{"id":1035,"date":"2019-06-13T10:03:11","date_gmt":"2019-06-13T14:03:11","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/sibley\/?page_id=1035"},"modified":"2019-06-13T10:03:11","modified_gmt":"2019-06-13T14:03:11","slug":"ser1","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/courage\/ser1\/","title":{"rendered":"ALEXANDER COURAGE COLLECTION: Series 1"},"content":{"rendered":"

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Series 1: Motion Picture Scores<\/h3>\n

<\/a><\/span><\/span>[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1660766775093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

ABOVE AND BEYOND (Hugo Friedhofer) #1574<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 1\/Part 1; #1574-1. \u201cMain Title.\u201d
\nConductor\u2019s score (4 staves); dated June 16, 1952. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 1\/Part 2; #1574-33. \u201cHiroshima Run, Part 2.\u201d
\nConductor\u2019s score (3\u20134 staves); dated October 1, 1952. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 2\/Part 2 (overlaps Reel 2\/Part 1); #1574-20. \u201cB-29 Montage.\u201d
\nConductor\u2019s score (4 staves); dated June 9, 1952. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 2\/Part 4 (overlap from Reel 2\/Part 3); 1574-25. \u201cMore B-29.\u201d
\nConductor\u2019s score (4 staves); dated June 10, 1952. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 5\/Part 1; 1574-15. \u201cLabor Pains.\u201d
\nConductor\u2019s score (4 staves); dated June 3, 1952. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 6\/Part 4 (overlap from Reel 6\/Part 3); 1574-12. \u201cDuring the Bawl.\u201d
\nConductor\u2019s score (3\u20136 staves); dated June 2, 1952. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 11\/Part 2; 1574-30A. \u201cHiroshima Run \u2013 Part 1.\u201d
\nConductor\u2019s score (2\u20135 staves); dated June 17, 1952. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 11\/Part 2A (overlaps Part 1); 1574-30B. \u201cHiroshima Run \u2013 Part 2.\u201d
\nConductor\u2019s score (2\u20134 staves); dated June 19, 1952. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 12\/Part 1; 1574-31. \u201cJourney\u2019s End.\u201d
\nConductor\u2019s score (3\u20134 staves); dated June 19, 1952. MS repro. 7 pp. 25.5 x 33 cm.
\nReel 12\/Part 2; 1574-32. \u201cArmageddon.\u201d
\nConductor\u2019s score (4\u20135 staves); dated June 20, 1952. MS repro. 5 pp. 24.5 x 33 cm.
\n1\/2 – “Hiroshima Run, Part 2.” repro conductor’s score<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

ACE ELI AND ROGER OF THE SKIES (A. Courage – Jerry Goldsmith) #A-905<\/strong><\/p>\n\n\n\n\n\n\n
folder 10<\/th>\nReel 1\/Part 2A. \u201cThe New Wrinkle.\u201d
\nSketch (reduced score; 4 staves). Pencil MS. 6 pp. 30 x 39 cm.
\nFull score (34 staves). MS repro, with instrument names added or circled in red ink throughout score. 20 pp. 31 x 48cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 3\/Part 1. \u201cOff to Monument.\u201d
\nSketch (reduced score; 4 staves). Pencil MS. 5 pp. 30 x 39 cm.
\nFull score (34 staves). MS repro, with instrument names added or circled in red ink throughout score. 17 pp. 31 x 48.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 9\/Part XX. \u201cBoy Flier (Who\u2019s for Complainin\u2019?)\u201d (Jim Grady and A. Courage; adapted by A. Courage).
\nFull score (34 staves). MS repro, with instrument names added or circled in red pencil throughout score. 24 pp. 31 x 48 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 9\/Part XX. \u201cBoy Flier (Who\u2019s for Complainin\u2019?)\u201d (Jim Grady and A. Courage; adapted by A. Courage).
\nSketches (reduced score; 4 staves). Pencil MS. 5 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE ADVENTURES OF HUCKLEBERRY FINN (Jerome Moross) #1761<\/strong><\/p>\n\n\n\n\n\n\n
folder 14<\/th>\nReel 2\/Part 3; 1761-6. \u201cHuck Gets Away.\u201d
\nConductor\u2019s score (4 staves); dated January 12, 1960. MS repro. 9 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 8\/Part 2; 1761-20. \u201cThe Raft is Destroyed.\u201d
\nConductor\u2019s score (3\u20134 staves); dated January 25, 1960. MS repro, with corrections to measure numbers in blue pencil. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 12\/Part 1; 1761-26. \u201cThe Chase.\u201d
\nConductor\u2019s score (3\u20134 staves); dated January 27, 1960. MS repro. 9 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 12\/Part 2; 1761-27. \u201cThe New Raft.\u201d
\nConductor\u2019s score (3\u20134 staves); dated January 27, 1960. MS repro, with performance marking in red pencil on p. 2. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE AGONY AND THE ECSTASY (Alex North; orch. A. Courage) #A-858<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 18<\/th>\nReel 1\/Part 3. \u201cMarble.\u201d
\nConductor\u2019s score (4 staves); undated. Written above title: 15. MS repro. 3 pp. 25 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 19<\/th>\nReel 2\/Part 1. \u201cVexilla Regis, Victimae Pascali\u201d (composed by Franco Potenza, with additional music by Alex North).
\nConductor\u2019s score (2 staves); undated. Written above title: 19. MS repro. 5 pp. 26 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 3\/Part 1. \u201cTwelve Apostles.\u201d
\nConductor\u2019s score (4 staves); undated. Written above title: 15. MS repro; revised p. 1 taped over original p. 1. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nReel 3\/Part 2\u2013Reel 4\/Part 1. \u201cMedici Party \u2013 Pt.1.\u201d
\nConductor\u2019s score (4 staves); undated. Written under title: 1. MS repro. 10 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 4\/Part 1A. \u201cMedici Party \u2013 Pt. 2.\u201d
\nConductor\u2019s score (4 staves); undated. Written above title: 2. MS repro. 7 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 4\/Part 1B. \u201cMedici Party \u2013 Pt. 3.\u201d
\nConductor\u2019s score (4 staves); undated. Written above title: 3. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 4\/Part 3\u2013Reel 5\/Part 1. \u201cApostles Sketch.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. Written above title: 11. MS repro. 6 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nReel 5\/Part 2. \u201cThe Tavern \u2013 Part 1.\u201d
\nConductor\u2019s score (3 staves); undated. Written above title: 5. MS repro. 11 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nReel 5\/Part 3. \u201cThe Tavern \u2013 Part 2.\u201d
\nConductor\u2019s score (3 staves); undated. Written above title: 6. MS repro. 5 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\nReel 5\/Part 4. \u201cSketch Destroyed.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. Written below title: 13. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\nReel 6\/Part 2. \u201cGypsy Camp.\u201d
\nConductor\u2019s score (4 staves); undated. Written above title: 4. MS repro. 4 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\nReel 6\/Part 3. \u201cThe Brothel.\u201d
\nConductor\u2019s score (3 staves); undated. Written above title: 7. MS repro. 4 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\nReel 6\/Part 3A. \u201cMountaineer\u2019s Song.\u201d
\nVocal part (tenor voice solo) (1 staff); undated. Written above title: 8. MS repro. 1 p. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\nReel 6\/Part 4\u2013Reel 7\/Part 1. \u201cRefuge.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. Written above title: 12. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 32<\/th>\nReel 7\/Part 4\u2013Reel 8\/Part 1. \u201cThe Sistine Chapel.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 9. MS repro, with sparse markings in blue ink; revised p. 7 taped over original p. 7. 7 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 33<\/th>\nReel 8\/Part 4\u2013Reel 9\/Parts 1-2. \u201cPainting.\u201d
\nConductor\u2019s score (3\u20136 staves); undated. Written above title: 10. MS repro. 5 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 34<\/th>\nReel 9\/Part 3. \u201cSt. Peters.\u201d
\nConductor\u2019s score (5 staves); undated. Written above title: 18. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 35<\/th>\nReel 10\/Part 1. \u201cBlind.\u201d
\nConductor\u2019s score (4\u20136 staves); undated. Written above title: 16. MS repro. 11 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 36<\/th>\nReel 6\/Part 4. \u201cEnd Title and Cast.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. Written above title: 17. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

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THE AMERICANIZATION OF EMILY (Johnny Mandel) #1820<\/strong><\/p>\n\n\n\n\n
folder 1<\/th>\nReel 6\/Part 1A (overlap from Reel 6\/Part 1); 1820-11. \u201cSussex, cont\u2019d.\u201d
\nSketch of reduced score (4 staves); undated. MS repro. 8 pp. 28 x 36 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 11\/Part 1; 1820-12. \u201cCondolence Call.\u201d
\nSketch of reduced score (4 staves); undated. MS repro. 6 pp. 28 x 35.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

ANNIE GET YOUR GUN (Irving Berlin; arr. Adolph Deutsch) #1450<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
folder 3<\/th>\n19505. \u201cDoin\u2019 What Comes Natur\u2019lly.\u201d
\nConductor\u2019s score (4 staves); dated March 14, 1949. MS repro. 10 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n19516. \u201cLet\u2019s Go West Again.\u201d
\nConductor\u2019s score (5\u20136 staves); dated March 29, 1949. MS repro. 10 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\n19521. \u201cYou Can\u2019t Get a Man With a Gun.\u201d
\nConductor\u2019s score (3\u20135 staves); dated March 18, 1949. MS repro. 14 pp. 24 x 33.5 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n19538. \u201cThey Say That Falling in Love\u201d (arr. Maurice de Packh).
\nConductor\u2019s score (4\u20136 staves); dated March 21, 1949. MS repro. 9 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\n19585. \u201cShow Business\u201d (arr. Maurice de Packh).
\nConductor\u2019s score (3\u20134 staves); dated March 28, 1949. MS repro. 13 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n19586. \u201cShow Business \u2013 Reprise.\u201d
\nConductor\u2019s score (3\u20134 staves); dated March 28, 1949. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 9\/Part 1-A; 20602. \u201cEuropean Montage.\u201d
\nConductor\u2019s score (4\u20135 staves); dated January 18, 1950. MS repro. 13 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

BABES IN TOYLAND (Leslie Bricusse)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 10<\/th>\nSong 1. \u201cThe Happiest.\u201d
\nSong 1. Lead sheet (2\u20133 staves); copyright 1986. MS repro. 1 p. 24.5 x 33 cm.
\nSong 1 (reprise). Lead sheet (2\u20133 staves); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm.
\nSong 1 (final reprise). Lead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nSong 2. \u201cCincinnati.\u201d
\nLead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm<\/span><\/td>\n<\/tr>\n
folder 12<\/th>\nSong 3. \u201cToyland\u201d (lyric by Leslie Bricusse and music by Victor Herbert).
\nLead sheet (3 staves); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nSong 4. \u201cLet\u2019s Hear It.\u201d
\nLead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nSong 5. \u201cI\u2019ll Think of Something.\u201d
\nLead sheet (1\u20132 staves); copyright 1986. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nSong 6. \u201cIt\u2019s the Feeling.\u201d
\nLead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nSong 7. \u201cMonster Piece.\u201d
\nLead sheet (2 staves); copyright 1968 [<\/span>recte <\/em>1986]. MS repro. 5 pp. 24.5 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 17<\/th>\nSong 9. \u201cTwo Worlds.\u201d
\nLead sheet (1 staff); copyright 1986. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nSong 11. \u201cThrough the Eyes of a Child.\u201d
\nLead sheet (1 staff); copyright 1986. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

