John Williams commenting on Alex North\u2019s improvising.
\n[Photo shows North and Williams seated at piano; see Box 95\/33\u201341 for additional photos from event.]
\nPhotograph by Alexander Courage. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n
sleeve 57<\/strong><\/td>\nGroup of composers aboard the USS Yorktown, 1960s.
\nNote on back: 1960s \/ Lunch in a ward room aboard the USS Yorktown (an aircraft carrier berthed in Long Beach) \/ clockwise from lower right: Morton Stevens, Dick Kirk (bald head, west coast BMI man), Peter Rugolo, Cyril Mockridge, John Williams, 3 unknowns, Herbert Spencer, and Stanley Wilson\u2014head of music at Revue TV (part of Universal pictures) \/ Cy Mockridge had joined the Navy League and invited us to join a day-long cruise which included an elaborate anti-submarine exercise.
\n[Photo shows group seated at long table with coffee.]
\nPhotograph by Alexander Courage. 1 color photograph, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Sub-sub-series iii: 8\u201d x 10\u201d sleeves<\/span><\/em><\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 99″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1626114053346{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

CLGA HOLLYWOOD BOWL CONCERT \u2013 MAY 1964<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\nHenry Mancini rehearsing, 1964.
\nNote on back: Henry Mancini in rehearsal for a composers\u2019 guild concert at the Hollywood Bowl, May 1964.
\n[Photo shows Mancini conducting, in profile.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\nAndy Williams rehearsing, 1964.
\nNote on back: Andy Williams rehearsing for the CLGA concert at the Hollywood Bowl, May 1964.
\n[Photo shows Williams holding document (lyrics sheet?).]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\nHenry Mancini, Andy Williams, John Mandel, 1964.
\nNote on back: Henry Mancini, Andy Williams, John Mandel, rehearsal for Bowl concert, May 64.
\n[Photo shows Mancini conducting, Williams singing, and Mandel standing at right.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\nNelson Riddle, 1964.
\nNote on back: Nelson Riddle, CLGA Bowl rehearsal, May \u201964.
\n[Photo shows Riddle standing on podium.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\nJack Benny and Maylon [recte <\/em>Mahlon] Merrick, 1964.
\nNote on back: Jack Benny and his long-time conductor-arranger (radio + TV) Maylon Merrick \/ CLGA Hollywood Bowl rehearsal, May \u201964 \/ \u2018cellist is Kurt Reher. Lady \u2018cellist under Benny\u2019s frog is Eleanor (Elinor?) Slatkin, mother of Leonard Slatkin.
\n[Photo shows Benny playing violin with Merrick conducting; orchestra in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\nElmer Bernstein rehearsing, 1964.
\nNote on back: Elmer Bernstein, CLGA Bowl rehearsal, May 1964.
\n[Photo shows Bernstein conducting with four individuals seated in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\nJohn Green, 1964.
\nNote on back: John Green \/ CLGA Bowl rehearsal May \u201964 (I\u2019m glad he will never see this.)
\n[Photo shows Green conducting with three individuals seated in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\nFranz Waxman rehearsing, 1964.
\nNote on back: Franz Waxman, CLGA Bowl rehearsal, May \u201964.
\n[Photo shows Waxman conducting with three individuals in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\nFranz Waxman rehearsing, 1964.
\nNote on back: Franz Waxman, CLGA Bowl rehearsal, May \u201964.
\n[Photo shows Waxman conducting with five individuals in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\nJack Benny, 1964.
\nNote on back: Jack Benny \/ CLGA Bowl concert star soloist (it was a concert to benefit CLGA + we needed a\u00a0big<\/u>\u00a0name) \/ May \u201964.
\n[Photo shows Benny playing violin with orchestra musicians (on break?) and instruments in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\nRehearsal, 1964.
\nNote on back: Rehearsal for CLGA Bowl concert, May \u201964 \/ L\u2013R: writer, David Raksin, John Green, producer.
\n[Photo shows four men behind table\/desk.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\nJack Benny, 1964.
\nNote on back: Jack Benny our star soloist for composers\u2019 and lyricists\u2019 guild concert, May \u201964 \/ Los Angeles Philharmonic behind him (he really could play!) \/ violinist with glasses seen behind Benny\u2019s head is Thelma Gaspar Beach, a fine Eastman alumna.
\n[Photo shows Benny, crouching, playing violin, with the LA Philharmonic violin section playing in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\nJack Benny, 1964.
\nNote on back: David Frisina, then concertmaster of L. A. Philharmonic, playing stooge for Jack Benny, soloist \/ CLGA Hollywood Bowl concert, May 1964.
\n[Photo shows Frisna and Benny playing violins, with orchestra in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\nHenry Mancini, Andy Williams, John Mandel, 1964.
\nNote on back: Henry Mancini, Andy Williams, John Mandel rehearsing for CLGA Bowl concert \/ May \u201964.
\n[Photo shows Mancini conducting, Williams, singing, and Mandel standing.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