BAD DAY AT BLACK ROCK (Andr\u00e9 Previn) #1644<\/strong><\/p>\n\n\n\n\n
folder 19<\/th>\nReel 1\/Part 1; 1677-1. \u201cMain Title.\u201d
\nConductor\u2019s score (3\u20134 staves); dated November 12, 1954. MS repro, with measure numbers and sparse performance markings in red pencil. 9 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 4\/Part 3; 1644-17. \u201cJeep Chase.\u201d
\nConductor\u2019s score (3\u20134 staves); dated November 12, 1954. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE BAND WAGON (Arthur Schwartz; arr. A. Courage) #1610<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 21<\/th>\nReel 1\/Part 1; 1610-1. \u201cMain Title\u201d (by Arthur Schwartz; arr. Conrad Salinger).
\nConductor\u2019s score (3\u20134 staves); dated February 23, 1953. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 1\/Part 2; 1610-9. \u201cAuction Bridge\u201d (by A. Courage).
\nConductor\u2019s score (4 staves); dated February 20, 1953. MS repro. 1 p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 1\/Part 3; 1610-11. \u201cHouse Bridge\u201d (by A. Courage).
\nConductor\u2019s score (4 staves); dated February 19, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 1\/Part 4; 1610-8. \u201cTrain Bridge\u201d (by A. Courage).
\nConductor\u2019s score (3\u20134 staves); dated February 19, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nReel 1\/Part 5; 1610-10. \u201cAva\u201d (by Arthur Schwartz and A. Courage).
\nConductor\u2019s score (3 staves); dated February 19, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nReel 2\/Part 1; 1610-15. \u201cForty Second Street\u201d (music by Arthur Schwartz and Roger Edens; lyrics by Howard Dietz and Roger Edens; arr. A. Courage).
\nConductor\u2019s score (3\u20134 staves); dated February 27, 1953. MS repro, with sparse markings on p. 1 in red pencil. 17 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\nReel 2\/Part 2; 1610-38. \u201cPenny Arcade\u201d (by Arthur Schwartz; arr. Roger Edens and A. Courage).
\nConductor\u2019s score (5\u20136 staves); dated March 10, 1953. MS repro. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\nReel 2\/Part 28; 1610-28. \u201cOedipus Bridge\u201d (by A. Courage and Roger Edens).
\nConductor\u2019s score (2\u20135 staves); dated March 3, 1953. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\nReel 4\/Part 1; 1610-7. \u201cJeff Falls\u201d (by A. Courage).
\nConductor\u2019s score (3 staves); dated February 20, 1953. MS repro. 1 p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\nReel 6\/Part 3; 1610-19. \u201cAuditions Montage\u201d (by Arthur Schwartz, Roger Edens, and A. Courage).
\nConductor\u2019s score (4\u20135 staves); dated February 28, 1953. MS repro. 10 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\nReel 7\/Part 3; 1610-29. \u201cStage Door Alley.\u201d
\nConductor\u2019s score (4\u20135 staves); dated March 3, 1953. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 32<\/th>\nReel 8\/Part 3; 1610-36. \u201cNew Haven Bridge.\u201d
\nConductor\u2019s score (5\u20136 staves); dated March 9, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 33<\/th>\nReel 8\/Part 4; 1610-34. \u201cIntroduction to Confusion \u2013 Part A\u201d (by Roger Edens and A. Courage).
\nConductor\u2019s score (5 staves); dated March 9, 1953. MS repro. 1 p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 34<\/th>\nReel 8\/Part 5; 1610-20. \u201cOff-Scene Noodles\u201d (by Adolph Deutsch).
\nConductor\u2019s score (4\u20136 staves); dated March 6, 1953. MS repro, with sparse measure number markings in red pencil. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 35<\/th>\nReel 9\/Part 1; 1610-35. \u201cIntroduction to Confusion \u2013 Part B\u201d (by Roger Edens, Adolph Deutsch, A. Courage).
\nConductor\u2019s score (3\u20134 staves); dated March 9, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 36<\/th>\nReel 9\/Part 4; 1610-13. \u201cOpening Night\u201d (by Conrad Salinger).
\nConductor\u2019s score (2\u20135 staves); dated February 19, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 37<\/th>\nReel 9\/Part 5; 1610-6. \u201cThe Egg\u201d (by Conrad Salinger).
\nConductor\u2019s score (3\u20136 staves); dated February 11, 1953. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 38<\/th>\nReel 10\/Part 1; 1610-17. \u201cHotel Orchestra.\u201d
\nConductor\u2019s score (3\u20134 staves); dated February 25, 1953. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 11\/Part 1; 1610-30. \u201cBridge to \u2018New Sun\u2019\u201d (by Arthur Schwartz, Adolph Deutsch, and A. Courage).
\nConductor\u2019s score (4\u20135 staves); dated March 6, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 11\/Part 2; 1610-26. \u201cBridge to Hayride.\u201d
\nConductor\u2019s score (3\u20134 staves); dated March 3, 1953. MS repro. 1 p. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 11\/Part 3; 1610-16. \u201cHayride Take-Away.\u201d
\nConductor\u2019s score (3\u20134 staves); dated February 26, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 12\/Part 1; 1610-18. \u201cLetter to Paul Byrd.\u201d
\nConductor\u2019s score (4 staves); dated February 26, 1953. MS repro. 1 p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 12\/Part 2A; 1610-27. \u201cFred\u2019s Face Falls.\u201d
\nConductor\u2019s score (3\u20134 staves); dated March 3, 1953. MS repro, with sparse markings in red pencil. 1 p. 24.5 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 6<\/th>\nReel 12\/Part 3; 1610-33. \u201cBridge to New York\u201d (by Arthur Schwartz, Adolph Deutsch, and A. Courage).
\nConductor\u2019s score (4\u20135 staves); dated March 7, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 12\/Part 8; 1610-25. \u201cBridge to Triplets\u201d (by Arthur Schwartz, Adolph Deutsch, and A. Courage).
\nConductor\u2019s score (4\u20136 staves); dated March 7, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 13\/Part 1; 1610-14. \u201cGirl Hunt \u2013 Part 1\u201d (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger).
\nConductor\u2019s score (3\u20136 staves); dated February 25, 1953. MS repro. 4 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 13\/Part 2; 161-14A. \u201cGirl Hunt \u2013 Part 2\u201d (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger).
\nConductor\u2019s score (3\u20135 staves); dated February 26, 1953. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 13\/Part 2A; 1610-37. \u201cProgram Montage.\u201d (by Arthur Schwartz, Roger Edens, and Adolph Deutsch).
\nConductor\u2019s score (3\u20134 staves); dated March 10, 1953. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 13\/Part 3; 1610-14B. \u201cGirl Hunt \u2013 Part 3\u201d (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger).
\nConductor\u2019s score (3\u20134 staves); dated February 27, 1953. MS repro. 1 p. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 13\/Part 4; 1610-14C. \u201cGirl Hunt \u2013 Part 4\u201d (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger).
\nConductor\u2019s score (3\u20137 staves); dated February 27, 1953. MS repro. 3 pp. 24.5 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 13<\/th>\nReel 13\/Part 5-6; 1610-14D. \u201cGirl Hunt \u2013 Parts 5 & 6\u201d (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger).
\nConductor\u2019s score (2\u20133 staves); dated March 5, 1953. MS repro. 1 p. 24.5 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 14<\/th>\nReel 13\/Part 7; 1610-14E. \u201cGirl Hunt \u2013 Part 7\u201d (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger).
\nConductor\u2019s score (3\u201345 staves); dated March 2, 1953. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 13\/Part 8; 1610-14F. \u201cGirl Hunt \u2013 Part 8\u201d (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger).
\nConductor\u2019s score (3\u20134 staves); dated March 4, 1953. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 13\/Part 9; 1610-14G. \u201cGirl Hunt \u2013 Part 9\u201d [corrected] (by Arthur Schwartz; arr. Roger Edens, Adolph Deutsch, and Conrad Salinger).
\nConductor\u2019s score (3\u20135 staves); dated March 4, 1953. MS repro, with corrections in ink on p. 1. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 13\/Part 9; 1610-14G. \u201cGirl Hunt \u2013 Part 9\u201d [original] (by Arthur Schwartz; arr. Roger Edens, Adolph Deutsch, and Conrad Salinger).
\nConductor\u2019s score (3\u20135 staves); dated March 4, 1953. MS repro, with corrections marked in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 13\/Part 10; 1610-14H. \u201cGirl Hunt \u2013 Part 10\u201d (by Arthur Schwartz; arr. Roger Edens).
\nConductor\u2019s score (3 staves); dated March 5, 1953. MS repro. 1 p. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 14\/Part 1; 1610-14J. \u201cGirl Hunt \u2013 Part 11\u201d (by Arthur Schwartz; arr. Roger Edens).
\nConductor\u2019s score (4 staves); dated March 5, 1953. MS repro. 1 p. 24.5 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 20<\/th>\nReel 14\/Part 1A; 1610-14L. \u201cGirl Hunt \u2013 Part 12\u201d (by Arthur Schwartz; arr. Adolph Deutsch, Roger Edens, and Conrad Salinger).
\nConductor\u2019s score (4\u20135 staves); dated March 6, 1953. MS repro. 3 pp. 24.5 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 21<\/th>\nReel 14\/Part 1B; 1610-14M. \u201cGirl Hunt \u2013 Part 13\u201d (by Arthur Schwartz; arr. Roger Edens and Conrad Salinger).
\nConductor\u2019s score (3\u20137 staves); dated March 7, 1953. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 14\/Part 1x-1Ax; 1610-14K. \u201cGirl Hunt \u2013 Part 11x-12x\u201d (by Arthur Schwartz and Roger Edens).
\nTrumpet solo (1 staff); dated March 5, 1953. MS repro. 1 p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 14\/Part 2; 1610-31. \u201cOpening Night Blues\u201d (by Arthur Schwartz and Roger Edens).
\nConductor\u2019s score (3\u20136 staves); dated March 6, 1953. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\n[no reel no.]; 1610-22. \u201cBop Joint Sequence\u201d (by Arthur Schwartz; arr. Lloyd \u201cSkip\u201d Martin).
\nConductor\u2019s score (2\u20136 staves); dated January 8, 1953. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\n[no reel no.]; 1610-07. \u201cBy Myself\u201d (music by Arthur Schwartz; words by Howard Dietz; arr. Conrad Salinger).
\nConductor\u2019s score (5\u20136 staves); dated September 18, 1952. MS repro. 10 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\n[no reel no.]; 1610-019. \u201cDamnation Sequence\u201d (music by Arthur Schwartz; lyrics by Howard Dietz; arr. Adolph Deutsch, Roger Edens, and Conrad Salinger).
\nConductor\u2019s score (3\u20136 staves); dated February 19, 1953. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\n[no reel no.]; 1610-021A. \u201cGirl Hunt \u2013 Subway\u201d (by Arthur Schwartz; arr. Conrad Salinger).
\nConductor\u2019s score (5\u20136 staves); dated January 8, 1953. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\n[no reel no.]; 1610-016. \u201cI Guess I\u2019ll Have to Change My Plan.\u201d
\nConductor\u2019s score (4\u20135 staves); dated December 8, 1952. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\n[no reel no.]; 1610-016A. \u201cI Guess I\u2019ll Have to Change My Plan \u2013 1st Train Montage\u201d (by Arthur Schwartz and Adolph Deutsch; arr. A. Courage).
\nConductor\u2019s score (4\u20135 staves); dated December 8, 1952. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\n[no reel no.]; 1610-016B. \u201cI Guess I\u2019ll Have to Change My Plan \u2013 2nd Train Montage\u201d (by Arthur Schwartz, Adolph Deutsch, and A. Courage).
\nConductor\u2019s score (3\u20135 staves); dated December 10, 1952. MS repro. 2 copies. 2 pp., each. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\n[no reel no.]. \u201cChange My Plan.\u201d
\nSketches. Pencil MS with additions in red pencil. 2 pp. 24 x 31.5 cm.<\/td>\n<\/tr>\n
folder 32<\/th>\n[no reel no.]; 1610-015. \u201cLouisiana Hayride\u201d (music by Arthur Schwartz; lyric by Howard Dietz; vocal arr. by Roger Edens and Bobby Tucker; orch. arr. by Lloyd Martin).
\nConductor\u2019s score (4\u20136 staves); dated December 4, 1952. MS repro, with measure numbers marked and circled in red pencil. 14 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 33<\/th>\n[no reel no.]; 1610. \u201cNew Sun in the Sky\u201d (music by Arthur Schwartz; words by Howard Dietz).
\nPiano-vocal score (3 staves); dated October 8, 1952. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 34<\/th>\n[no reel no.]; 1610-017. \u201cNew Sun in the Sky\u201d (music by Arthur Schwartz; lyric by Howard Dietz; arr. Adolph Deutsch).
\nConductor\u2019s score (5 staves); dated December 9, 1952. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 35<\/th>\n[no reel no.]; 1610-06. \u201cShine on Your Shoes\u201d (words and music by Arthur Schwartz and Howard Dietz).
\nConductor\u2019s score (4\u20136 staves); dated September 16, 1952. MS repro. 20 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 36<\/th>\n[no reel no.]; 1610. \u201cSweet Music\u201d (music by Arthur Schwartz; words by Howard Dietz).
\nPiano-vocal score (3 staves); dated October 6, 1952. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 37<\/th>\n[no reel no.]; 1610-010. \u201cThat\u2019s Entertainment \u2013 1st Vocal\u201d (music by Arthur Schwartz; words by Howard Dietz).
\nConductor\u2019s score (3\u20136 staves); dated October 15, 1952. MS repro. 19 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 38<\/th>\n[no reel no.]; 1610-011. \u201cThat\u2019s Entertainment \u2013 End Title\u201d (music by Arthur Schwartz; words by Howard Dietz; arr. Conrad Salinger).
\nConductor\u2019s score (4\u20136 staves); dated October 16, 1952. MS repro, with measure numbers circled in red pencil. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 39<\/th>\n[no reel no.]. \u201cTriplets\u201d (music by Arthur Schwartz; words by Howard Dietz).
\nPiano-vocal score (3 staves); dated August 22, 1952. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 40<\/th>\n[no reel no.]; 1610-01. \u201cTriplets\u201d (music by Arthur Schwartz, Adolph Deutsch, and A. Courage; words by Howard Dietz).
\nConductor\u2019s score (4\u20135 staves); dated December 8, 1952. MS repro. 12 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 41<\/th>\n[no reel no.]; 1610-08 rev. \u201cTwo-Faced Woman\u201d (music by Arthur Schwartz, Roger Edens, and Oscar Levant; arr. Conrad Salinger; lyrics by Howard Dietz).
\nConductor\u2019s score (2\u20136 staves); dated October 29, 1952. MS repro. 17 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1660917561551{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/p>\n

BASIC INSTINCT (Jerry Goldsmith; arr. A. Courage)<\/strong><\/p>\n\n\n\n
folder 1<\/th>\nReel 9\/Part 1. \u201cPillow Talk.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy), accompanied by Post-It note to Sandy [A. Courage]. 15 pp. 21.5 x 28 cm.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

BELLS ARE RINGING (Jule Styne, Betty Comden, Adolph Green) #1760<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
folder 2<\/th>\nReel 1\/Part 1; 1760-1. \u201cMain Title.\u201d
\nConductor\u2019s score (4\u20136 staves); dated February 17, 1960. MS repro. 9 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 1\/Part 2; 1760-1A. \u201cOpening.\u201d
\nConductor\u2019s score (6 staves); dated February 22, 1960. MS repro. 11 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 7\/Part 5; 1760-4. \u201cGreat White Way.\u201d
\nConductor\u2019s score (4 staves); dated January 27, 1960. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 7\/Part 6; 1760-5. \u201cHello, Hello There.\u201d
\nConductor\u2019s score (4\u20136 staves); dated February 1, 1960. MS repro (mm. 1\u201315 crossed out). 15 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]; 1760-07. \u201cBetter Than A Dream\u201d (music by Jule Styne; lyrics by Betty Comden and Adolph Green; arr. Pete King).
\nConductor\u2019s score (5\u20136 staves); dated September 24, 1959. MS repro, with marking on p. 1 in pencil. 15 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.]; 1760-09. \u201cMy Guiding Star\u201d (music by Jule Styne; lyrics by Betty Comden and Adolph Green; arr. A. Courage).
\nConductor\u2019s score (5\u20136 staves); dated September 25, 1959. MS repro, with performance marking on p. 5 in pencil. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n[no reel no.]; 1760-04. \u201cThe Party\u2019s Over\u201d (music by Jule Styne; lyrics by Betty Comden and Adolph Green; arr. Pete King).
\nConductor\u2019s score (4\u20136 staves); dated September 21, 1959. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

LA BOHEME (MGM film version) (William Axt; synchronized by David Mendoza and William Axt)<\/strong><\/p>\n\n\n\n
folder 9<\/th>\nPiano score. Published music produced from MS repro copy. New York: Photo Play Music Co., [s.d.]. 144 pp. 24 x 31.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

CAMELOT (Loewe-Bennett)<\/strong><\/p>\n\n\n\n
folder 10<\/th>\n[no reel no.]. \u201cThe Lusty Month of May.\u201d
\nExcerpt from full score (pp. 59\u201365) (26 staves). MS repro (photocopy), with sparse markings on p. 59 in red pencil. 7 pp. 28 x 40 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

CAROUSEL (Rogers; arr. Leroy Anderson)<\/strong><\/p>\n\n\n\n
folder 11<\/th>\n[no reel no.]. \u201cJune is Bustin\u2019 Out All Over.\u201d
\nExcerpt from full score (pp. 36\u201347) (26 staves). MS repro (photocopy). 12 pp. 25.5 x 35.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

CHILD OF THE CENTER RING (A. Courage) BP<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 12<\/th>\nM11; BP 438. \u201cPortrait of Jenny.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 9 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nM13; BP 439. \u201cCenter Ring Titles.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 2 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nM14; BP 440. \u201cStory of Her Life.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 5 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nM15\/21; BP 441. \u201cLittle Old Daddy-Maker Me.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 5 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nM22; BP 442. \u201cDon\u2019t Knock It.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n\u00a0M23; BP 443. \u201cRain in the Ring.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nM24\/31; BP 444. \u201cThe Graveyard.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 2 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nM32; BP 445. \u201cNo-Dealer Wheeler.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 2 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nM33; BP 446. \u201cGeschreier Jenny.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nM34; BP 447. \u201cRambling Jenny.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 9 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nM41; BP 449. \u201cSay It!\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nM42; BP 450. \u201cElephant Parade.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 4 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nM42A; BP 451. \u201cThe Oakie Waltz.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 5 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nM43; BP 452. \u201cHugo Talkover.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 9 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nM44\/51; BP 453. \u201cTo Blow A Wish On.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 6 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\nM52; BP 454. \u201cWay Down Dere.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 3 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\nM53; BP 455. \u201cBack to the Couch.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\nM54; BP 456. \u201cGet Away Day.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 8 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\nM55; BP 457. \u201cSomeone of the Center Ring.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 4 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\nM61; BP 458. \u201cThe Clowns Were Wild.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 9 pp. 28.5 x 24 cm.<\/td>\n<\/tr>\n
folder 32<\/th>\nM62; BP 459. \u201cThoughts Don\u2019t Kill.\u201d
\nFull score (22 staves); undated. MS repro (reduced-size photocopy). 1 p. 28.5 x 24 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n

CONGO (Jerry Goldsmith; orch. A. Courage) #33038<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 8\/Part 2. \u201cThe Symbol\u201d (by Jerry Goldsmith; orch. Arthur Morton).
\nFull score (33 staves); undated. MS repro (photocopy). 2 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 8\/Part 4 (rev.). \u201cThe Other Side\u201d (rev.).
\nFull score (40 staves); undated. MS repro (photocopy). 6 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 9\/Part 3\u2013Reel 10\/Part 1. \u201cThe Gates of Zinj\u201d (by Jerry Goldsmith; orch. Arthur Morton).
\nFull score (40 staves); undated. MS repro (photocopy), with sparse performance markings in red ink. 19 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 10\/Part 2. \u201cInto the Cave\u201d (by Jerry Goldsmith; orch. Arthur Morton).
\nFull score (33 staves); undated. MS repro (photocopy). 3 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 10\/Part 3. \u201cGoing Home.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 3 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 10\/Part 4. \u201cHelp Me.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 6 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 10\/Part 5. \u201cIt\u2019s Okay.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 3 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 11\/Part 1. \u201cWe Are Watching.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 7 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 11\/Part 2\u2013Reel 12\/Part 1. \u201cThe Mine.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 4 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 12\/Part 2. \u201cGorilla Attack.\u201d
\nFull score (40 staves); undated. MS repro (photocopy). 19 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 12\/Part 3. \u201cEscape from Zing.\u201d
\nFull score (40 staves); undated. MS repro (photocopy). 23 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 13\/Part 3. \u201cThe Flower.\u201d
\nFull score (40 staves); undated. MS repro (photocopy). 2 copies. 33 pp., each. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 13\/Part 4. \u201cEnd Titles Music.\u201d
\nChoral score (1\u20135 staves); revised May 9, 1995. MS repro. 15 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

DEEP IN MY HEART (Sigmund Romberg; arr. Adolph Deutsch and A. Courage) #1654<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 14<\/th>\nReel 1\/Part 3; 1654-9. \u201c2nd Avenue\u201d (by Sigmund Romberg; arr. Adolph Deutsch).
\nConductor\u2019s score (4\u20135 staves); dated July 15, 1954. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 3\/Part 3A; 1654-35. \u201cLeg of Mutton Montage\u201d (by Sigmund Romberg and A. Courage).
\nConductor\u2019s score (3\u20134 staves); dated June 27, 1952. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 5\/Part 1; 1654-14. \u201cDorothy Intervenes\u201d (based on \u201cGolden Days\u201d and \u201cWill You Remember\u201d by Sigmund Romberg and A. Courage).
\nConductor\u2019s score (3\u20134 staves); dated July 19, 1954. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 5\/Part 2; 1654-6. \u201cWinter Garden Montage Part 1\u201d (by Sigmund Romberg and Adolph Deutsch).
\nConductor\u2019s score (3\u20134 staves); dated July 15, 1954. MS repro. 1 p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 5\/Part 3; 1654-7. \u201cWinter Garden Montage Part 2 (Girlie of the Cabaret)\u201d (by Sigmund Romberg; arr. Adolph Deutsch and A. Courage).
\nConductor\u2019s score (5\u20136 staves); dated July 14, 1954. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 5\/Part 4; 1654-17. \u201cWinter Garden Montage Part 3\u201d (based on \u201cWill You Remember\u201d and \u201cLeg of Mutton\u201d by Sigmund Romberg and A. Courage).
\nConductor\u2019s score (5\u20137 staves); dated July 21, 1954. MS repro. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 5\/Part 5; 1654-18. \u201cWinter Garden Montage Part 4\u201d (by Sigmund Romberg, Adolph Deutsch, and A. Courage).
\nConductor\u2019s score (3\u20134 staves); dated July 21, 1954. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nReel 6\/Part 2; 1654-36. \u201cAstor Hotel\u201d (by Sigmund Romberg; arr. A. Courage).
\nConductor\u2019s score (4 staves); dated July 26, 1954. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 6\/Part 3; 1654-30. \u201cShubert-Ziegfeld\u201d (by Sigmund Romberg and A. Courage).
\nConductor\u2019s score (3 staves); dated July 23, 1954. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 7\/Part 4; 1654-22. \u201cThe Flat Tire\u201d (by Sigmund Romberg, Roger Edens, and A. Courage).
\nConductor\u2019s score (2\u20137 staves); dated July 23, 1954. MS repro. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 9\/Part 2; 1654-11. \u201cPoor Pierrot\u201d (by Sigmund Romberg and Adolph Deutsch).
\nConductor\u2019s score (5\u20135 staves); dated July 17, 1954. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nReel 10\/Part 2; 1654-19. \u201cViolets\u201d (by Sigmund Romberg and Adolph Deutsch).
\nConductor\u2019s score (3\u20134 staves); dated July 22, 1954. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nReel 12\/Part 1A; 1654-019. \u201cIt Waltz\u201d (by Sigmund Romberg and A. Courage).
\nConductor\u2019s score (5 staves); dated July 26, 1954. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\nReel 13\/Part 1; 1654-28. \u201cYou Said I\u2019d Come\u201d (by Sigmund Romberg and Adolph Deutsch).
\nConductor\u2019s score (5\u20136 staves); dated July 26, 1954. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\nReel 14\/Part 2; 1654-23. \u201cBetter Listen \u2013 Part 1\u201d (by Sigmund Romberg, Roger Edens, and A. Courage).
\nConductor\u2019s score (3\u20134 staves); dated July 23, 1954. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\nReel 15\/Part 1; 1654-29. \u201cBetter Listen \u2013 Part 2\u201d (by Sigmund Romberg, Roger Edens, and A. Courage).
\nConductor\u2019s score (3 staves); dated July 24, 1954. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\nReel 15\/Part 2; 1654-31. \u201cBridge to \u2018New Moon\u2019 (by Sigmund Romberg, Roger Edens, and A. Courage).
\nConductor\u2019s score (4\u20135 staves); dated July 26, 1954. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\nReel 16\/Part 2A; 1654-16. \u201cSoftly As In a Morning Sunrise\u201d (by Sigmund Romberg; arr. Lloyd \u201cSkip\u201d Martin).
\nConductor\u2019s score (4\u20135 staves); dated July 20, 1954. MS repro. 12 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 32<\/th>\n[no reel no.]; 1654-04. \u201cAuf Wiedersehn\u201d (music by Sigmund Romberg; lyrics by Herbert Reynolds; arr. Hugo Friedhofer).
\nConductor\u2019s score (4\u20135 staves); dated April 20, 1954. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 33<\/th>\n\u00a0[no reel no.]; 1654-08 part 1. \u201cI Love to Go Swimmin\u2019 with Wimmin\u2019 \u2013 Part 1\u201d (music by Sigmund Romberg; words by Ballard MacDonald; arr. Adolph Deutsch).
\nConductor\u2019s score (5\u20136 staves); dated April 20, 1954. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 34<\/th>\n\u00a0[no reel no.]; 1654-07. \u201cDance My Darlings\u201d (music by Sigmund Romberg; arr. Hugo Friedhofer).
\nConductor\u2019s score (4\u20135 staves); dated April 27, 1954. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 35<\/th>\n[no reel no.]; 1654-08 part 2. \u201cI Love to Go Swimmin\u2019\u2013 Part 2\u201d (music by Sigmund Romberg; words by Ballard MacDonald; arr. Adolph Deutsch).
\nConductor\u2019s score (5\u20136 staves); dated April 22, 1954. MS repro. 12 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661267704498{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n[no reel no.]; 1654-03 part 1. \u201cIt \u2013 Part 1\u201d (music by Sigmund Romberg; lyrics by Otto Harbach and Oscar Hammerstein II; arr. Adolph Deutsch and A. Courage).
\nConductor\u2019s score (3\u20136 staves); dated April 23, 1954. MS repro, with measure numbers circled in red pencil and sparse performance markings in blue pencil. 19 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]; 1654-03 part 2. \u201cIt \u2013 Part 2\u201d (music by Sigmund Romberg; lyrics by Otto Harbach and Oscar Hammerstein II with additional lyrics by Roger Edens; arr. Adolph Deutsch and Lloyd \u201cSkip\u201d Martin).
\nConductor\u2019s score (3\u20136 staves); dated April 25, 1954. MS repro, with sparse performance markings in red pencil. 10 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\n[no reel no.]; \u2014x2. \u201cLeg of Mutton\u201d (music by Sigmund Romberg; lyrics by Roger Edens).
\nPiano-vocal score (3 staves); dated April 5, 1954. MS repro, with annotations and performance markings in red pencil. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]; 1654-015 part 2. \u201cLeg of Mutton \u2013 Part 2\u201d (by Sigmund Romberg; arr. Adolph Deutsch).
\nConductor\u2019s score (5\u20136 staves); dated April 29, 1954. MS repro. 16 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]; 1654-035. \u201cMaytime Sequence\u201d (music by Sigmund Romberg; lyric by Rida Johnson Young; arr. Conrad Salinger).
\nConductor\u2019s score (2\u20136 staves); dated June 25, 1954. MS repro. 10 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]; 1654-029 (rev.). \u201cNew Moon Sequence\u201d (music by Sigmund Romberg; lyrics by Oscar Hammerstein II; arr. Hugo Friedhofer).
\nConductor\u2019s score (4\u20136 staves); dated May 12, 1954. MS repro. 12 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.]; 1654-031. \u201cOne Alone \u2013 Charisse Ballet \u2013 1\u201d (music by Sigmund Romberg and Roger Edens; lyrics by Otto Harbach and Oscar Hammerstein II; arr. Hugo Friedhofer).
\nConductor\u2019s score (4\u20136 staves); dated June 9, 1954. MS repro. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n[no reel no.]; 1654-031A. \u201cOne Alone \u2013 Charisse Ballet \u2013 Part 2\u201d (music by Sigmund Romberg and Roger Edens; arr. Hugo Friedhofer).
\nConductor\u2019s score (4\u20136 staves); dated June 10, 1954. MS repro. 10 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\n[no reel no.]; 1654-013. \u201cOverture (Romberg Medley)\u201d (by Sigmund Romberg; arr. Hugo Friedhofer).
\nConductor\u2019s score (4\u20136 staves); dated April 28, 1954. MS repro, with sparse performance markings in red pencil. 11 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]; 1654-014. \u201cSoftly, as in a Morning Sunrise \u2013 Gaby Deslys Version.\u201d
\nConductor\u2019s score (4\u20136 staves); dated April 28, 1954. MS repro. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n[no reel no.]; 1654-011. \u201cSoftly, as in a Morning Sunrise \u2013 Traubel Version\u201d (music by Sigmund Romberg; lyric by Oscar Hammerstein II; arr. Hugo Friedhofer).
\nConductor\u2019s score (2\u20136 staves); dated April 27, 1954. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n[no reel no.]; 1654-09. \u201cStout-Hearted Men\u201d (music by Sigmund Romberg; lyric by Oscar Hammerstein II; arr. Hugo Friedhofer).
\nConductor\u2019s score (2\u20136 staves); dated April 24, 1954. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n[no reel no.]; 1654-012. \u201cWhen I Grow Too Old to Dream \u2013 End Title\u201d ([music] by Sigmund Romberg and Hugo Friedhofer; [lyric] by Oscar Hammerstein II).
\nConductor\u2019s score (3\u20136 staves); dated April 27, 1954. MS repro, with sparse performance markings in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n[no reel no.]; 1654-030. \u201cYour Land and My Land\u201d (music by Sigmund Romberg; words by Dorothy Donnelly; arr. Hugo Friedhofer).
\nConductor\u2019s score (3\u20136 staves); dated May 18, 1954. MS repro. 10 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\n[no reel no.]; 1654-010. \u201cYou Will Remember Vienna\u201d (music by Sigmund Romberg; lyric by Oscar Hammerstein II; arr. Hugo Friedhofer).
\nConductor\u2019s score (3\u20135 staves); dated April 28, 1954. MS repro. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

DENNIS THE MENACE (1993) (Jerry Goldsmith; orch. A. Courage)<\/strong><\/p>\n\n\n\n\n\n
folder 16<\/th>\nReel 11\/Part 2. \u201cBeans.\u201d
\nConductor\u2019s score (9 staves); dated 1993. MS repro (photocopy). 8 pp. 43.5 x 35.5 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 11\/Part 3. \u201cReel Love\u201d (by Jerry Goldsmith; orch. [illegible] Arthur Morton).|
\nConductor\u2019s score (9 staves), labeled \u201cw\/ fixes Bruce\u201d; dated 1993. MS repro (photocopy). 2 pp. 31 x 28 cm.
\nFull score (33 staves), labeled \u201cw\/ fixes\u201d; dated 1993. MS repro (photocopy). 6 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 12\/Part 3. \u201cToasted Marshmallows.\u201d
\nConductor\u2019s score (9 staves); dated 1993. MS repro (photocopy). 11 pp. 32 x 28 cm.
\nFull score (35 staves); dated 1993. MS repro (photocopy). 41 pp. 28 x 43 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