HUGO FRIEDHOFER “AT EASE IN HIS STUDIO” \u2013 1957-8<\/strong><\/p>\n\n\n\n
sleeves 15-20<\/strong><\/td>\nHugo Friedhofer in his studio, ca. 1957\u201358.
\n[6 photographs of Friedhofer; includes candid and posed photos.]
\nPhotographs by Alexander Courage. 6 black and white photographs, 8\u201d x 10\u201d, each in individual sleeves.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

SCH\u00d6NBERG ARCHIVE EXHIBIT, UCLA \u2013 1963<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 21<\/strong><\/td>\nContact sheet of photos by Alexander Courage.
\nNote on back: Photos by A. Courage from Sch\u00f6enberg Archive, Nov. 22, 1963.
\n[Contact sheet contains 12 images of documents (letters and telegrams) from the Sch\u00f6nberg Archive.]
\nPhotographs by Alexander Courage. 1 black and white contact sheet, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\nTelegram [from Franz Lehar to Arnold Schoenberg].
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\nLetter [from Marc Chagall].
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\nTwo self-portrait sketches.
\nNote on back: Arnold Sch\u00f6nberg \/ two self-portrait B + W sketches from a one-man show at the UCLA art gallery \/ Nov 1963.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10.5\u201d.<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\nPlaying cards.
\nNote on back: Arnold Sch\u00f6nberg \/ fanciful playing cards \/ UCLA exhibit, 1963.
\n[Photo shows eight playing cards drawn by Sch\u00f6nberg.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\nSketches for [Sch\u00f6nberg\u2019s] self-portrait.
\n[Photo shows six partial and full sketches used in preparation for Sch\u00f6nberg\u2019s self-portrait.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10.5\u201d.<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\nSketch [of young boy].
\nNote on back: Arnold Sch\u00f6nberg sketch \/ one of his sons? \/ UCLA exhibit, 1963.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\nSketch [of woman, subject unknown].
\nNote on back: Arnold Sch\u00f6nberg sketch \/ subject unknown \/ UCLA exhibit, 1963.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10.5\u201d.<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\nPlaying cards.
\nNote on back: Arnold Sch\u00f6nberg \/ playing cards \/ 1963.
\n[Photo shows eight playing cards drawn by Sch\u00f6nberg.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\nPlaying cards.
\nNote on back: Arnold Sch\u00f6nberg \/ fanciful playing cards \/ 1963.
\n[Photo shows eight playing cards drawn by Sch\u00f6nberg.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\nSketch of his [Sch\u00f6nberg\u2019s] daughter (?).
\nNote on back: Arnold Sch\u00f6nberg sketch of his daughter (?) \/ UCLA exhibit \/ Nov. 1963.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10.5\u201d.<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\nSketch of Gertrude Sch\u00f6nberg (?).
\nNote on back: Arnold Sch\u00f6nberg sketch \/ Gertrude Sch\u00f6nberg (?) \/ UCLA exhibit \u2013 1963.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\nPlaying cards.
\nNote on back: Arnold Sch\u00f6nberg \/ playing cards \/ 1963.
\n[Photo shows eight playing cards drawn by Sch\u00f6nberg.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10.5\u201d.<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\nPlaying cards.
\nNote on back: Arnold Sch\u00f6nberg \/ playing cards \/ 1963.
\n[Photo shows eight playing cards drawn by Sch\u00f6nberg.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10.5\u201d.<\/td>\n<\/tr>\n
sleeve 35<\/strong><\/td>\nSketches for self-portraits.
\n[Photo shows nine partial and full sketches used in preparation for Sch\u00f6nberg\u2019s self-portrait.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10.75\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=””]CLGA SOVIET COMPOSERS’ LUNCH \u2013 1959<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 36<\/strong><\/td>\nJohn Grenn, Dmitri Shostakovich.
\nNote on back: Shosty laughs!! \/ John Green makes a funny enjoyed by (L\u2013R) D. Shostakovich, interpreter, Bronislav Kaper (who spoke fluent Russian) \/ 1959.
\n[Photo shows Green standing at podium with others at his left, at lunch for delegation of visiting Soviet Composers.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d. Accompanied by additional caption written on cardboard (extract from original folder).<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\nDmitri Shostakovich, Mary Bran.
\nNote on back: Soviet composers lunch \/ D. Shostakovich charms Mary Bran \/ in BG Piatigorsky \/ 1959.
\n[Photo shows group shaking hands.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 38-41<\/strong><\/td>\nTikhon Khrennikov speaking at Soviet composers lunch.
\n[4 photographs showing Khrennikov speaking at lectern with interpreter to his left; Dmitri Shostakovich and Bronnie Kaper seated at table.]
\nPhotographs by Alexander Courage. 4 black and white photographs, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 42<\/strong><\/td>\nElmer Bernstein speaking.
\nNote on back: Soviet composers lunch \/ L\u2013R: interpreter, Elmer Bernstein (speaking), Leith Stevens (CLGA President), T. Khrennikov \/ 1959.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 43<\/strong><\/td>\nBernard Herrmann speaking.
\nNote on back: Soviet composers lunch \/ L\u2013R: John Green, interpreter, Bernard Herrmann (speaking), T. Khrennikov \/ 1959.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 44<\/strong><\/td>\nDimitri Kavalevsky speaking.
\nNote on back: Soviet composers lunch \/ L\u2013R: Dmitri Kavalevsky speaking, Bronislav \u201cBronnie\u201d Kaper (MGM composer), D. Shostakovich \/ 1959.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 45<\/strong><\/td>\nAlex North, Tikhon Khrennikov.
\nNote on back: Soviet composers lunch \/ L\u2013R: interpreter, Alex North (who had lived in Russia for a time) and Tikhon Khrennikov, head of the composers union \/ 1959.
\n[Photo shows North speaking at lectern with interpreter at his right; Khrennikov seated at table to North\u2019s left.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 46<\/strong><\/td>\nDmitri Shostakovich.
\nNote on back: Shostakovich speaks! What a nice man! \/ Listening Leith Stevens, interpreter, B. Kaper \/ Soviet composers lunch, Beverly Hills Hotel \/ 1959.
\n[Photo shows Shostakovich speaking at lectern with others in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 47<\/strong><\/td>\nGregor Piatigorsky, Mary Bran, Dmitri Kabalevsky.
\n[Photo shows group in conversation during composers lunch.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 48<\/strong><\/td>\nDimitri Kabalevsky introduced.
\nNote on back: Soviet composers lunch \/ Dimitri Kabalevsky is introduced \/ at left: David Raksin \/ at right: Leith Stevens \/ 1959.
\n[Photo shows Raksin seated, Kabalevsky standing, and Stevens at lectern introducing Kabalevsky.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 49<\/strong><\/td>\nGregor Piatigorsky introduced.
\n[Photo shows Piatigorsky standing with two unidentified men sitting at table in background.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 50<\/strong><\/td>\nTikhon Krennikov, Mary Bran, Bronislav Kaper, John Green.
\n[Photo shows group standing (posing).]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 51<\/strong><\/td>\nD. Kabalevsky, Gregor Piatigorsky.
\nNote on back: Soviet composers lunch \/ D. Kabalevsky listens to Gregor Piatigorsky \/ 1959.
\n[Photo shows Kabalevsky and Piatigorsky in conversation, among group mingling.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 52<\/strong><\/td>\nMary Bran, Franz Waxman.
\nNote on back: Soviet composers lunch \/ Mary Bran talks with Franz Waxman \/ in BG Piatigorsky and Kabalevsky.
\n[Photo shows Bran and Waxman in conversation, among group mingling.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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JOHN WILLIAMS AT WORK ON “FAR AND AWAY”<\/strong><\/p>\n\n\n\n
sleeves 53- 61<\/strong><\/td>\nJohn Williams in his studio at Universal Studios, 1992.
\n[9 photographs of Williams working at his desk or piano on \u201cFar and Away\u201d); additional photos from series in Box 97\/57\u201366.]
\nNote on original folder: John Williams at work on \u201cFar and Away\u201d in the studio given him by Steven Spielberg in his \u201cAmblin\u201d compound at Universal Studios. March\u2013April 1992.
\nPhotographs by Alexander Courage 9 black and white photographs, 8\u201d x 10\u201d, each in individual sleeves.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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MISCELLANEOUS<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 62<\/strong><\/td>\nIgor Stravinsky at UCLA, early 1950s
\nNote on back: I. Stravinsky rehearses at UCLA \/ early 1950s.
\n[Photo shows Stravinsky conducting at podium.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 63<\/strong><\/td>\nIgor Stravinsky at UCLA, early 1950s.
\nNote on back: I. Stravinsky in rehearsal at UCLA \/ early 1950s.
\n[Photo shows Stravinsky smiling, standing at podium during rehearsal.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 64<\/strong><\/td>\nHenry Mancini, [1964].
\n[Photo shows Mancini conducting (during rehearsal for a composers\u2019 guild concert at the Hollywood Bowl, May 1964); duplicate print of photo in Box 99\/1.]
\n[Photograph by Alexander Courage.] 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 65<\/strong><\/td>\nContact sheet: David Raksin, Leith Stevens, John Green, Miklas Rozsa.
\n[Contact sheet containing 12 images from event, several of which show Leith Stevens receiving various gifts\/honors; for select prints from series, see Box 95\/25\u201326.]
\n[Photographs by Alexander Courage.] 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 66<\/strong><\/td>\nLionel Newman, 1960s.
\nNote on back: Lionel Newman, head of music dept. 20th Century Fox Studios, 60s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 67<\/strong><\/td>\nHerbert Spencer, Lennie Hayton, mid-1960s.
\nNote on back: Herbert Spencer and Lennie Hayton \/ part of a sketch by director Jean Hegulesco on wall \/ mid 60s.
\n[Photo shows Spencer and Hayton seated at table.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 68<\/strong><\/td>\nLennie Hayton, Jeff Alexander, mid-1960s.
\nNote on back: Lennie Hayton and Jeff Alexander in Lionel Newman\u2019s office at 20th Century Fox \/ middle 60s \/ photos of Lionel\u2019s 3 daughters on wall.
\n[Photo shows Hayton and Alexander seated, looking at each other.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 69<\/strong><\/td>\nRandy Newman, Lionel Newman, mid-1960s.
\nNote on back: Randy Newman and his uncle Lionel \/ Randy was at the time an assistant music librarian at Fox \/ mid 60s.
\n[Photo shows Randy sitting with Lionel in office.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 70<\/strong><\/td>\nAl Woodbury, 1964.