DOCTOR DOLITTLE (Leslie Bricusse; arr. A. Courage) G18<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 19<\/th>\nReel 1\/Part 1. \u201cPrologue Tryout.\u201d
\nConductor\u2019s score (8 staves); undated. Written below title: 80. MS repro. 2 pp. 33 x 43 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 1\/Part 2. \u201cMain Title (Revised)\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer).
\nConductor\u2019s score (6\u20137 staves); revised September 19, 1967. Written below title: 121. MS repro. 16 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nReel 1\/Part 3. \u201cPuddelby (2nd Revision)\u201d (words and music by Leslie Bricusse; adapted by Cyril J. Mockridge; orch. Gus Levene).
\nConductor\u2019s score (6\u20137 staves); undated. Written above title: 92. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 3\/Part 1. \u201cFrying Sausages.\u201d
\nDraft of score (reduced score, 4 staves); undated. Pencil MS. 7 pp. (2 pp. with sketches, 5 pp. blank). 30.5 x 39.5 cm.
\nConductor\u2019s score (5 staves); undated. Written above title: 61. MS repro. 4 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 3\/Part 2. \u201cThe Vegetarian (Revised).\u201d
\nConductor\u2019s score (6\u20137 staves); revised May 1, 1967. Written above title: 1. MS repro. 14 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 3\/Part 2A. \u201cThe Vegetarian (Dialogue with Animals
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 2. MS repro, p. 1 has 5-staff system pasted over original. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nReel 3\/Part 2B. \u201cThe Vegetarian (Revised)\u201d (words and music by Leslie Bricusse; arr. A. Courage and Gus Levene).
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 3. MS repro. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nReel 3\/Part 3. \u201cRetrospect\u201d (words and music by Leslie Bricusse; adapted by Cyril J. Mockridge; orch. Gus Levene).
\nConductor\u2019s score (6\u20137 staves); undated. Written above title: 57. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\nReel 4\/Parts 1\u20133. \u201cThe Hat and Mouse\u201d (words and music by Leslie Bricusse; adapted by Lionel Newman; orch. Arthur Morton).
\nReel 4\/Part 1. \u201cThe Hat and Mouse.\u201d Conductor\u2019s score (5 staves); undated. Written above title: 53. MS repro. 3 pp. 25 x 33 cm.
\nReel 4\/Part 2. [No title.] Conductor\u2019s score (6 staves); undated. Written at top of p. 1: 51. MS repro. 2 pp. 25.5 x 33 cm.
\nReel 4\/Part 3. [No title.] Conductor\u2019s score (5 staves); undated. Written at top of p. 1: 67. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\nReel 5\/Part 1A. \u201cTalk to the Animals Part 1 \u2013 Inset No. 1.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. Written above title: 6. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\nReel 5\/Part 1C. \u201cTalk to the Animals Part 1 \u2013 Insert No. 2.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 7. MS repro. 1 p. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\nReel 5\/Part 1E. \u201cTalk to the Animals Part 1 \u2013 Insert No. 3.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 8. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\nReel 5\/Part 1G. \u201cTalk to the Animals Part 1 \u2013 New Ending.\u201d
\nConductor\u2019s score (5 staves); undated. Written above title: 9. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 32<\/th>\nReel 5\/Part 2. \u201cPig Talk.\u201d
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with markings in red pencil and measure numbers in green ink. 3 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 55. MS repro. 5 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 33<\/th>\nReel 5\/Part 2A. \u201cTalk to the Animals Part 2 (Montage).\u201d
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with markings in red pencil and measure numbers in black ink. 6 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (4\u20136 staves); undated. Written above title: 56. MS repro. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 34<\/th>\nReel 5\/Part 2B. \u201cTalk to the Animals \u2013 Part II Intro.\u201d
\nConductor\u2019s score (5 staves); undated. Written above title: 66. MS repro. 1 p. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 35<\/th>\nReel 5\/Part 3A. \u201cTalk to the Animals Pt. 2 Insert.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 10. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 36<\/th>\nReel 5\/Part 3D. \u201cInsert and New Ending \u2013 Talk to the Animals Part II.\u201d
\nConductor\u2019s score (6\u20137 staves); dated September 27, 1967. Written above title: 132. MS repro. 5 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 37<\/th>\nReel 5\/Part 4\u2013Reel 6\/Part 1. \u201cTime to Retire\u201d (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Gus Levene).
\nConductor\u2019s score (5 staves); undated. Written above title: 68. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661267904672{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 6\/Part 2\u2013Reel 7\/Part 1. \u201cFox and Hounds\u201d (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Gus Levene).
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 52. MS repro. 10 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 7\/Part 2. \u201cAt the Crossroads \u2013 Intro Part I.\u201d
\nConductor\u2019s score (5 staves); undated. Written above title: 63. MS repro. 1 p. 26.5 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 7\/Part 2A. \u201cAt the Crossroads \u2013 Intro Part II.\u201d
\nSketches (outline of click track, incomplete sketch of music [1 note only]); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\nConductor\u2019s score (4 staves); undated. Written below title: 64. MS repro. 1 p. 26.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 7\/Part 3A. \u201cAt the Crossroads \u2013 Insert No.1.\u201d
\nConductor\u2019s score (5 staves); undated. Written above title: 14. MS repro. 1 p. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 7\/Part 3C. \u201cAt the Crossroads \u2013 Insert No.2.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 15. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 7\/Part 3E. \u201cAt the Crossroads \u2013 New Ending (Revised).\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 16. MS repro. 1 p. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 7\/Part 4\u20134A. [No title] (words and music by Leslie Bricusse; adapted by Arthur Morton; orch. Lionel Newman).
\nReel 7, Part 4. Conductor\u2019s score (6 staves); undated. Written at top of p. 1: 59. MS repro. 2 pp. 25.5 x 33 cm.
\nReel 7, Part 4A. Conductor\u2019s score (4\u20135 staves); undated. Written at top of p. 1: 60. MS repro. 1 p. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 8\/Part 1. Intro to \u201cI\u2019ve Never Seen Anything Like It.\u201d
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with markings in red pencil. 2 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (4\u20136 staves); undated. Written above title: 54. MS repro. 4 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 8\/Part 2 (inserts). \u201cI\u2019ve Never Seen Anything Like It \u2013 Inserts 1-10.\u201d
\nPart 2A. Insert No. 1. Conductor\u2019s score (7 staves); undated. Written above title: 21. MS repro. 2 pp. 25.5 x 33 cm.
\nPart 2C. Insert No. 2. Conductor\u2019s score (6\u20137 staves); undated. Written above title: 22. MS repro. 3 pp. 25 x 33 cm.
\nPart 2E. Insert No. 3. Conductor\u2019s score (6\u20137 staves); undated. Written above title: 23. MS repro. 3 pp. 25 x 33 cm.
\nPart 2G. Insert No. 4. Conductor\u2019s score (6\u20137 staves); undated. Written above title: 24. MS repro. 2 pp. 25.5 x 33 cm.
\nPart 2I. Insert No. 5. Conductor\u2019s score (5\u20136 staves); undated. Written above title: 25. MS repro. 2 pp. 25.5 x 33 cm.
\nPart 2JJ. Remake chord bar 162. Conductor\u2019s score (2 staves); undated. Written above title: 26. MS repro. 1 p. 25.5 x 33 cm.
\nPart 2K. Insert No. 6. Conductor\u2019s score (5 staves); undated. Written above title: 27. MS repro. 1 p. 25.5 x 33 cm.
\nPart 2M. Insert No. 7. Conductor\u2019s score (4\u20135 staves); undated. Written above title: 28. MS repro. 2 pp. 25.5 x 33 cm.
\nPart 2N. Insert No. 8. Conductor\u2019s score (7 staves); undated. Written above title: 29. MS repro. 2 pp. 25.5 x 33 cm.
\nPart 2P. Insert No. 9. Conductor\u2019s score (5\u20136 staves); undated. Written above title: 30. MS repro. 4 pp. 25 x 33 cm.
\nPart 2T. Insert No. 10 (Revised). Conductor\u2019s score (7 staves); undated. Written above title: 140. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 8\/Part 2Q. \u201cI\u2019ve Never Seen Anything Like It \u2013 Montage No.1.\u201d
\nConductor\u2019s score (7 staves); undated. Written above title: 31. MS repro. 8 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 9\/Part 1. \u201cIntro to Beautiful Things.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 70. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 9\/Part 2A. \u201cBeautiful Things \u2013 Insert No.1.\u201d
\nConductor\u2019s score (7 staves); undated. Written above title: 17. MS repro. 1 p. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 9\/Part 2G. \u201cBeautiful Things \u2013 New Ending.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 20. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nReel 9\/Part 2H. \u201cSan Jos\u00e9 Insert \u2013 Beautiful Things.\u201d
\nConductor\u2019s score (6 staves); dated October 27, 1967. Written above title: 152. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 10\/Part 1. \u201cSophie\u2019s Escape.\u201d
\nDraft of score (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.
\n[Earlier version] (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gus Levene). Conductor\u2019s score (5\u20136 staves); undated. Written above title: 74. MS repro. 7 pp. 25 x 33 cm.
\nNew version (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer). Conductor\u2019s score (6\u20137 staves); undated. Written above title: 83. MS repro. 8 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 10\/Part 1A\u2013Reel 11\/Part 1. \u201cIntro to \u2018When I Look in Your Eyes\u2019\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gus Levene).
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with markings in red pencil. 5 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 75. MS repro. 16 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 10\/Part 1A\u2013Reel 11\/Part 1. \u201cIntro to \u2018When I Look in Your Eyes (Revised)\u2019\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gil Grau and Herbert Spencer).
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with sparse markings in red pencil. 9 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (6\u20137 staves); undated. Written above title: 84. MS repro. 18 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 10\/Part 1B. \u201cInsert in Intro to \u2018When I Look in Your Eyes.\u2019\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written below title: 124. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 11\/Part 2. \u201cWhen I Look in Your Eyes (Revised).\u201d
\n[First revision]. Conductor\u2019s score (6 staves); undated. Written above title: 13. MS repro. 6 pp. 25 x 33 cm.
\n2nd revision. Conductor\u2019s score (5\u20136 staves); undated. Written above title: 36. MS repro. 7 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 11\/Part 3. \u201cDolittle\u2019s Arrest\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gus Levene).
\nConductor\u2019s score (6 staves); undated. Written below title: 76. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nReel 11\/Part 4. [No title] (words and music by Leslie Bricusse; adapted and orch. Lionel Newman).
\nConductor\u2019s score (5 staves); undated. Written at top of p. 1: 73. MS repro. 2 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 12\/Part 1. [No title] (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Gus Levene).
\nConductor\u2019s score (5\u20136 staves); undated. Written at top of p. 1: 62. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 12\/Part 2. \u201cIntro and Verse to \u2018Like Animals.\u2019\u201d
\nConductor\u2019s score (5\u20136 staves); dated May 2, 1967. Written above title: 12. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 12\/Part 4. \u201cEnd of Act 1\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gus Levene).
\nConductor\u2019s score (6 staves); undated. Written above title: 95. MS repro. 2 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nReel 13\/Part 2. \u201cIntro to \u2018After Today\u2019\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer).
\nDraft of score (reduced score, 4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (6 staves); undated. Written above title: 107. MS repro. 5 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nReel 13\/Part 4. \u201cDolittle\u2019s Escape \u2013 Part 1\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer).
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with sparse markings in black ink. 3 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (5 staves); undated. Written above title: 105. MS repro. 3 pp. 26 x 33 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\nReel 13\/Part 4A\u2013Reel 14\/Part 1. \u201cDolittle\u2019s Escape \u2013 Part II\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gil Grau).
\nConductor\u2019s score (6 staves); undated. Written above title: 99. MS repro. 10 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\nReel 14\/Part 2. \u201cSeaweed Pie\u201d (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Herbert Spencer).
\nConductor\u2019s score (6 staves); undated. Written above title: 85. MS repro. 4 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\nReel 14\/Part 3A. \u201cFabulous Places \u2013 Insert No. 1.\u201d
\nConductor\u2019s score (5\u20137 staves); undated. Written above title: 39. MS repro. 3 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\nReel 14\/Part 3C. \u201cFabulous Places \u2013 Insert No. 2.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 40. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\nReel 14\/Part 3E. \u201cFabulous Places \u2013 Insert No. 3.\u201d repro conductor\u2019s score
\nConductor\u2019s score (6\u20137 staves); undated. Written above title: 41. MS repro. 4 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 32<\/th>\nReel 15\/Part 1. \u201cEmma at Work\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer).
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with sparse markings in black ink. 8 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (4\u20137 staves); undated. Written above title: 103. MS repro. 12 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 33<\/th>\nReel 15\/Part 1A. \u201cWhere Are the Words Insert.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 42. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 34<\/th>\nReel 15A\/Part 1C. \u201cWhere Are the Words \u2013 New Ending Rev.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 106. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 35<\/th>\nReel 16\/Part 1. \u201cDart Game.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 109. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 36<\/th>\nReel 16\/Part 2A. [No title] (words and music by Leslie Bricusse; adapted by Lionel Newman; orch. Arthur Morton).
\nConductor\u2019s score (6\u20137 staves); dated September 26, 1967. Written at top of p. 1: 131. MS repro. 7 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 37<\/th>\nReel 16\/Part 3\u2013Reel 17\/Part 1. \u201cSea Star Island\u201d (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Herbert Spencer).
\nConductor\u2019s score (6 staves); undated. Written above title: 104. MS repro. 8 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 38<\/th>\nReel 17\/Part 2. \u201cIntro and Part of Verse to \u2018I Think I Like You\u2019 2nd revision.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 110B. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 39<\/th>\nReel 17\/Part 3B. \u201cI Think I Like You (Insert and Remake of Chorus).\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 45. MS repro. 6 pp. 25 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 17\/Part 3C. \u201cRestless Natives.\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer)
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with sparse markings in red pencil. 4 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 113. MS repro. 8 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 17\/Part 4\u2013Reel 18\/Part 1. \u201cFrosty Village\u201d (words and music by Leslie Bricusse; adapted and orch. Fred Steiner).
\nConductor\u2019s score (6\u20137 staves); undated. Written to right of title: 97. MS repro. 19 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 18\/Part 2. \u201cInsert \u2013 \u2018The Giant Whale\u2019 (Revised).\u201d
\nConductor\u2019s score (5\u20136 staves); dated October 5, 1967. Written to right of title: 144. MS repro. 5 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 18\/Part 2\u2013Reel 19\/Part 1. \u201cThe Giant Whale\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Herbert Spencer).
\nDraft of score (reduced score, 4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (5\u20137 staves); undated. Written above title: 111. MS repro. 18 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 19\/Part 2A. \u201cIntro to \u2018Doctor Dolittle\u2019 (Revised).\u201d
\nConductor\u2019s score (5\u20136 staves); dated October 6, 1967. Written above title: 148. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 19\/Part 3. \u201cDoctor Dolittle \u2013 Part I.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 37. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 19\/Part 3A. \u201cBridge (Rev.) Pt. 1 to Pt. 2 \u2018Doctor Dolittle.\u2019\u201d
\nConductor\u2019s score (7 staves); dated October 5, 1967. Written above title: 150. MS repro. 3 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 19\/Part 3B. \u201cDoctor Dolittle \u2013 Part II.\u201d
\nConductor\u2019s score (6\u20137 staves); undated. Written above title: 38. MS repro. 7 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 21\/Part 3. \u201cWonderful News.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 94. MS repro. 2 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 21\/Part 4. \u201cThe Giant Luna Moth\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gil Grau).
\nConductor\u2019s score (6 staves); undated. Written above title: 89. MS repro. 2 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 21\/Part 4 (revised). \u201cThe Giant Luna Moth (Revised)\u201d (words and music by Leslie Bricusse; adapted by A. Courage; orch. Gil Grau).
\nConductor\u2019s score (6 staves); dated October 4, 1967. Written above title: 145. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 19\/Part 4. \u201cDoctor Dolittle \u2013 Pt. II ending.\u201d
\nConductor\u2019s score (6 staves); undated. Written above title: 48. MS repro. 1 p. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 19\/Part 5\u2013Reel 20\/Part 1. \u201cThe Giant Pink Sea Snail.\u201d
\nConductor\u2019s score (6 staves); dated October 6, 1967. Written above title: 151. MS repro. 8 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nReel 20\/Part 1A. \u201cTwo Weeks from Tuesday.\u201d
\nConductor\u2019s score (4\u20136 staves); undated. Written above title: 116. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 20\/Part 2. [no title] repro conductor\u2019s score (arr. Cyril Mockridge and Gus Levene)
\nConductor\u2019s score (4\u20135 staves); undated. Written above title: 86. MS repro. 5 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 20\/Part 3\u2013Reel 21\/Part 1. \u201cA Fond Farewell\u201d (words and music by Leslie Bricusse; adapted by Cyril Mockridge; orch. Gus Levene).
\nConductor\u2019s score (6 staves); undated. Written above title: 87. MS repro. 8 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 21\/Part 1z. \u201cSan Jos\u00e9 Bridge to \u2018Something in Your Smile.\u2019\u201d
\nConductor\u2019s score (5 staves); dated October 27, 1967. Written above title: 153. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 21\/Part 2. \u201cSomething in Your Smile.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 46. MS repro. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 21\/Part 2x. \u201cNew Ending \u2018Something in Your Smile.\u2019\u201d
\nConductor\u2019s score (6 staves); dated October 6, 1967. Written above title: 149. MS repro. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 21\/Part 5. \u201cEnd Title.\u201d
\nDraft of score (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\n[no reel no.]. \u201cAfter Today.\u201d
\nDraft of score (reduced score, 4 staves); undated. Pencil MS, with measure numbers in black ink. 4 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\n[no reel no.]; Song 9. \u201cAfter Today (Matthew).\u201d
\nPiano-vocal score (3 staves); dated June 14, 1966. MS repro. 7 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\n[no reel no.]. \u201cAfter Today (Anthony Newley).\u201d
\nConductor\u2019s score (5\u20136 staves); undated. MS repro, with note in pencil on p. 1. 13 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\n[no reel no.]; Song 4. \u201cAt the Crossroads.\u201d
\nPiano-vocal score (3 staves); dated June 14, 1966. MS repro. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\n[no reel no.]. \u201cAt the Crossroads\u201d (words and music by Leslie Bricusse; dev. A. Courage; orch. Gus Levene).
\nWith new insert. Conductor\u2019s score (4\u20136 staves); dated July 7, 1966. MS repro. 2 copies. 17 pp., each. 25 x 33 cm. Copy 1 labeled \u201cAMC\u201d and has markings and excisions in pencil and black ink.<\/td>\n<\/tr>\n
folder 26<\/th>\n[no reel no.]; Song 6. \u201cBeautiful Things \u2013 Part 1.\u201d
\nPiano-vocal score (3 staves); dated June 14, 1966. MS repro. 6 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\n[no reel no.]. \u201cBeautiful Things \u2013 Part 1\u201d (words and music by Leslie Bricusse; arr. Herbert Spencer; orch. N. Van Cleve).
\nConductor\u2019s score (5 staves); undated. MS repro. 2 copies. 9 pp., each. 25 x 33 cm. Copy 1 labeled \u201cAMC\u201d and has excisions in pencil.<\/td>\n<\/tr>\n
folder 28<\/th>\n[no reel no.]; Song 6. \u201cBeautiful Things \u2013 Part 2.\u201d
\nPiano-vocal score (3 staves); dated June 14, 1966. MS repro. 4 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\n[no reel no.]. \u201cBeautiful Things \u2013 Part 2\u201d (words and music by Leslie Bricusse; arr. Herbert Spencer; orch. N. Van Cleve).
\nConductor\u2019s score (5\u20137 staves); dated June 14, 1966. MS repro, with markings and excisions in pencil. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\n[no reel no.]. \u201cBeautiful Things \u2013 Part 3\u201d (words and music by Leslie Bricusse; arr. Herbert Spencer; orch. N. Van Cleve).
\nConductor\u2019s score (5\u20137 staves); dated June 15, 1966. MS repro. 2 copies. 10 pp., each. 25 x 33 cm. Copy 1 labeled \u201cAMC\u201d and has excisions in pencil.<\/td>\n<\/tr>\n
folder 31<\/th>\n[no reel no.]. \u201cBeautiful Things\/Last Chorus.\u201d
\nDraft of vocal parts (4 staves); undated. Pencil MS, with lyrics in blue ink on p. 2. 2 pp. 30.5 x 37.5 cm. Accompanied by MS repro copy (without lyrics added on p. 2). 2 pp. 30.5 x 38 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n[no reel no.]. \u201cBlossom and Group \u2013 Part IV.\u201d
\nDraft of score (reduced score, 4 staves); undated. MS repro, with markings in black ink. 4 pp. 31 x 39.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]. \u201cChildren Want to Know Why.\u201d
\nFull score (22 staves); undated. Pencil MS, with measure numbers in black ink. 20 pp. 28 x 38 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\n\u00a0[no reel no.]. \u201cCircus.\u201d
\nDraft of score (reduced score, 4 staves); undated. MS repro, with lyrics added under vocal line in pencil and markings in black ink and red pencil. 7 pp. 30 x 39.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]. \u201c\u2018Doctor Doolittle\u2019 (Verse)\u201d and \u201c\u2018Doctor Doolittle\u2019 (Chorus).\u201d
\nVerse. Conductor\u2019s score (4 staves); undated. MS repro. 2 copies. 6 pp., each. 28 x 36 cm (copy 1); 28.5 x 36.5 cm (copy 2).
\nChorus. [Title on copy 1: (Chorus\/Final Version).] Conductor\u2019s score (4 staves); undated. MS repro. 2 copies. 3 pp., each. 29 x 36.5 cm (copy 1); 28 x 37 cm (copy 2).<\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]. \u201cDoctor Doolittle (Verse).\u201d
\nPiano-vocal score (3 staves); dated April 21, 1967. MS repro. 5 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]. \u201cThe Doctor\u2019s Dilemma,\u201d Parts I\u2013V (words and music by Leslie Bricusse; vocal arr. Ian Fraser).
\nPart I. Draft of score (reduced score, 4 staves); undated. MS repro, with emendations in pencil and markings in red ink. 6 pp. 30 x 39 cm.
\nPart II. Draft of score (reduced score, 4 staves); undated. MS repro. 1 p. 30 x 39 cm.
\nPart III. Draft of score (reduced score, 4 staves); undated. MS repro. 1 p. 30 x 39 cm.
\nPart IV. Draft of score (reduced score, 4 staves); undated. MS repro, with markings in red ink. 3 pp. 30 x 39 cm.
\nPart V. Draft of score (reduced score, 4 staves); undated. MS repro, with markings in red ink. 3 pp. 30 x 39 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.]. \u201cThe Doctor\u2019s Dilemma \u2013 Part III & IV \u2013 \u2018Something in Your Smile.\u2019\u201d
\nDraft of reduced score (4 staves); undated. Pencil MS, with time signatures in black ink. 6 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n\u00a0[no reel no.]. \u201cThe Doctor\u2019s Dilemma,\u201d Parts I\u2013III.
\nPart I. Conductor\u2019s score (5 staves); undated. MS repro. 2 copies. 11 pp., each. 25 x 33 cm.
\nPart II. Conductor\u2019s score (4\u20135 staves); undated. MS repro. 2 copies. 6 pp., each. 25 x 33 cm. Copy 1 has emendations on p. 1.
\nPart III. Conductor\u2019s score (5 staves); undated. MS repro. 2 copies. 10 pp., each. 25 x 33 cm. Copy 1 has excision in pencil (pp. 4\u20135).<\/td>\n<\/tr>\n
folder 9<\/th>\n[no reel no.]; Song 6A. \u201cEmma\u2019s Dilemma.\u201d
\nPiano-vocal score (3 staves); dated June 14, 1966. MS repro. 2 copies. 2 pp., each. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]. \u201cEmma\u2019s Solo Act I (Possible Verse).\u201d
\nPiano-vocal score (3 staves); undated. MS repro. 4 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n[no reel no.]. \u201cEntr\u2019acte (2nd version)\u201d (words and music by Leslie Bricusse; adapted and orch. Herbert Spencer).
\nConductor\u2019s score (6\u20137 staves); dated October 8, 1967. MS repro. 15 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n[no reel no.]; Song 10. \u201cFabulous Places.\u201d
\nPiano-vocal score (3 staves); dated April 14, 1966. MS repro. 9 pp. 25 x 33 cm.
\n[Revised version.] Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 19 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n[no reel no. (Reel 14\/Part 3)]. \u201cFabulous Places\u201d (words and muisc by Leslie Bricusse; arr. Pete King).
\nConductor\u2019s score (4\u20136 staves); dated June 15, 1966. MS repro, with emendations and excisions in red ink. 28pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n[no reel no.]. \u201cI Don\u2019t Want to Be A King.\u201d
\nPiano-vocal score (3 staves); undated. MS repro. 2 copies. 8 pp., each. 25 x 33 cm.
\n[Revised version.] Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\n[no reel no.]. \u201cIf I Could Be Anyone At All.\u201d
\nPiano-vocal score (3 staves); dated February 22, 1966. MS repro. 2 copies. 6 pp., each. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\n[no reel no.]. \u201cI\u2019ll Fight a Lion.\u201d
\n[Version A in E-flat.] Piano-vocal score (3 staves); undated. MS repro. 6 pp. 25.5 x 33 cm.
\n[Version A in G.] Piano-vocal score (3 staves); undated. MS repro. 6 pp. 25.5 x 33 cm.
\n[Version B in G.] Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 11 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n[no reel no.]; Song 12. \u201cI Think I Like You.\u201d
\nPiano-vocal score (3 staves); dated May 16, 1966. MS repro. 8 pp. 25 x 33 cm.
\n[Revised version.] Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\n[no reel no. (Reel 17\/Part 3)]. \u201cI Think I Like You\u201d (words and music by Leslie Bricusse; arr. Bernard Mayers).
\nConductor\u2019s score (5\u20136 staves); undated. MS repro. 2 copies. 17 pp., each. 25 x 33 cm. Copy 1 has markings in pencil; copy 2 has markings for corrections in red ink.<\/td>\n<\/tr>\n
folder 19<\/th>\n\u00a0[no reel no.]. \u201cI\u2019ve Never Seen Anything Like It.\u201d
\nPiano-vocal score (3 staves); undated. MS repro, with markings in pencil. 15 pp. 23 x 31.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661268660828{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n[no reel no.]. \u201cI\u2019ve Never Seen Anything Like It.\u201d Parts I\u2013V.
\nPart 1 (3 items):
\n<\/u>Part 1 [June 10 version]. Piano-vocal score (3 staves); undated. MS repro, with markings in pencil. 12 pp. 25.5 x 33 cm.
\nSong 5; Part 1 [June 14 version]. Piano-vocal score (3 staves); undated. MS repro, with markings in pencil. 12 pp. 25 x 33 cm.
\nPart 1 (Revised) (words and music by Leslie Bricusse; arr. A. Courage; dev. Betty Walberg). Conductor\u2019s score (5\u20136 staves); undated. MS repro. 2 copies. 11 pp., each. 25 x 33 cm. Copy 1 has markings in red ink.
\nPart 2 (3 items):
\n<\/u>Part 2 [June 10 version.] Piano-vocal score (3 staves); undated. MS repro. 4 pp. 25.5 x 33 cm.
\nSong 5; Part 2 [June 14 version]. Piano-vocal score (3 staves); undated. MS repro. 4 pp. 25 x 33 cm.
\nPart 2 (Revised) (words and music by Leslie Bricusse; arr. A. Courage; orch. Herbert Spencer; dev. Betty Walberg). Conductor\u2019s score (5 staves); undated. MS repro. 2 copies. 6 pp., each. 25 x 33 cm. Copy 1 has markings in red ink and pencil.
\nPart 3 (2 items):
\n<\/u>Part 3 (Old version). Conductor\u2019s score (5\u20136 staves); undated. MS repro. 4 pp. 25.5 x 33 cm.
\nPart 3 (New version). Conductor\u2019s score (4\u20135 staves); undated. MS repro, with markings in pencil, red pencil, and red ink. 6 pp. 25 x 33 cm.
\nPart 4 (2 items):
\n<\/u>Part 4 (Old version). Conductor\u2019s score (5\u20136 staves); undated. MS repro, with markings in pencil. 15 pp. 25 x 33 cm.|
\nPart 4 (Revised version) (words and music by Leslie Bricusse; dev. Betty Walberg; arr. A. Courage; orch. Herbert Spencer). Conductor\u2019s score (4\u20135 staves); undated. MS repro. 2 copies. 7 pp., each. 25 x 33 cm. Copy 1 has markings in pencil and red ink.
\nPart 5 (1 item):
\n<\/u>Part 5 (Revised) (words and music by Leslie Bricusse; dev. Betty Walberg; arr. A. Courage; orch. Herbert Spencer). Conductor\u2019s score (4\u20135 staves); undated. MS repro. 5 pp. 25 x 33 cm.
\nGavotte (1 item):
\n<\/u>Gavotte (Revised) (words and music by Leslie Bricusse; dev. Betty Walberg; arr. A. Courage; orch. Herbert Spencer). Conductor\u2019s score (4\u20135 staves); undated. MS repro. 2 copies. 5 pp., each. 25 x 33 cm. Copy 1 has markings in pencil and red ink.<\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]. \u201cI\u2019ve Never Seen Anything Like It.\u201d Parts I\u2013V.
\n\u201cI\u2019ve Never Seen Anything Like It\u201d (Revised). Part I. Draft of score (reduced score, 4 staves); undated. Pencil MS, with time signature in black ink. 4 pp. 30.5 x 38 cm.
\nPart I and Part II. Draft of score (reduced score, 4 staves); undated. Pencil MS, with measure numbers in black ink. 9 pp. 30.5 x 39.5 cm.
\nPart III. Draft of score (reduced score, 4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm.
\nPart IV. Draft of score (reduced score, 4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\nPart V. Draft of score (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\n[no reel no.]. \u201cLike Animals.\u201d
\n[April 14 version]. Piano-vocal score (3 staves); dated April 14, 1966. MS repro, with markings in red pencil. 13 pp. 25 x 33 cm.
\n[April 29 version]. Piano-vocal score (3 staves); dated April 29, 1966. MS repro, with sparse markings in red pencil on p. 3. 14 pp. 25 x 33 cm.
\nSong 8; [June 14 version]. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 14 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]. \u201cLike Animals.\u201d
\n[June 9 version.] Conductor\u2019s score (3 staves); undated. MS repro, with markings in pencil. 23 pp. 25 x 33 cm.
\nRevised version. Conductor\u2019s score (3 staves); undated. MS repro. 23 pp. 25 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]. \u201cA Man Can Do Anything\u201d (words and music by Leslie Bricusse; piano arr. Ian Fraser).
\nPiano-vocal score (3 staves); dated October 25, 1966. MS repro. 3 copies. 4 pp., each. 24\u201325.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]. \u201cA Man Can Do Anything (New Verse)\u201d (words and music by Leslie Bricusse; arr. Ian Fraser).
\nDraft of score (reduced score; 4 staves); undated. MS repro. 2 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.]. \u201cMy Friend the Doctor.\u201d
\n[Undated version]. Piano-vocal score (3 staves); undated. MS repro. 13 pp. 25 x 33 cm.
\nSong I [April 14 version]. Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 8 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n[no reel no.]. \u201cMy Friend the Doctor.\u201d
\nDraft of score (reduced score; 4 staves); undated. Pencil MS, with measure numbers in black ink. 9 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\n[no reel no.]. \u201cMy Friend the Doctor \u2013 Concertina.\u201d
\nDraft of score (reduced score; 4 staves); undated. MS repro, with markings in red pencil. 15 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]. \u201cMy Friend the Doctor.\u201d
\nComposer\u2019s score (4\u20136 staves); undated. MS repro. 2 copies. 26 pp., each. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n\u00a0[no reel no.]. \u201cPolka.\u201d
\nDraft of score (reduced score; 4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n[no reel no.]. \u201cThe Reluctant Vegetarian.\u201d
\nPiano-vocal score (3 staves); undated. MS repro. 11 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n[no reel no.]. \u201cTalk to the Animals.\u201d
\n[April 14 version]. Piano-vocal score (3 staves); dated April 14, 1966. MS repro. 11 pp. 25 x 33 cm.
\n[May 25 version]. Piano-vocal score (3 staves); dated May 25, 1966. MS repro, with sparse markings in pencil and blue ink. 10 pp. 25 x 33 cm.
\nSong 3; [June 14 version]. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 10 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n[no reel no.]. \u201cTalk to the Animals,\u201d Parts 1\u20132 (words and music by Leslie Bricusse; arr. A. Courage; orch. Gus Levene).
\nPart 1. Composer\u2019s score (4\u20136 staves); undated. MS repro. 2 copies. 18 pp., each. 25 x 33 cm. Copy 1 has markings in pencil and red pencil.
\nPart 2. Composer\u2019s score (5\u20136 staves); dated June 13, 1966. MS repro, with markings in pencil. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270085065{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n[no reel no.]. \u201cTalk to the Animals\u201d and \u201cTalk to the Animals \u2013 Reprise.\u201d
\n\u201cTalk to the Animals.\u201d Full score (22 staves); undated. Pencil MS. 37 pp. 28 x 37.5 cm.
\n\u201cTalk to the Animals \u2013 Reprise.\u201d Full score (23 staves); undated. Pencil MS. 22 pp. 28.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]; Song 2. \u201cThe Vegetarian.\u201d
\n[June 9 version]. Piano-vocal score (3 staves); dated May 26, 1966<\/span> June 9, 1966. MS repro, with markings in red pencil. 15 pp. 25 x 33 cm.
\n[June 14 version]. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 14 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\n\u00a0[no reel no.]. \u201cThe Vegetarian.\u201d
\nDraft of score (reduced score; 8 staves); undated. Pencil MS, with measure numbers in black ink. 20 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]. \u201cThe Vegetarian\u201d (words and music by Leslie Bricusse; arr. A. Courage; orch. Gus Levene).
\nConductor\u2019s score (4\u20135 staves); undated. MS repro. 2 copies. 17 pp., each. 25 x 33 cm. Copy 1 has markings in pencil.<\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]. \u201cWhen I Look in Your Eyes.\u201d
\n[December 28 version]. Piano-vocal score (3 staves); dated December 28, 1965. MS repro. 3 pp. 25.5 x 33 cm.
\n[April 29 version]. Piano-vocal score (3 staves); dated April 29, 1966. MS repro. 3 pp. 25.5 x 33 cm.
\n[June 14 version]. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 3 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n\u00a0[no reel no.]. \u201cWhen I Look in Your Eyes.\u201d
\nConductor\u2019s score (5 staves); undated. MS repro. 2 copies. 7 pp., each. 25 x 33 cm. Copy 1 has emendations on pp. 1\u20132 in pencil.<\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.]. \u201cWhere Are the Words.\u201d
\nSong 11. Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 4 pp. 25.5 x 33 cm.
\nSong 12A (\u201cWhere Are the Words \u2013 Reprise\u201d). Piano-vocal score (3 staves); dated June 14, 1966. MS repro. 4 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n[no reel no.]. \u201cWhere Are the Words.\u201d
\nDraft of score (reduced score; 4 staves); undated. Pencil MS, with measure numbers in black ink. 7 pp. 31 x 38 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\n\u00a0[no reel no.]. \u201cWhere Are the Words.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro, with markings in red pencil and pencil. 12 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]. \u201cWhere Are the Words.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. MS repro. 19 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n[no reel no.]. \u201cWhere Are the Words\u201d (words and music by Leslie Bricusse; arr. Herbert Spencer).
\nConductor\u2019s score (4\u20135 staves); undated. MS repro. 2 copies. 8 pp., each. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nUnidentified MS repro score [draft of \u201cI\u2019ve Never Seen Anything Like It\u201d].
\nEarly draft of conductor\u2019s score (4 staves); undated. MS repro, with markings and notes in pencil. 14 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nUnidentified sketches.
\nSketches; undated. Pencil MS. 1 p. 24 x 33 cm.
\nUnidentified draft (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 38.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 12″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270199656{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/span><\/span><\/p>\n