\nNote on back: Al Woodbury, longtime arranger (MGM) and orchestrator (John Green and Andr\u00e9 Previn), 1964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 71<\/strong><\/td>\nArthur Morton, Adolph Deutsch, 1960s.
\nNote on back: Arthur Morton and Adolph Deutsch undoubtedly discussing British motor cars \/ 60s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 72<\/strong><\/td>\n\u00a0John Green, 1964.
\nNote on back: John Green and one of his three daughters (Bobbie?), May 1964.
\n[Photo shows John Green seated at desk with his daughter standing at his right.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 73<\/strong><\/td>\nAndr\u00e9 Previn, [no date].
\nNote on back: Andr\u00e9 Previn, early on, in rehearsal. Seated is his daughter (Claudio or Alicia, I don\u2019t recall).
\n[Photo shows Previn conducting at podium with his daughter seated in conductor\u2019s chair immediately behind him.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 74<\/strong><\/td>\nAndr\u00e9 Previn, [no date].
\nNote on back: Andr\u00e9 Previn, his daughter by his\u00a01st<\/u>\u00a0wife, Betsy and Robert (Bobbie) Helfer, everybody\u2019s agent and\/or orchestra contractor in those (?) days.
\n[Photo shows Previn talking to his daughter with Helfter in bottom right corner.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 75<\/strong><\/td>\nAndr\u00e9 Previn, Bobbie Helfer, [no date].
\nNote on back: Andr\u00e9 Previn, daughter (Claudia? Alicia?) and Bobbie Helfer \/ no date.
\n[Photo shows Previn, his daughter, and Helfter looking at material on conductor\u2019s podium.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 76<\/strong><\/td>\nParty on Stage 1 at Fox, 1960s.
\nNote on back: Party on Stage 1 at Fox (recording stage). I hear (1992) it\u2019s about to be torn down. \/ Lyn Murray and his friend Pamela \/ 60s.
\n[Photo shows Murray and Pamela standing in front of recording equipment.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 77<\/strong><\/td>\nAlexander Courage, Leonard Rosenman, 1964.
\nNote on back: A. Courage plays 4-hands with Leonard Rosenman, 1964.
\n[Photo shows Courage and Rosenman playing piano.]
\nPhotograph attributed to Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 78<\/strong><\/td>\nDavid Raksin, Pearl Kaufman, 1964.
\nNote on back: David Raksin, composer, Pearl Kaufman, pianist \/ May \u201964.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 79<\/strong><\/td>\nGil Grau, 1964.
\nNote on back: Gil Grau, a fine orchestrator at RKO (for Roy Webb) and a world class collector of sea shells \/ May 64.
\n[Photo shows Grau standing at podium examining score.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 80<\/strong><\/td>\nShelley Manne, Pearl Kaufman, 1964.
\nNote on back: Shelley Manne, great drummer, and Pearl Kaufman, pianist \/ May \u201964.
\n[Photo shows Manne seated at piano with Kaufman standing at his left shoulder.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 81<\/strong><\/td>\nDavid Raksin, 1964.
\nNote on back: David Raksin of (\u201cLaura\u201d) fame \/ 1964.
\n[Photo shows Raksin, in profile, holding document.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 82<\/strong><\/td>\nHerbert Spencer, Lionel Newman, 1960s.
\nNote on back (typescript caption affixed to back of photo): Herbert Spencer and Lionel Newman at 20th Century-Fox in the 1960s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 83<\/strong><\/td>\nArthur Morton, 1960s.
\nNote on back: Arthur Morton (brother of Musicologist + impresario Lawrene), composer and orchestrator, 60s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 84<\/strong><\/td>\nAlexander Courage, Leonard Rosenman, 1964.
\nNote on back: A. Courage plays 4-hands with Leonard Rosenman, 1964.
\nPhotograph attributed to Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 85<\/strong><\/td>\nHerbert Spencer, John Williams, 1960s.
\nNote on back (typescript caption affixed to back of photo): Herbert Spencer and John Williams at 20th Century-Fox in the 1960s.
\n[Photo shows Spencer and Williams talking in studio.]
\nPhotograph by John F. Waggaman. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 86<\/strong><\/td>\n\u00a0John Grenn, 1964.
\n[Photo shows Green conducting.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 87<\/strong><\/td>\nCyril J. Mockridge, Lionel Newman
\nNote on back: Cyril J. Mockridge (Sidie) composer + writer for string writer extraordinaire embraces his boss, Lionel Newman, at a Fox party (Fox was the only music dept. that had parties) \/ 60s.
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 88<\/strong><\/td>\nParty on recording stage at 20th Century Fox, 1960s.
\nNote on back: Party on recording stage at 20th Century\u2013Fox \/ L\u2013R: Dick Kirk, head of BMI western office, Alfred (Pappy) Newman, Paul Sprosty, music librarian + Randy Newman\u2019s boss, and producer David Weisbart \/ 60s.
\n[Photo shows Newman, Sprosty, and Weisbart in conversation, with Kirk at far left of photo.]
\nPhotograph by Alexander Courage. 1 black and white photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 89<\/strong><\/td>\nContact sheet with various images of music.
\n[Contact sheet containing 28 images of various sheet music for voice and piano.]
\n1 black and white contact sheet, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
sleeve 90<\/strong><\/td>\nContact sheet with various images of music.
\n[Contact sheet containing 12 images of various sheet music for voice and piano.]
\n1 black and white contact sheet, 4.25\u201d x 10\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Slides<\/strong><\/span><\/em><\/p>\n