FAR AND AWAY (John Williams; arr. John Neufeld)<\/strong><\/p>\n\n\n\n
folder 1<\/th>\nReel 13\/Part 3. \u201cOklahoma Territory.\u201d
\nNew [insert]. Draft of score (8 staves); undated. MS repro (photocopy). 2 pp. 28 x 43 cm.
\nFull score (44 staves); undated. MS repro (photocopy). 17 pp. 28 x 43 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

FIDDLER ON THE ROOF<\/strong><\/p>\n\n\n\n
folder 2<\/th>\nSketches (3 items).
\nNote: \u201cSome material from Fiddler on the Roof, London 1970.\u201d Ink MS. 1 p.
\nMelodies of two Hebrew songs (\u201cYome Yome\u2014shpiel mir a Lidele\u201d and \u201cZohl zein a Bissele Shtill\u201d). Sketch (1 staff); undated. Ink MS. 1 p. 22.5 x 31 cm.
\n\u201cBalalaika part for \u2018Fiddler on the Roof.\u2019\u201d Part, in tablature. MS repro. 2 pp. 24.5 x 32.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

FIRST KNIGHT (Jerry Goldsmith; orch. A. Courage)<\/strong><\/p>\n\n\n\n\n\n\n\n
folder 3<\/th>\nReel 2\/Part 2. \u201cThe Ambush.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 42 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 4\/Part 2. \u201cCamelot.\u201d
\nFull score (35 staves); undated. MS repro (photocopy), with sparse marking on p. 14 in red pencil. 14 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 15\/Part 2\u2013Reel 16\/Part 1. \u201cNever Surrender.\u201d
\nComplete sketch (18 staves); undated. MS repro (photocopy). 23 pp. 30.5 x 28 cm. Accompanied by note: \u201cComplete sketch. This was composed by J. G. in 2 1\/2 days. Orchestrated by A. C. in 2 1\/2 days. Recorded 5 June \u201995.\u201d
\nPartial sketch (18 staves); undated. MS repro (photocopy). 15 pp. 30.5 x 28 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 15\/Part 2\u201316\/Part 1. \u201cNever Surrender.\u201d
\nFull score (40 staves); undated. MS repro (photocopy). 45 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 16\/Part 2. \u201cArthur\u2019s Farewell.\u201d
\nOriginal sketch (9 staves); undated. MS repro (photocopy). 6 pp. 31.5 x 28 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

FOREVER YOUNG (Jerry Goldsmith; orch. A. Courage)<\/strong><\/p>\n\n\n\n\n\n
folder 8<\/th>\nReel 1\/Part 1. \u201cTest Flight (Main Title).\u201d
\nFull score (40 staves); undated. MS repro (photocopy). 35 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 11\/Part 1. \u201cReunited.\u201d
\nFull score (40 staves); undated. MS repro (photocopy). 48 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nFOREVER YOUNG (Jerry Goldsmith; orch. A. Courage)
\nConductor\u2019s score (4 staves); undated. Fax of computer-generated score, with markings in pencil. 4 pp. 21.5 x 30.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE FOUR HORSEMEN OF THE APOCALYPSE (Andr\u00e9 Previn)<\/strong><\/p>\n\n\n\n
folder 11<\/th>\n\u00a0Reel 6\/Part 4. \u201cQuai D\u2019Orleans \u2013 Revised.\u201d
\nConductor\u2019s score (3\u20135 staves); dated August 22, 1961. MS repro, with markings in red pencil and pencil. 6 pp. 24 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