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\u00a0item 1<\/strong><\/td>\nRed 3-ring binder containing 8 slide sleeves:<\/p>\n

Sleeve 1. Labeled \u201cHollywood Bowl, 9\/23\/63.\u201d Sleeve contains 14 color slides (35 mm) with images from rehearsal at the Hollywood Bowl.<\/p>\n

Sleeves 2\u20135. Labeled \u201cSch\u00f6nberg Duplicates.\u201d Sleeves contain 72 color slides (35 mm) of various artwork by Arnold Sch\u00f6nberg from exhibit at UCLA [November 1963].<\/p>\n

Sleeve 6. Labeled \u201cMiscellaneous.\u201d Sleeve contains 14 color slides (35 mm) with images of (#1) Jeff Alexander, (#2\u20133) Vladimir Ussachevsky, (#4) Lynn Murray, (#5) Arthur Morton and Jeff Alexander, (#6) Jerry Goldsmith, (#7\u20138) Leonard Rosenman and Pearl Kaufman, (#9, 13) Leigh Harline and family, (#10) Lionel Newman, (#11) Arthur Morton and Lionel Morton, (#12) George Tremblay, (#14) Arthur Morton and Jerry Goldsmith.<\/p>\n

Sleeves 7\u20138. Labeled \u201cLennie Hayton.\u201d Sleeves contain 7 color slides (55 mm) with images of Lennie Hayton [at 20th Century\u2013Fox, ca. 1968]. See Box 95\/16 for print of one photo from series.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Negatives<\/strong><\/span><\/em><\/p>\n

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item 1<\/strong><\/td>\nBlack 3-ring binder containing 9 negative sleeves.<\/p>\n

Sleeves 1\u20132. Labeled \u201cCopland at OJAI, 1950s.\u201d Sleeves contain 1 negative strip (1.5\u201d x 9\u201d) with 6 images of Copland conducting and 7 negatives (2.25\u201d x 2.25\u201d) with 7 images of the rehearsal and audience.<\/p>\n