FUNNY FACE (George & Ira Gershwin; arr. A. Courage) #11520 <\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 12<\/th>\n[no reel no.]. \u201cWarpath.\u201d
\nConductor\u2019s score (1\u20135 staves); dated September 11, 1956. MS repro. 5 pp. 23.5 x 31 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 3\/Part 2 (3B). \u201cThe Kiss.\u201d
\nConductor\u2019s score (4 staves); dated September 13, 1956. MS repro. 2 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nReel 4\/Part 1 (4B). \u201cThe Books Are Here.\u201d
\nConductor\u2019s score (4 staves); dated September 13, 1956. MS repro. 2 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 4\/Part 2 (4C). \u201cBring Her Back Alive.\u201d
\nConductor\u2019s score (4 staves); dated September 11, 1956. MS repro. 2 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 6\/Part 1. \u201cBasal Metabolism Pts. 1 & 2.\u201d
\nFull score (20 staves); undated. MS repro. 32 pp. 25.5 x 33.5 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 6\/Parts 1\u20133. \u201cBasal Metabolism Pts. 1\u20134.\u201d
\nParts 1\u20132; 6A (R6-1). Conductor\u2019s score (5 staves); dated September 17, 1956. MS repro, with markings in colored pencil. 15 pp. 23 x 30.5 cm.
\nPart 3; 6C (R6-2). Conductor\u2019s score (4 staves); dated September 14, 1956. MS repro. 2 pp. 23 x 30.5 cm.
\nPart 4; CD (R6-P3). Conductor\u2019s score (3\u20134 staves); dated September 17, 1956. MS repro. 8 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 6\/Part 4\u20137\/Part 1. \u201cStreet Scene.\u201d
\nPart 1A; 6E. Conductor\u2019s score (4 staves); dated September 18, 1956. MS repro. 9 pp. 23 x 30.5 cm.
\nPart 1C (\u201cPlaisir d\u2019amour\u201d); 6G (6-4C). Conductor\u2019s score (4 staves); dated September 14, 1956. MS repro. 3 pp. 23 x 30.5 cm.
\nPart 2; 7A (7-1). Conductor\u2019s score (4 staves); dated September 13, 1956. MS repro. 1 p. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 7\/Part 2. \u201cBird of Paradise.\u201d
\n7C (7-2). Conductor\u2019s score (4 staves); dated September 11, 1956. MS repro. 4 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 13″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270320281{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 7\/Part 3A\u2013Reel 8\/Part 1C. \u201cPhoto Montage\u201d (by Gershwin and Edens; arr. Edens and A. Deutsch; orch. Bob Franklyn).
\n\u201cTuileries.\u201d Photo Montage, Part 1; 7D (R7-3A). Conductor\u2019s score (5 staves); dated September 12, 1956. MS repro. 6 pp. 23 x 30.5 cm.
\n\u201cGare du nord.\u201d Photo Montage, Part 2; 7E (R7-3B). Conductor\u2019s score (5 staves); dated September 13, 1956. MS repro. 4 pp. 23 x 30.5 cm.
\n\u201cMarche aux fleurs.\u201d Photo Montage, Part 3; 7F (R7-3C). Conductor\u2019s score (6 staves); dated September 13, 1956. MS repro. 3 pp. 23 x 30.5 cm.
\n\u201cLa Seine, Parts 1 and 2.\u201d Photo Montage, Part 5; 7H\u20138A (R7-3E\u2013R8-1A). Conductor\u2019s score (4 staves); dated September 14, 1956. MS repro. 6 pp. 23 x 30.5 cm.
\n\u201cVersailles.\u201d Photo Montage, Part 6; 8A1 (8-1B). Conductor\u2019s score (6 staves); dated September 14, 1956. MS repro. 4 pp. 23 x 30.5 cm.
\n\u201cLouvre\u201d (arr. Edens and Gershe). Photo Montage, Part 7; 8A2 (8-1C). Conductor\u2019s score (6 staves); undated. MS repro. 4 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\n\u00a0Reel 8\/Part 4. \u201cThe Reluctant Bride\u201d (A. Courage).
\nConductor\u2019s score (1\u20135 staves); dated September 3, 1956. MS repro. 8 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 9\/Part 1. \u201cBozazz\u201d (incorporating \u201cOn How to be Lovely\u201d by Edens and Gershe; arr. and orch. A. Courage).
\n9B (R.9, Pt.1). Conductor\u2019s score (3 staves); dated September 18, 1956. MS repro. 1 p. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 9\/Part 3. \u201cNews of Flostre.\u201d
\n9E (9-3). Conductor\u2019s score (4 staves); dated September 12, 1956. MS repro. 5 9p. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 10\/Part 2. \u201cFanfare for Kay\u201d (A. Courage).
\nConductor\u2019s score (4 staves); dated September 7, 1956. MS repro. 1 p. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n\u00a0Reel 12\/Part 3. \u201cWedding Day.\u201d
\n12C (12-3). Conductor\u2019s score (4\u20135 staves); dated September 13, 1956. MS repro. 5 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 12\/Part 4\u20135. \u201cThe Chapel,\u201d Parts 1\u20132.
\n12D (12-4). Conductor\u2019s score (4 staves); dated September 10, 1956. MS repro. 2 pp. 23 x 30.5 cm.
\n12F (12-5). Conductor\u2019s score (4 staves); dated September 11, 1956. MS repro. 1 p. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n[no reel no.]. \u201cBasal Metabolism.\u201d
\nParts 1\u20132; 6AA (6-1). Click track; undated. Ink, pencil, and colored pencil MS. 3 pp. 25.5 x 32 cm.
\nPart 3; 6CC (6-2). Click track; undated. Ink, pencil, and colored pencil MS. 1 p. 25.5 x 32 cm.
\nPart 4; 6DD (6-3). Click track; undated. Ink, pencil, and colored pencil MS. 2 pp. 25.5 x 32 cm.
\nSketches (3 staves); undated. Pencil MS. 6 pp. 23 x 30.5 cm.
\nParts 1\u20132; 6AA. Draft of score (reduced score, 3 staves); undated. Pencil MS. 5 pp. 29 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\n[no reel no.]. \u201cBasal Metabolism.\u201d
\nName \u201crows\u201d for \u201cprelude\u201d to \u201cBasal Metabolism.\u201d Consists of pencil note assigning a chromatic note to each letter of the alphabet (1 p.) and sketch of motifs corresponding to Alexander, Audrey Hepburn, Roger Edens, Adolph Deutsch, Mareile B. Courage, and Funny Face (1 p.). 2 pp., total. 24 x 30.5 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]. \u201cBon Jour, Paris (Revised)\u201d (by Roger Edens and Leonard Gershe; arr. and orch. Van Cleave).
\nConductor\u2019s score (4 staves); dated March 20, 1956. MS repro, with markings in red pencil. 28 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n[no reel no.]. \u201cClap Yo\u2019 Hands\u201d (music by George Gershwin; lyric by Ira Gershwin; additional music by Roger Edens; arr. and orch. Skip Martin).
\nConductor\u2019s score (4 staves); undated. MS repro. 18 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n[no reel no.]. \u201cFunny Face\u201d (by George and Ira Gershwin; additional lyrics by Edens and Gershe; arr. Conrad Salinger; orch. Robert Franklyn).
\nConductor\u2019s score (4 staves); dated March 23, 1956. MS repro, with markings in pencil on p. 1. 8 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n[no reel no.]. \u201cHe Loves and She Loves\u201d (by George and Ira Gershwin; new lyric by Edens and Gershe; arr. Conrad Salinger; orch. Robert Franklyn).
\nConductor\u2019s score (4 staves); dated March 22, 1956. MS repro, with sparse markings in pencil. 10 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n[no reel no.]. \u201cHow Long Has This Been Going On?\u201d (by George and Ira Gershwin; additional lyrics by Edens and Gershe; arr. Conrad Salinger; orch. Robert Franklyn).
\nConductor\u2019s score (6 staves); dated September 14, 1956. MS repro. 2 copies. 8 pp., each. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\n[no reel no.]. \u201cPart I. Jo\u2019s Jazz Dance (Basil Metabolism)\u201d (A. Courage).
\nConductor\u2019s score (4 staves); dated March 22, 1956. MS repro, with sparse markings in pencil. 10 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\n[no reel no.]. \u201cLet\u2019s Kiss and Make Up\u201d (by George and Ira Gershwin; new lyric by Edens and Gershe).
\n[Earlier version] (arr. and orch. A. Courage). Conductor\u2019s score (4 staves); undated. MS repro. 23 pp. 23 x 30.5 cm.
\nRevised (arr. and orch. Van Cleave); consists of 12 revised pages (pp. 1\u201312) taped into beginning of earlier version (with pp. 11\u201323 renumbered). Conductor\u2019s score (4 staves); dated April 4, 1956. MS repro, with markings in pencil and red pencil. 25 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n[no reel no.]. \u201c\u2018S Wonderful \u2013 Prelude\u201d (by George and Ira Gershwin; arr. Adolph Deutsch; orch. Gus Levene).
\nConductor\u2019s score (4 staves); dated March 23, 1956. MS repro. 1 p. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\n[no reel no.]. \u201cThink Pink.\u201d Parts 1 and 3.
\nPart 1. Conductor\u2019s score (4 staves); dated March 15, 1956. MS repro. 14 pp. 23 x 30.5 cm.
\nPart 3. Conductor\u2019s score (5\u20136 staves); dated April 2, 1956. MS repro. 10 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nSketch labeled \u201cPrepared Piano.\u201d
\nSketch indicating timbres created by the prepared piano. Pencil MS. 1 p. 24 x 30.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

LES GIRLS (Cole Porter; arr. A. Deutsch & A. Courage)<\/strong><\/p>\n\n\n\n
folder 20<\/th>\n[no reel no.]. \u201cWhy Am I So Gone About That Gal,\u201d Parts 1\u20135.
\nPart 1; 1707-010A. Conductor\u2019s score (4\u20136 staves); dated May 16, 1957. MS repro. 5 pp. 24.5 x 33 cm.
\nPart 2; 1707-010B. Conductor\u2019s score (4\u20136 staves); dated May 16, 1957. MS repro. 4 pp. 24.5 x 33 cm.
\nPart 3; 1707-010C. Conductor\u2019s score (4\u20136 staves); dated May 17, 1957. MS repro. 7 pp. 24.5 x 33 cm.
\nPart 4; 1707-010D. Conductor\u2019s score (4\u20136 staves); dated May 18, 1957. MS repro. 5 pp. 24.5 x 33 cm.
\nPart 5; 1707-010E. Conductor\u2019s score (4\u20136 staves); dated May 17, 1957. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

GLORY (James Horner; arr. A. Courage)<\/strong><\/p>\n\n\n\n
folder 21<\/th>\nGlory (Concert Version).
\nDraft of score (reduced score, 4 staves) [labeled \u201cPops. Glory\u201d]; undated. Pencil MS. 7 pp. 31 x 39.5 cm.
\nConductor\u2019s score (7 staves) [titled \u201cGlory (Concert Version)\u201d]; undated. MS repro (photocopy), with measure numbers and sparse markings in pencil. 20 pp. 22 x 28 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

GO NAKED IN THE WORLD (Adolph Deutsch)<\/strong><\/p>\n\n\n\n\n\n
folder 22<\/th>\nReel 1\/Part 2; 1766-x4. \u201cLivid Eye.\u201d
\nPiano-instrumental score (or piano-vocal score with lyrics missing?) (3 staves); dated August 22, 1960. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 1\/Part 3; 1766-x8. \u201cExtra Nice.\u201d
\nPiano score (2 staves); dated August 22, 1960. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 12\/Part 2; 1766-8. \u201cGo Naked in the World (Guitar arr.\u2014long version).\u201d
\nScore for harmonica and two guitars (3 staves); dated September 7, 1960. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

GOODBYE CHARLIE (Andr<\/strong>\u00e9 <\/strong>Previn; arr. Billy May) <\/strong><\/p>\n\n\n\n
folder 25<\/th>\nReel 1\/Part 2. \u201cMain Title.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. Written below title: 21. MS repro. 15 pp. 25 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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GREAT CHERUB KNITWEAR STRIKE (Alexander Courage)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nM1. \u201cMain Title.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 5 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number (M-1), title, and instrumentation.<\/td>\n<\/tr>\n
folder 2<\/th>\nM2. \u201cJob Hunting Montage.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 5 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 3<\/th>\nM4. \u201cOffice Work Montage.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 4 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 4<\/th>\nM5. \u201cFirst Pangs.\u201d
\nFor piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 1 p. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 5<\/th>\nM6. \u201cSocial Montage.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 4 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 6<\/th>\nM8. \u201cSpring Make Out.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 5 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 7<\/th>\nM9. \u201cPicketing Montage.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 4 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 8<\/th>\nM10. \u201cThe Beating.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 1 p. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 9<\/th>\nM11. \u201cMay Day Montage.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink. 8 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 10<\/th>\nM12. \u201cEnd Credits.\u201d
\nFor trumpet, piano, 2 violins, viola, and cello. Full score (7 staves); undated. Pencil MS, with measure numbers and time signatures in black ink and markings and excisions in pencil and red pencil; MS repro revisions taped over staves on pp. 4\u20136. 11 pp. 27.5 x 34 cm. Enclosed in paper folder listing cue number, title, and instrumentation.<\/td>\n<\/tr>\n
folder 11<\/th>\nMS drafts.
\nIncludes M1, M12, M2, M5, M4, M6, M8, M9, and M11. Drafts of score (reduced score; 4 staves). Pencil MS. 15 pp., total. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n\u201cNew York High School Song\u201d (music and lyrics by Ethel Tyne).
\nSource music. MS repro (photocopy). 2 pp. 21.5 x 35 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

GREEN MANSIONS (Bronislau Kaper) #1734<\/strong><\/p>\n\n\n\n
folder 13<\/th>\n[no reel no.]; 1734-4931. \u201cSong of Green Mansions\u201d (music by Bronislau Kaper; lyrics by Paul Francis Webster).
\nPiano-vocal score (3 staves); dated July 18, 1958. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

GREMLINS 2 (Kander & Ebb; arr. A. Courage)<\/strong><\/p>\n\n\n\n\n\n\n\n\n
folder 14<\/th>\nReel 10\/Part 2. \u201cNew York, New York (Beginning).\u201d
\nSketch of score with click track (8 staves); undated. Pencil MS, with sparse markings in red ink. 4 pp. 30.5 x 41.5 cm.
\nFull score (35 staves); undated. Pencil MS, with measure numbers in black ink and vocal in red ink. 8 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 10\/Part 3. [Section from] \u201cRhapsody in Blue\u201d (George Gershwin, arr. A. Courage).
\nClick track, outlined on staff paper (8 blank staves); undated. 3 pp. 30.5 x 41.5 cm.
\nSketch of score [early draft?] (reduced score, 4 staves); undated. Pencil MS. 2 pp. 31 x 39.5 cm.
\nSketch of score [revised version? corresponds to music in full score] (reduced score, 4 staves); undated. Pencil MS. 2 pp. 31 x 39.5 cm.
\nFull score (35 staves); undated. Pencil MS, with measure numbers in black ink; MS repro revisions taped over staves on pp. 10\u201311. 12 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 10\/Part 4. \u201cBroadway to Bowery.\u201d
\nSketch of score with click track (8 staves); undated. Pencil MS, with marking in red ink on p. 1. 4 pp. 30.5 x 42 cm.
\nSketch of score (reduced score, 9 staves); undated. Pencil MS. 7 pp. 28 x 43.5 cm.
\nFull score (35 staves); undated. Pencil MS, with measure numbers in black ink; MS repro revisions taped over staves on pp. 9\u201310. 14 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 10\/Part 4A. \u201cNew York, New York (Ending).\u201d
\nSketch of vocal line with click track (8 staves); undated. Pencil MS, with sparse markings in red ink.\u00a0 pp. 30.5 x 42 cm.
\nSketch of score (reduced score, 9 staves); undated. Pencil MS. 2 pp. 28 x 43.5 cm.
\nFull score (35 staves); undated. Pencil MS, with measure numbers in black ink and vocal line in red ink. 4 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 11\/Part 3 \u201cThe Gremlin Bride\u201d (based on the bridal chorus by Richard Wagner; arr. A. Courage).
\nSketch of score (reduced score, 4 staves); undated. Pencil MS. 2 pp. 31 x 39.5 cm.
\nFull score (35 staves); undated. Pencil MS, with measure numbers in black ink. 10 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 6\/Part 7. \u201cPolice TV Theme.\u201d
\nSketch of score (reduced score, 4 staves); undated. Pencil MS. 2 pp. 31 x 39.5 cm.
\nFull score (35 staves); undated. Pencil MS, with measure numbers in black ink; MS repro revisions taped to staves on p. 4. 5 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n

GUYS AND DOLLS (Frank Loesser) #7400<\/strong><\/p>\n\n\n\n\n\n
folder 1<\/th>\n(arr. Herbert Spencer & Bernard Mayers) 1\/1 [No title] repro conductor’s score<\/td>\n<\/tr>\n
folder 2<\/th>\n(arr. Nelson Riddle, Jay Blockton) [no reel no.] – “Adelaide” repro conductor’s score<\/td>\n<\/tr>\n
folder 3<\/th>\n(arr. H. Spencer & A. Iavello) [no reel no.] – “I’ll know” repro conductor’s score<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

HANDLE WITH CARE (A. Courage) #1727<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 4<\/th>\nReel 1\/Part 1; 1727-1. \u201cMain Title.\u201d
\nConductor\u2019s score (4 staves); dated December 30, 1957. MS repro, with measure numbers in red pencil. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 1\/Part 2; 1727-9. \u201cI\u2019m Late.\u201d
\nConductor\u2019s score (4 staves); dated December 30, 1957. MS repro, with measure numbers in red pencil. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 1\/Part 3; 1727-10. \u201cBig Help.\u201d
\nConductor\u2019s score (4 staves); dated December 30, 1957. MS repro, with measure numbers in red pencil. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 2\/Part 1; 1727-2. \u201cWalk to Work.\u201d
\nConductor\u2019s score (3 staves); dated December 23, 1957. MS repro, with measure numbers in red pencil. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 2\/Part 2. \u201cThe Books.\u201d
\nConductor\u2019s score (4 staves); dated December 28, 1957. MS repro. 2 copies. 2 pp., each. 24.5 x 33 cm. Copy 1 has measure numbers in red pencil.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 2\/Part 3\u2013Reel 3\/Part 1. \u201cThe Survey,\u201d Parts 1\u20132.
\nPart 1; 1727-5. Conductor\u2019s score (3 staves); dated December 28, 1957. MS repro, with measure numbers in red pencil. 1 p. 24.5 x 33 cm.
\nPart 2; 1727-11. Conductor\u2019s score (4 staves); dated December 31, 1957. MS repro, with measure numbers in red pencil. 4 9p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 6\/Part 2; 1727-8. \u201cFired.\u201d
\nConductor\u2019s score (4 staves); dated December 28, 1957. MS repro, with measure numbers in red pencil. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 6\/Part 3; 1727-7. \u201cNo, Zach!\u201d
\nConductor\u2019s score (4 staves); dated December 28, 1957. MS repro. 2 copies. 3 pp., each. 24.5 x 33 cm. Copy 1 has measure numbers in red pencil.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 8\/Part 1; 1727-3. \u201cThe Drought.\u201d
\nConductor\u2019s score (3\u20134 staves); dated December 23, 1957. MS repro, with measure numbers in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 8\/Part 1A; 1727-4. \u201cLees Pleas.\u201d
\nConductor\u2019s score (4\u20136 staves); dated December 26, 1957. MS repro, with measure numbers in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nReel 8\/Part 2; 1727-12. \u201cCome Back, Zach! and End Title.\u201d
\nConductor\u2019s score (4 staves); dated December 31, 1957. MS repro, with measure numbers in red pencil. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

HEART LIKE A WHEEL (L. Rosenthal; arr. A. Courage)<\/strong><\/p>\n\n\n\n
folder 15<\/th>\nM121. \u201cThe Garage.\u201d
\nReduced score (9 staves); undated. MS repro (printed on thermal fax paper). 3 pp. 30.5 x 42.5 cm.
\nFull score (22 staves); undated. MS repro (printed on thermal fax paper). 4 pp. 30.5 x 37 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