Sleeve 3. Labeled \u201cJerry Goldsmith in studio, 2\/28\/92.\u201d Sleeve contains 8 negative strips (1.5\u201d x 3\u20136\u201d) with, in total, 26 images of Goldman in his studio. See Box 96\/41\u201360 for prints of some of these images.<\/em><\/p>\n

Sleeve 4. Labeled \u201cSch\u00f6nberg Archive, 11\/23\/63.\u201c Sleeve contains 2 negative strips (1.5\u201d x 9\u201d) with 12 images of letters and telegrams from Sch\u00f6nberg Archive. See Box 99\/21 for contact sheet of images.<\/em><\/p>\n

Sleeve 5. Labeled \u201cMax Steiner giving speech.\u201d Sleeve contains 2 negatives (2.25\u201d x 2.25\u201d) with 2 images of Max Steiner standing at a lectern at unidentified event.<\/p>\n

Sleeve 6. Labeled \u201cDavid Raksin, Leith Stevens.\u201d Sleeve contains 3 negatives (2.25\u201d x 2.25\u201d) with 2 images of Raksin and Stevens standing at a lectern and 1 image of the audience at the dinner\/event.<\/p>\n

Sleeves 7\u20138. Labeled \u201cUSSR composers’ lunch.\u201d Sleeves contain 7 negative strips (1.5\u201d x 9\u201d) with, in total, 39 images from the event. See Box 99\/36\u201352 for prints of some of these images.<\/em><\/p>\n

\u00a0<\/em>Sleeve 9. Labeled \u201cUnidentified.\u201d Sleeve contains 4 negative strips (1.5\u201d x 9\u201d) with, in total, 21 images [of Aaron Copland conducting, likely from a rehearsal for the Ojai Festival, 1958].<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/p>\n