HELLO DOLLY (Jerry Herman; arr. A. Courage)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
folder 16<\/th>\nReel 1\/Part XA-1. \u201cClip Clop. Call on Dolly.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. Written above title: 103. MS repro. 13 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 1\/Part 3. \u201cMain Title.\u201d
\nConductor\u2019s score (5\u20138 staves); undated. Written above title: 101. MS repro; MS repro revision taped over staves on p. 2. 22 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\n[no reel no.]. \u201cBefore the Parade Passes By,\u201d Parts 2\u20133.
\nPart 2; scene 45. Conductor\u2019s score (2\u20133 staves); dated February 16, 1968, and revised March 4, 1968. MS repro. 8 pp. 25 x 33 cm.
\nPart 3; scene 48. Piano-vocal score (3 staves); revised March 4, 1968. MS repro. 5 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\n[no reel no.] \u201c[Before the] Parade [Passes By].\u201d
\nPart I. Draft of score (reduced score, 4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.
\nPart II. Draft of score (reduced score, 4 staves); undated. Pencil MS. 7 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\n[no reel no.] \u201cBefore the Parade Passes By,\u201d Parts 2\u20133.
\nPart 2. Conductor\u2019s score (4\u20137 staves); undated. MS repro. 18 pp. 25 x 33 cm.
\nPart 3. Conductor\u2019s score (6\u20137 staves); undated. MS repro, with emendations in red pencil on pp. 7\u20138; MS repro revisions taped over staves on p. 5. 9 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\n[no reel no.]. \u201cDancing.\u201d
\nPiano-vocal score (2\u20133 staves); dated March 11, 1968 [recorded March 27]. MS repro, with markings in pencil and red ink. 28 pp. 25 x 33 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\n[no reel no.] \u201cDancing\u201d Parts 2\u20134.
\nPart II. Draft of score (reduced score, 4 staves); undated. Pencil MS. 5 pp. 30.5 x 39 cm.
\nPart III. Draft of score (reduced score, 4 staves); undated. Pencil MS. 4 pp. 30.5 x 39 cm.
\nPart IV. Draft of score (reduced score, 4 staves); undated. Pencil MS. 7 pp. 30.5 x 39 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

HOME ALONE (John Williams)<\/strong><\/p>\n\n\n\n\n
folder 23<\/th>\nReel 8\/Part 6. \u201cSetting the Trap.\u201d
\nDraft of score (8 staves); undated. MS repro (photocopy). 10 pp. 28 x 34.5 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\n[no reel no.]. \u201cHoliday Flight.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 19 pp. 28 x 43 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

HOOK (John Williams; orch. A. Courage)<\/strong><\/p>\n\n\n\n\n\n
folder 25<\/th>\nReel 13\/Parts 1\u20132. \u201cTink Grows Up.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 114 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nReel 13\/Part 3. \u201cCrossed Swords.\u201d
\nFull score (40 staves); undated. MS repro (photocopy). 24 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\nReel 15\/Part 2. \u201cThe End of Hook.\u201d
\nDraft of score (8 staves); undated. MS repro (photocopy). 6 pp. 32 x 39.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270320281{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/span><\/span><\/p>\n

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I’LL CRY TOMORROW #1679<\/strong><\/p>\n\n\n\n\n
folder 1<\/th>\n[no reel no.]; 1679-02. \u201cHappiness is a Thing Called Joe\u201d (by Harold Arlen and Y. P. Harburg; arr. A. Courage and Charles Henderson).
\nConductor\u2019s score (5\u20136 staves); dated June 1, 1955. MS repro. 7 pp. 24 x 33 cm.
\nAnnotation on original folder (in A. Courage\u2019s hand): \u201crest of show\/Alex North.\u201d<\/em><\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]; 1679-01. \u201cWhen The Red, Red Robin Comes Bob, Bob, Bobbin\u2019 Along\u201d (Harry Woods; arr. C. Henderson & A. Courage).
\nConductor\u2019s score (4\u20136 staves); dated May 24, 1955. MS repro. 9 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

INDIANA JONES & THE LAST CRUSADE (John Williams)<\/strong><\/p>\n\n\n\n\n
folder 3<\/th>\nReel 8\/Part 2. \u201cKoeniggraetzer March.\u201d
\nSketches (written notes and 2 mm. music only, on manuscript paper with 8 staves); undated. 1 p. 32 x 39.5 cm.
\nDraft of score (reduced score; 4 staves); undated. 4 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 11\/Part 4\u2013Reel 12\/Part 2. \u201cThe Canyon of the Crescent Moon.\u201d
\nDraft of score (8 staves); undated. MS repro (photocopy). 7 pp. 33 x 40 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

INSIDE DAISY CLOVER (Andr\u00e9 Previn)<\/strong><\/p>\n\n\n\n\n\n\n\n\n
folder 5<\/th>\n[no reel no.]. \u201cThe Circus Is a Wacky World.\u201d
\nPiano-vocal score (3 staves); dated February 5, 1965. MS repro. 12 pp. 25.5 x 33.5 cm.
\n\u201cThe Circus Is a Wacky World\u201d and \u201cCircus (Dance).\u201d Piano-vocal score (3 staves); dated February 5, 1965. MS repro, with excisions (i.e., sections of music covered with blank paper) and extensive markings in pencil and colored pencil. 16 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]. \u201cThe Circus is a Wacky World.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. MS repro. 22 pp. 30.5 x 37.5 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.]. \u201cA Happy Song.\u201d
\n\u201cA Happy Song.\u201d Piano-vocal score (3 staves); dated February 9, 1965. MS repro, with markings in pencil on p. 1. 7 pp. 25.5 x 33 cm.
\n\u201cHappy Song \u2013 Special Verse.\u201d Piano-vocal score (3 staves); dated April 18, 1965. MS repro, with measure numbers in red pencil. 2 pp. 25.5 x 33 cm.
\n\u201cHappy Song Routine.\u201d Piano score (2 staves); undated. MS repro, with measure numbers in red pencil and markings in pencil and red pencil. 6 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n[no reel no.]. \u201cA Happy Song.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. MS repro. 18 pp. 30.5 x 37 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\n[no reel no.]. \u201cYou\u2019re Gonna Hear From Me.\u201d
\nSketches (2 staves); undated. Pencil MS. 2 pp. 25.5 x 33 cm.
\nPiano-vocal score (3 staves); dated February 3, 1965. MS repro. 2 copies. 5 pp., each. 25.5 x 33 cm. Copy 1 has markings in pencil.
\nAdditional chorus and coda. Vocal\/piano-vocal score (1\u20133 staves); dated April 18, 1965. MS repro, with markings in pencil. 2 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]. \u201cYou\u2019re Gonna Hear From Me.\u201d
\nConductor\u2019s score (5 staves); undated. MS repro. 9 pp. 30.5 x 37 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

JFK (John Williams)<\/strong><\/p>\n\n\n\n
folder 11<\/th>\n[no reel no.]. \u201cTheme from JFK.\u201d
\nDraft of score (8 staves); undated. MS repro (photocopy), with measure numbers circled in red pencil on pp. 3\u20135. 6 pp. 28 x 35.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

JULIET IN MANTUA (A. Courage)<\/strong><\/p>\n\n\n\n\n\n\n\n\n
folder 12<\/th>\n#1. \u201cA Man Going Home.\u201d
\nSketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature and tempo markings in black ink. 3 pp. 24 x 30.5 cm.
\nScore for voice and guitar (2 staves); undated. Ozalid master (ink MS). 3 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n#2. \u201cA Woman Alone in Her Bed.\u201d
\nSketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature in black ink. 2 pp. 24 x 30.5 cm.
\nScore for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n#3. \u201cWhat Promises Do Lovers Ever Keep?\u201d
\nSketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature and tempo markings in black ink. 2 pp. 24 x 30.5 cm.
\nScore for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\n#4. \u201cI Had A Father.\u201d
\nSketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature and tempo markings in black ink. 2 pp. 24 x 30.5 cm.
\nScore for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\n#5. \u201cWhere Do The Young Days Go?\u201d
\nSketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signatures in black ink. 2 pp. 24 x 30.5 cm.
\nScore for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n#6. \u201cI Was In Love.\u201d
\nSketch of score for voice and guitar (3 staves); undated. Pencil MS, with time signature and tempo markings in black ink. 2 pp. 24 x 30.5 cm.
\nScore for voice and guitar (2 staves); undated. Ozalid master (ink MS). 2 pp. 24 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

KISMET (Robert Wright & George Forrest) #1676<\/strong><\/p>\n\n\n\n\n\n\n
folder 18<\/th>\n[no reel no.]; 1676-015. \u201cBaubles, Bangles and Beads\u201d (arr. C. Salinger).
\nConductor\u2019s score (4\u20136 staves); dated May 12, 1955. MS repro. 17 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\n[no reel no.]; 1-1169D. \u201cGesticulate\u201d (based on themes of A. Borodin).
\nConductor\u2019s score (4\u20135 staves); undated. MS repro, with markings in pencil and colored pencil. 25 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\n[no reel no.]; 1676-013. \u201cGesticulate\u201d (arr. A. Courage; vocal arr. Jeff Alexander).
\nConductor\u2019s score (4\u20136 staves); undated. MS repro. 27 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\n[no reel no.]; 1-1169L. \u201cRhymes Have I.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro, with sparse markings in pencil and colored pencil. 19 pp. 24.5 x 33 cm.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

KISS ME STUPID (George Gershwin)<\/strong><\/p>\n\n\n\n\n
folder 22<\/th>\n[no reel no.]. \u201cAll the Livelong Day.\u201d
\nPiano-vocal score (3 staves); undated. MS repro, with revised lyrics in pencil on pp. 3\u20134. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\n[no reel no.]. \u201cSophia.\u201d
\nPiano-vocal score (3 staves); undated. MS repro, with markings in black ink. 7 pp. 24.5 x 33 cm.
\n\u201cSophia, Part 1\u201d (Dean Martin vocal). Conductor\u2019s score (3\u20134 staves); undated. 8 pp. 24.5 x 33 cm.
\n\u201cSophia, Part 2\u201d (Dean Martin vocal). Conductor\u2019s score (3\u20134 staves); undated. 11 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n

THE LAST BUTTERFLY (Alex North)<\/strong><\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n[no reel no.]; scene 20. \u201cChildren\u2019s (Song) Theme.\u201d
\nDraft of score (3 staves); undated. MS repro (photocopy). 2 copies. 3 pp., each. 25.5 x 35.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]; scene 57. \u201cGhetto Song\u201d (arr. M. Dvo\u0159\u00e1k).
\nDraft of score (4 staves); undated. MS repro (photocopy). 5 pp. 25.5 x 35.5 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\n[no reel no.]. \u201cThe Last Butterfly Theme\u201d (by A. Courage).
\nDraft of score (reduced score, 4 staves); undated. Pencil MS. 4 pp. 31 x 39.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]. \u201cThe Last Butterfly Theme.\u201d
\nArranged for violin and piano. Draft of score (3 staves); undated. MS repro (photocopy), with markings in pencil and red ink. 3 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]. \u201cThe Last Performance\u201d (arr. A. Courage).
\nDraft of score with click track (4 staves); undated. MS repro (photocopy). 2 pp. (p. 2 cut off at m. 20 [45 seconds]). 25.5 x 35.5 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]. \u201cRevolutionary Song.\u201d
\nDraft of score (4 staves); undated. MS repro (photocopy). 3 copies. 1 p., each. 21.5 x 35.5 (copy 1)\/28 (copies 2\u20133) cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

LEGEND (Jerry Goldsmith)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 7<\/th>\nReel 2\/Part 2. \u201cThe Cottage.\u201d
\nAnnotation on original folder (in A. Courage\u2019s hand): \u201cthrown out in US, substituted \u2018Tangerine Dream\u2019 but stayed in rest of world.\u201d
\n<\/em>Draft of score (8 staves); undated. MS repro (photocopy), with markings in pencil. 13 pp. 30 x 43 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 2\/Part 3\u2013Reel 3\/Part 1. \u201cTeach Me.\u201d
\nDraft of score (8 staves); undated. MS repro (photocopy), with markings in pencil. 21 pp. 30 x 42 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 5\/Part 2. \u201cFairie Dance.\u201d
\nDraft of score with click track (4 staves); undated. MS repro (photocopy). 5 pp. 29.5 x 37.5 cm.
\n\u201cNotes for R5P2 Bar chart.\u201d Typescript document. 1 p.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]. \u201cThe Bumps and Hollows.\u201d
\nLower key version in B-flat. Vocal lead sheet (2 staves); undated. MS repro (photocopy), with brackets in green ink on mm. 48 and 64. 3 pp. 30 x 37.5 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n[no reel no.]. \u201cBumps & Hollows.\u201d
\nDraft of score (8 staves); undated. Pencil MS, with measure numbers in blue ink and sparse markings in red ink. 6 pp. 32 x 39.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n[no reel no.]. \u201cDress Waltz.\u201d
\nDraft of score (8 staves); undated. MS repro (photocopy), with markings in red ink and additions in pencil on p. 11. 18 pp. (pages numbered 1\u201311 and 22\u201328). 29.5 x 42 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n[no reel no.]. \u201cFairie Dance.\u201d
\nDraft of score (8 staves); undated. Pencil MS, with markings in red ink. 10 pp. 32 x 39.5 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n[no reel no.]. \u201cLegend\u201d (by Jay A. Wanamaker).
\nFor drum line (bells, xylophone, snare drum, tom toms, bass drum, cymbals, and aux. percussion). Photocopy of published score from unidentified source (pp. 11\u201313). [s.l.]: Alfred Publishing Co., c1981. 3 pp. 21.5 x 28 cm.
\nPercussion parts (4 parts: snare drum, bass drum, quads, cymbals). MS repro (photocopies). 4 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\n[no reel no.]. \u201cSing the Wee.\u201d
\nVocal score (4 staves); undated. MS repro. 2 copies. 1 p., each. 29.5 x 42 cm. Copy 1 has sparse markings in pencil.<\/td>\n<\/tr>\n
folder 16<\/th>\n[no reel no.]. \u201cUnicorn.\u201d
\nSketch (1 staff); undated. Pencil MS. 1 p. of music on folio (4 pp.). 24 x 31 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n[no reel no.]. \u201cWhen I Look In My True Love\u2019s Eyes.\u201d
\nVocal part (1 staff); undated. MS repro, with chord for verse added in pencil. 1 p. 30 x 42 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

LONG HOT SUMMER (A. Courage) #2023 <\/strong><\/p>\n\n\n\n
folder 18<\/th>\nM62. \u201cExit Smiling.\u201d
\nDraft of score (8 staves); undated. MS repro. 3 pp. 33 x 43 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