Series 9: Sheet Music<\/h3>\n

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<\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nArlen, Harold. \u201cHappiness is a Thing Called Joe.\u201d From the MGM picture Cabin in the Sky.<\/em> Lyric by E. Y. Harburg. For voice and piano. Published score. New York: Leo Feist, c1941. Pl. no. 7374-3. 5 pp.<\/td>\n<\/tr>\n
folder 2<\/th>\nBricusse, Leslie. \u201cAt the Crossroads.\u201d From the 20th Century-Fox picture Doctor Dolittle.<\/em> For voice and piano. Published score. New York: Hastings Music Corp., c1967. Pl. no. H88-3. 4 pp.<\/td>\n<\/tr>\n
folder 3<\/th>\nBricusse, Leslie. \u201cBeautiful Things.\u201d From the 20th Century-Fox picture Doctor Dolittle.<\/em> For voice and piano. Published score. New York: Hastings Music Corp., c1967. Pl. no. H89-4. 5 pp.<\/td>\n<\/tr>\n
folder 4<\/th>\nBricusse, Leslie. Doctor Dolittle.<\/em> [Songs from the 20th Century-Fox picture.] For voice and piano. Published score, \u201cfor professional use only (not for sale).\u201d New York: Hastings Music Corp., c1967. Pl. no. H69. 2 copies. 66 pp., each.<\/td>\n<\/tr>\n
folder 5<\/th>\nBricusse, Leslie. \u201cI Think I Like You.\u201d From the 20th Century-Fox picture Doctor Dolittle.<\/em> For voice and piano. Published score. New York: Hastings Music Corp., c1967. Pl. no. H93-3. 4 pp.<\/td>\n<\/tr>\n
folder 6<\/th>\nBricusse, Leslie. \u201cSomething in Your Smile.\u201d From the 20th Century-Fox picture Doctor Dolittle.<\/em> For voice and piano. Published score. New York: Hastings Music Corp., c1967. Pl. no. H95-4. 5 pp.<\/td>\n<\/tr>\n
folder 7<\/th>\nBricusse, Leslie. \u201cTalk to the Animals.\u201d From the 20th Century-Fox picture Doctor Dolittle.<\/em> For voice and piano. Published score. New York: Hastings Music Corp., c1967. Pl. no. H87-7. 8 pp.<\/td>\n<\/tr>\n
folder 8<\/th>\nBricusse, Leslie. \u201cWhen I Look in Your Eyes.\u201d From the 20th Century-Fox picture Doctor Dolittle.<\/em> For voice and piano. Published score. New York: Hastings Music Corp., c1967. Pl. no. H90-3. 4 pp.<\/td>\n<\/tr>\n
folder 9<\/th>\nBricusse, Leslie. \u201cWhere Are the Words.\u201d From the 20th Century-Fox picture Doctor Dolittle.<\/em> For voice and piano. Published score. New York: Hastings Music Corp., c1967. Pl. no. H92-3. 4 pp.<\/td>\n<\/tr>\n
folder 10<\/th>\nBrown, Nacio Herb. \u201cSingin\u2019 in the Rain.\u201d From the MGM picture Singin\u2019 in the Rain.<\/em> Lyric by Alfred Freed. For voice and piano. Photocopy of published score (on thermal paper). New York: Robbins Music Corp., c1957. Pl. no. SH 589-3. 3 pp.<\/td>\n<\/tr>\n
folder 11<\/th>\nBurleigh, H. T., arr. \u201cDeep River.\u201d For low voice and piano. Published score. Melville, NY: Belwin Mills Publishing Corp., c1969. Pl. no. FCS 1587. 5 pp.<\/td>\n<\/tr>\n
folder 12<\/th>\nCourage, Alexander. \u201cPersonal Property.\u201d Lyric by Dory Langdon. For voice and piano. Score. MS repro, with emendations in red pencil. 4 pp.<\/td>\n<\/tr>\n
folder 13<\/th>\nDietz, Howard, and Arthur Schwartz. \u201cA Shine on Your Shoes.\u201d From the revue Flying Colors<\/em>. For voice and piano. Published score. New York: Harms Inc., c1932. Pl. no. 8844-6. 7 pp.<\/td>\n<\/tr>\n
folder 14<\/th>\nGershwin, George. \u201cClap Yo\u2019 Hands.\u201d From the musical comedy Oh, Kay<\/em>. Words by Ira Gershwin. For voice and piano. Published score. New York: Harms Inc., c1926. Pl. no. 7871-5. 7 pp.<\/td>\n<\/tr>\n
folder 15<\/th>\nGershwin, George. \u201cFunny Face.\u201d From the musical production Funny Face.<\/em> Words by Ira Gershwin. For voice and piano. Published score, in \u201cHits of Bygone Days from Musical Productions, Series Four.\u201d New York: Music Publishers Holding Corp., c1927. Pl. no. N.W. 62-4. 5 pp.<\/td>\n<\/tr>\n
folder 16<\/th>\nGershwin, George. \u201cHe Loves and She Loves.\u201d From the musical comedy Funny Face.<\/em> Words by Ira Gershwin. For voice and piano. Published score. New York: New World Music Corp., c1927. Pl. no. N.W. 61-4. 5 pp<\/td>\n<\/tr>\n
folder 17<\/th>\nGershwin, George. \u201cLet\u2019s Kiss and Make Up.\u201d From the musical comedy Funny Face.<\/em> Words by Ira Gershwin. For two voices and piano. Published score. New York: New World Music Corp., c1927. Pl. no. N.W. 58-4. 2 copies. 5 pp., each. Copy 1 has markings in colored pencil. Copy 2 has markings in pencil.<\/td>\n<\/tr>\n
folder 18<\/th>\nGershwin, George. \u201cMy One and Only.\u201d From the musical production Funny Face.<\/em> Words by Ira Gershwin. For two voices and piano. Published score, in \u201cHits of Bygone Days from Musical Productions, Series Four.\u201d New York: Music Publishers Holding Corp., c1927. Pl. no. N.W. 57-4. 5 pp.<\/td>\n<\/tr>\n
folder 19<\/th>\nGershwin, George. \u201c\u2018S Wonderful.\u201d From the musical comedy Funny Face.<\/em> Words by Ira Gershwin. For voice and piano. Published score. New York: Harms Inc., c1927. Pl. no. N.W. 56-4. 5 pp.<\/td>\n<\/tr>\n
folder 20<\/th>\nHamlisch, Marvin. \u201cThe Girl Who Used to Be Me.\u201d From the Paramount motion picture Shirley Valentine. <\/em>Lyric by Alan and Marilyn Bergman. For voice and piano. Published score. [s.l.]: Famous Music Corp., c1989. Pl. no. 2810GSMX. 2 copies. 6 pp., each. Interleaved in both copies: letter addressed to Academy of Motion Picture Arts and Sciences member (invitation to consider nomination for best original song). 1 p., each<\/td>\n<\/tr>\n
folder 21<\/th>\nHerbert, Victor. \u201cMarch of the Toys.\u201d From Babes in Toyland.<\/em> For solo piano. Published score, with markings in pencil. New York: M. Witmark & Sons, c1903. No pl. no. London: B. Feldman & Co. Ltd., c1903. 7 pp.<\/td>\n<\/tr>\n
folder 22<\/th>\nKaper, Bronislau. \u201cHi-Lili, Hi-Lo.\u201d From the MGM picture Lili.<\/em> Words by Helen Deutsch. For voice and piano. Published score (artist copy). New York: Robbins Music Corp., c1959. Pl. no. SH 3712-3. 4 pp.<\/td>\n<\/tr>\n
folder 23<\/th>\nKern, Jerome. \u201cTill the Clouds Roll By.\u201d From the MGM picture Till the Clouds Roll By.<\/em> Words by Jerome Kern, P. G. Wodehouse, and Guy Bolton. For voice and piano. Published score. New York: T. B. Harms Co., c1917. No pl. no. 5 pp.<\/td>\n<\/tr>\n
folder 24<\/th>\nMandel, Johnny. \u201cEmily.\u201d Instrumental lead sheet (melody and chords). MS repro. 1 p.<\/td>\n<\/tr>\n
folder 25<\/th>\nPorter, Cole. \u201cAnything Goes.\u201d From the musical comedy Anything Goes. <\/em>For voice and piano. Published score, with printed lyrics on pp. 6\u20137 crossed out in pencil and original lyrics added in red ink (typescript). New York: Harms Inc., c1934. Pl. no. S-528-5. 7 pp. Accompanied by note: \u201cThis is an original copy and contains all the lyrics before they were censored.\u201d<\/td>\n<\/tr>\n
folder 26<\/th>\nPorter, Cole. \u201cYou\u2019re the Top.\u201d From the Warner Bros. picture Night and Day.<\/em> For voice and piano. Published score. New York: Harms Inc., c1934. Pl. no. S-521-5. 7 pp.<\/td>\n<\/tr>\n
folder 27<\/th>\nRodgers, Richard. \u201cSlaughter on Tenth Avenue.\u201d From On Your Toes. <\/em>Arranged for orchestra by Jack Mason. Radio and concert version. Published piano-conductor score, with markings in red pencil. New York: Chappell & Co., c1949. No pl. no. 8 pp.<\/td>\n<\/tr>\n
folder 28<\/th>\nRomberg, Sigmund. \u201cGolden Days.\u201d From the musical production The Student Prince in Heidelberg. <\/em>Words by Dorothy Donnelly. For voice and piano. Published score. New York: Harms Inc., c1924. Pl. no. 7201-4. 5 pp.<\/td>\n<\/tr>\n
folder 29<\/th>\nRomberg, Sigmund. Tiptoes.<\/em> Production no. 1257. [Book] #3; dated July 26, 1934. Consists of outline of musical cues 41\u201375, with summary of scenes, key dialogue, and musical incipits for each cue (piano reduction\/2 staves). MS repro (purple ink). 28 pp.<\/td>\n<\/tr>\n
folder 30<\/th>\nSchwartz, Arthur. \u201cI Guess I\u2019ll Have to Change My Plan.\u201d From the musical production The Little Show<\/em>. Words by Howard Dietz. For voice and piano. Published score. New York: Harms Inc., 1933. Pl. no. S-477-4. 5 pp.<\/td>\n<\/tr>\n
folder 31<\/th>\nSchwartz, Arthur. \u201cIs It All a Dream?\u201d Words by Howard Dietz. For voice and piano. Published score. New York: Harms Inc, c1932. Pl. no. 8794-5. 7 pp.<\/td>\n<\/tr>\n
folder 32<\/th>\nSchwartz, Arthur. \u201cI\u2019ve Made a Habit of You.\u201d From the musical production The Little Show<\/em>. Words by Howard Dietz. For voice and piano. Published score, with annotations in pencil on p. 1. New York: Harms Inc., 1929. Pl. no. S361-4. 5 pp.<\/td>\n<\/tr>\n
folder 33<\/th>\nSchwartz, Arthur. \u201cNew Sun in the Sky.\u201d From the musical production The Band Wagon.<\/em> Words by Howard Dietz. For voice and piano. Published score. New York: Harms Inc., c1931. Pl. no. S-401-4. 5 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u2190 ALEXANDER COURAGE COLLECTION: Series 3-7<\/a><\/p>\n

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ALEXANDER COURAGE COLLECTION: Subject Index \u2192<\/a><\/p>\n

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[vc_row][vc_column][vc_column_text css=”.vc_custom_1623935685196{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 8: Photographs [\/vc_column_text][vc_column_text css=”.vc_custom_1623935728022{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Sub-series A: Prints [\/vc_column_text][vc_column_text css=”.vc_custom_1623935806710{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1030,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-1133","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1133"}],"version-history":[{"count":2,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1133\/revisions"}],"predecessor-version":[{"id":22315,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1133\/revisions\/22315"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1030"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1133"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}