LOST IN THE STARS (Kurt Weill; adapted by A. North; orch. A. Courage) #Y-01<\/strong><\/p>\n\n\n\n\n\n\n
folder 19<\/th>\nReel 1\/Part 1. \u201cMain Title Overlay.\u201d
\nA Version. Draft of score (8 staves); undated. Written at top of p. 1: 34. MS repro, with instrument names added or circled in red pencil throughout score. 11 pp. 31 x 43.5 cm.
\nB Version. Draft of score (8 staves); undated. Written at top of p. 1: 33. MS repro, with instrument names circled in red ink on p. 1. 6 pp. 31 x 43.5 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 1\/Part 2. \u201cTrain to Johannesberg.\u201d
\nFull score (23 staves); undated. Written at top of p. 1: 1. MS repro, with sparse markings in red ink. 24 pp. 28.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nReel 1\/Part 3. \u201cTo Brother John.\u201d
\nFull score (23 staves); undated. Written at top of p. 1: 17. MS repro, with instrument names added or circled in red ink throughout score. 7 pp. 28.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 2\/Part 1. \u201cCome Home.\u201d
\nFull score (23 staves); undated. Written at top of p. 1: 18. MS repro, with instrument names added or circled in red pencil throughout score. 10 pp. 28.5 x 36.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nReel 2\/Part 2. \u201cThousands of Miles\u201d (by Weill\u2013Anderson; arr. A. Courage).
\nFull score (23 staves); undated. Written at top of p. 1: 11. MS repro, with instrument names added or underlined in red ink throughout score. 29 pp. 28.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 3\/Part 1A. \u201cThe Little Gray House\u201d (by Weill\u2013Anderson; arr. A. Courage).
\nFull score (23 staves); undated. MS repro. 2 copies. 22 pp., each. 28.5 x 36.5 cm. Copy 1 has \u201c10\u201d written at top of p. 1 and instrument names added or circled in red ink throughout score. Copy 2 has \u201c3\u201d written at top of p. 1.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 3\/Part 2. \u201cBig Mole\u201d (by Weill\u2013Anderson; arr. A. North and A. Courage).
\nDraft of score (8 staves); undated. MS repro, with markings in red pencil and green ink. 32 pp. 32 x 44 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 4\/Part 1\u2013Reel 5\/Part 1\u20131A. \u201dPrelude to Trouble Man\u201d and \u201cTrouble Man.\u201d
\nReel 4\/Part 1\u2013\/Reel 5\/Part 1. \u201cPrelude to Trouble Man\u201d (by Weill; adapted by A. North; orch. A. Courage). Full score (23 staves); undated. Written at top of p. 1: 20. MS repro, with instrument names added or circled in red ink throughout score. 5 pp. 29 x 37 cm.
\nReel 5\/Part 1A. \u201cTrouble Man\u201d (by Weill\u2013Anderson; arr. A. Courage). Full score (23 staves); undated. Written at top of p. 1: 16. MS repro, with instrument names added or circled in red pencil throughout score. 16 pp. 28.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 5\/Part 2. \u201cMurder in Parkwold and Fear\u201d (by Weill\u2013Anderson; adapted by A. North; arr. A. Courage).
\nFull score (33 staves); undated. Written at top of p. 1: 2. MS repro. 45 pp. 29.5 x 49 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 5\/Part 3\u2013Reel 6\/Part 1. \u201cPrison Scene\u201d (by Weill\u2013Anderson; adapted by A. North; orch. A. Courage).
\nFull score (23 staves); undated. Written at top of p. 1: 21. MS repro, with instrument names added or circled in red ink throughout score. 17 pp. 28.5 x 37 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 6\/Part 2A. \u201cLost in the Stars.\u201d
\nFull score (23 staves); undated. Written at top of p. 1: 7. MS repro, with instrument names added or circled in orange pencil throughout score. 13 pp. 29 x 37 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 7\/Part 1A. \u201cStay Well.\u201d
\nFull score (23 staves); undated. Written at top of p. 1: 8. MS repro, with instrument names added or circled in orange pencil throughout score. 13 pp. 28.5 x 37 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 7\/Parts 3A\u20133E. \u201cWild Justice.\u201d
\nReel 7\/Part 3 and 3C. \u201cWild Justice,\u201d Part A, Sections 1 and 4. Full score (23 staves); undated. Written at top of p. 1: 15. MS repro, with instrument names added or circled in red pencil throughout score. 6 pp. 28.5 x 36.5 cm.
\nReel 7\/Part 3A and 3D. \u201cWild Justice,\u201d Part B, Sections 2 and 5. Full score (23 staves); undated. Written at top of p. 1: 14. MS repro, with instrument names added or circled in red pencil throughout score. 4 pp. 28.5 x 36.5 cm.
\nReel 7\/Part 3B. \u201cWild Justice,\u201d Part C, Section 3. Full score (33 staves); undated. Written at top of p. 1: 12. MS repro, with instrument names added or circled in red ink throughout score. 15 pp. 30 x 49 cm.
\nReel 7\/Part 3E. \u201cWild Justice,\u201d Part D, Section 6. Full score (33 staves); undated. Written at top of p. 1: 12. MS repro, with instrument names added or circled in red ink throughout score. 12 pp. 30 x 49 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 8\/Part 1. \u201cTwo Races in Africa.\u201d
\nFull score (23 staves); undated. Written at top of p. 1: 22. MS repro, with instrument names added or circled in red ink throughout score. 4 pp. 28.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 9\/Part 1. \u201cSentence Passed.\u201d
\nFull score (23 staves); undated. Written at top of p. 1: 9. MS repro, with instrument names added or circled in orange pencil throughout score. 5 pp. 28.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 10\/Part 1. \u201cThe Hills of Ixopo.\u201d
\nFull score (33 staves); undated. Written at top of p. 1: 5. MS repro. 16 pp. 28 x 37 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 11\/Part 2A. \u201cEnd Title\u2013\u2018Cry, the Beloved Country.\u2019\u201d
\nFull score (23 staves); undated. MS repro. 9 pp. 29.5 x 49 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n\u00a0No. 1. \u201cThe Hills of Ixopo.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy <\/em>(a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nRental score (full score, 23 staves), from the rental library of Chappell & Co., c1950. MS repro. 16 pp. of music. 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nNo. 2. \u201cThousands of Miles.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nRental score (full score, 23 staves) [from the rental library of Chappell & Co., c1950]. MS repro. 15 pp. (numbered 17\u201331). 28 x 39.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nNo. 3. \u201cIncidental Music.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nNo. 3. \u201cIncidental Music.\u201d Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 3 pp. (numbered 32\u201334). 28 x 39.5 cm.
\nNo. 4A. \u201cChange of Scene.\u201d Full score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 61\u201362). 28 x 39.5 cm.
\nAccompanied by Post-It note: \u201cLost in the Stars \/ orig. stage orchestration \/ + Courage\u2019s notations in pencil of future orchestration \/ see pagination for order.\u201d Pencil MS. 1 p.<\/td>\n<\/tr>\n
folder 2<\/th>\nNo. 4 \u201cTrain to Johannesburg.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201326 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro, with sparse rehearsal markings on pp. 52\u201353. 26 pp. (numbered 35\u201360). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nNo. 5. \u201cThe Search.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 24 pp. (numbered 63\u201386). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nNo. 6. \u201cChange of Scene.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 4 pp. (numbered 87\u201390). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nNo. 7. \u201cThe Little Gray House.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nNo. 7. \u201cThe Little Gray House.\u201d Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 18 pp. (numbered 91\u2013108). 28 x 39.5 cm.
\nNo. 7A. \u201cReprise.\u201d Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 109\u2013110). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nNo. 8. \u201cWho\u2019ll Buy.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201325 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 16 pp. (numbered 111\u201334). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nNo. 9. \u201cChange of Scene.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 127\u2013128). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nNo. 10. \u201cTrouble Man.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (24 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 16 pp. (numbered 129\u2013144). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nNo. 11. \u201cMurder in Parkwold.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201326 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 10 pp. (numbered 145\u2013154). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nNo. 12. \u201cFear!\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201326 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 26 pp. (numbered 155\u2013180). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nNo. 13. \u201cChange of Scene.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 3 pp. (numbered 181\u2013183). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nNo. 14. \u201cChange of Scene.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 184\u2013185). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nNo. 15. \u201cLost in the Stars.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (24\u201326 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 9 pp. (numbered 186\u2013194). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nNo. 16. \u201cEntr\u2019act.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 15 pp. (numbered 195\u2013209). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nNo. 17. \u201cThe Wild Justice.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201326 staves) [photocopy of pages from rental score from Chappell & Co.]; incomplete (see Box 19\/16 for pp. 223\u2013230 of \u201cWild Justice\u201d). MS repro. 13 pp. of music (numbered 210\u2013222), with title pages (2 pp.); 15 pp. total. 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nNo. 18. \u201cO Tixo, Tixo, Help Me!\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201324 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 22 pp. (numbered 231\u2013252). 28 x 39.5 cm.
\nEnding of \u201cWild Justice\u201d (see Box 19\/15). Full score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 8 pp. of music (numbered 223\u2013230). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nNo. 19. \u201cStay Well.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201324 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 22 pp. (numbered 253\u2013274). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nNo. 20. \u201cChange of Scene.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 275\u2013276). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nNo. 21. \u201cReprise \u2018The Wild Justice.\u2019\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 3 pp. (numbered 277\u2013279). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nNo. 22. \u201cCry, the Beloved Country.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201326 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 16 pp. (numbered 280\u2013295). 28 x 39.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nNo. 23. \u201cBig Mole.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23\u201324 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 18 pp. (numbered 296\u2013313). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nNo. 24. \u201cIncidental Music.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (23 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 2 pp. (numbered 314\u2013315). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nNo. 25. \u201cA Bird of Passage.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (24\u201326 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 7 pp. (numbered 316\u2013322). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nNo. 26. \u201cFour O\u2019Clock.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (24\u201325 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 7 pp. (numbered 323\u2013329). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nNo. 27. \u201cFinale.\u201d From orchestral arrangement of Lost in the Stars: A Musical Tragedy<\/em> (a composite of Weill\u2019s original Broadway scoring and augmented orchestration).
\nFull score (26 staves) [photocopy of pages from rental score from Chappell & Co.]; undated. MS repro. 4 pp. (numbered 330\u2013333). 28 x 39.5 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.] \u201cBig Mole\u201d (music by Kurt Weill; lyrics by Maxwell Anderson).
\nPiano-vocal score (3 staves); undated. MS repro, with markings in pencil, red pencil, and ink. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.] \u201cWild Justice\u201d (music by Kurt Weill; lyrics by Maxwell Anderson).
\nPiano-vocal score (3 staves); undated. MS repro, with markings in pencil and green ink. 13 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

MALICE (Jerry Goldsmith)<\/strong><\/p>\n\n\n\n\n
folder 8<\/th>\nReel 1\/Part 1. \u201cThe Cyclist.\u201d
\nSketch of score (reduced score, 9 staves); dated 1993. MS repro (photocopy). 8 pp. 31.5 x 28 cm. Accompanied by Post-It note: \u201cCopy of 1MI for your reference.\u201d<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 11\/Part 2. \u201cFinal Chapter.\u201d
\nSketch of score (reduced score, 9 staves); dated 1993. MS repro (photocopy), with sparse markings in ink. 8 pp. 31.5 x 28 cm. Accompanied by Post-It note addressed to Sandy [A. Courage].<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

MATINEE (Jerry Goldsmith & Alexander Courage)<\/strong><\/p>\n\n\n\n\n\n\n
folder 10<\/th>\nReel 3\/Part 4. \u201cThe Shopping Cart.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 14 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 3\/Part 4. \u201cThe Shopping Cart.\u201d
\nConductor\u2019s score (4 staves); undated. Pencil MS, with markings in red ink. 3 pp. 31 x 39.5 cm. Accompanied by note (1 p.): \u201cSome very silly music from a [silly] movie. Red marks are Ken Hall\u2019s \u2026\u201d
\nAlso in folder:
\n<\/u>Reel 1\/Part 3. \u201cRhumba Playoff.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS, with markings in red ink. 1 p. 31 x 39.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 3\/Part 5\u2013Reel 4\/Part 1. \u201cHold On (Insert).\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 13 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 6\/Part 2. \u201cShowtime.\u201d
\nSketch of score (reduced score, 9 staves); undated. MS repro (photocopy). 5 pp. 30 x 28 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

MEET ME IN ST. LOUIS (Hugh Martin & Ralph Blane) #1317 <\/strong><\/p>\n\n\n\n
folder 14<\/th>\n[no reel no.]; 12772. \u201cClang, Clang, Clang Went the Trolley.\u201d
\nConductor\u2019s score (2\u20135 staves); undated. MS repro (photocopy). 23 pp. 25.5 x 35.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

MOM AND DAD SAVE THE WORLD (J. Goldsmith; orch. A. Courage) <\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 15<\/th>\nReel 1\/Part 1. \u201cMeet Spengo.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 17 pp. 21 x 34.5 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 1\/Part 2. \u201cThe Death Ray Laser.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 10 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 1\/Part 4. \u201cMorning Paper.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 7 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 2\/Part 1. \u201cThe Abduction.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 29 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 2\/Part 3. \u201cRough Landing.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 9 pp. 24 x 31.5 cm.
\nReel 2\/Part 3A. \u201cRough Landing (Extended).\u201d Full score (35 staves); undated. MS repro (reduced-size photocopy). 3 pp. (numbered 10\u201312). 22 x 28 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 2\/Part 5. \u201cPhoto Session.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 10 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nReel 3\/Part 1. \u201cFamily Talk.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 5 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 3\/Part 2. \u201cThe Dungeon.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 3 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 3\/Part 3. \u201cOpen My Pants.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 15 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 3\/Part 4A. \u201cTod the Destroyer.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 6 pp. 21 x 29.5 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nReel 3\/Part 6. \u201cTake Her Away.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 3 pp. 21 x 29.5 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nReel 4\/Part 1. \u201cThe Mind Machine.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 10 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 21″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270320281{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/span><\/span><\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 4\/Part 2. \u201cThe Needle.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 20 pp. 24 x 32 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 4\/Part 3\u2013Reel 5\/Part 1. \u201cThe Lub-Lubs.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 29 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 5\/Part 2. \u201cTrue Power.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 27 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 5\/Part 5. \u201cCaptured.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 9 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 6\/Part 2. \u201cTarget Practice.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 13 pp. 21.5 x 28 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 6\/Part 1. \u201cThe Camp.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 2 pp. 24 x 32 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 6\/Part 2A. \u201cHot Lub Lub.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 2 pp. 21 x 29.5 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 6\/Part 5. \u201cI Love My Wife.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 7 pp. 24 x 32 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 7\/Part 1. \u201cGathering Forces.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 30 pp. 24 x 32 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 7\/Part 3. \u201cThe Ceremony.\u201d|
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 5 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 7\/Part 3A. [no title].
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 3 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 8\/Part 1. \u201cMisunderstood.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 36 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 8\/Part 2. \u201cLet\u2019s Have Lunch.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 31 pp. 21 x 34.5 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nReel 9\/Part 1. \u201cThe Flight Home.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 16 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 9\/Part 3. \u201cOn the Roof.\u201d
\nFull score (35 staves); undated. MS repro (reduced-size photocopy). 6 pp. 21 x 30 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\n[no reel no.] \u201cLink #1 & #2.\u201d
\n\u201cLink #1.\u201d Full score (35 staves); undated. MS repro (reduced-size photocopy). 1 p. 18 x 25.5 cm.
\n\u201cLink #2.\u201d Full score (35 staves); undated. MS repro (reduced-size photocopy). 1 p. 17.5 x 27.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

MR. BASEBALL (Jerry Goldsmith)<\/strong><\/p>\n\n\n\n\n\n
folder 17<\/th>\nReel 8\/Part 2. \u201cTeam Effort.\u201d
\nConductor\u2019s score (9 staves); dated 1992. MS repro (photocopy), with markings in pencil and red ink. 4 pp. 40.5 x 35.5 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 10\/Part 3. \u201cFinal Shot (End Credits).\u201d
\nConductor\u2019s score (9 staves); undated. MS repro (photocopy). 5 pp. 32 x 28 cm. Accompanied by Post-It note: \u201cSandy\u2014this master C.S. for your reference only \u2026\u201d<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 11\/Part 5. \u201cFinal Score.\u201d
\nConductor\u2019s score (9 staves); dated 1992. MS repro (photocopy). 6 pp. 40 x 35.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 22″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270320281{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/span><\/span><\/p>\n

<\/a><\/span><\/span><\/p>\n

MY FAIR LADY (Lerner & Loewe)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 1\/Part 2. \u201cAfter the Theater.\u201d repro conductor\u2019s score
\nConductor\u2019s score (4 staves); undated. MS repro. 7 pp. 31 x 37.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 1\/Part 2A. \u201cSudden Shower.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 5 pp. 31 x 37.5 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 3\/Part 4A. \u201cFlower Market Bustle.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 5 pp. 31 x 37.5 cm.
\nSketches of score (4 staves); undated. Pencil MS. 5 pp. 31 x 38.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 14\/Part 1. \u201cIntroduction to Promenade.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 1 p. 30.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 14\/Part 2. \u201cEmbassy Waltz; Eliza Enters.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 11 pp. 31 x 37 cm. [Slight water damage across all pages in center of outside margin.]<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 14\/Part 3. \u201cRoyalty Arrives.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 3 pp. 30.5 x 37 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 14\/Part 4. \u201cThe First Waltz.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 2 copies. 4 pp., each. 31 x 37 cm. Copy 1 has performance markings in red pencil.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 14\/Part 5\u2013Reel 15\/Part 1. \u201cAnother Dance.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 2 copies. 4 pp., each. 31 x 37 cm. Copy 1 has sparse performance markings in red pencil.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 15\/Part 2. \u201cThe Tango.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 3 pp. 30.5 x 37 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 15\/Part 3. \u201cIntro to \u2018You Did It.\u2019\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 5 pp. 30.5 x 37 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 15\/Part 4. \u201cYou Did It.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 1 p. 30.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 20\/Part 1. \u201cWomen \u2013 Insert One.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 2 pp. 30.5 x 36.5 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 20\/Part 2. \u201cWoman \u2013 Insert II.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 1 p. 31 x 36.5 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nReel 22\/Parts 1 and 3. \u201c\u2018Accustomed \u2013 Intro and Extension.\u201d
\nReel 22\/Part 1. \u201cAccustomed \u2013 Intro.\u201d Conductor\u2019s score (4 staves); undated. MS repro. 3 pp. 31 x 37 cm.
\nReel 22\/Part 3. \u201cAccustomed \u2013 Extension.\u201d Conductor\u2019s score (4 staves); undated. MS repro. 3 pp. 31 x 36.5 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 22\/Part 5. \u201cEnd Title.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 1 p. 31 x 36.5 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\n[no reel no.]; No. 2. \u201cWhy Can\u2019t The English?\u201d
\nPiano-vocal score (3 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 10 pp. (numbered pp. 14\u201323). 22 x 30.5 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n[no reel no.]; No. 3. \u201cWouldn\u2019t It Be Loverly?\u201d
\nPiano-vocal score (2\u20135 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 12 pp. (numbered pp. 24\u201335). 22 x 30.5 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\n[no reel no.]; No. 4. \u201cWith A Little Bit of Luck.\u201d
\nPiano-vocal score (3\u20134 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 10 pp. (numbered pp. 36\u201345). 22 x 30.5 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\n[no reel no.]; No. 5. \u201cI\u2019m An Ordinary Man.\u201d
\nPiano-vocal score (3 staves); undated. Reproduction of published score, with markings in ink, pencil, and red pencil. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 17 pp. (numbered pp. 47\u201363). 22 x 30.5 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\n[no reel no.]; No. 6. \u201cReprise: With A Little Bit of Luck.\u201d
\nPiano-vocal score (2\u20136 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 9 pp. (numbered pp. 65\u201373). 22 x 30.5 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\n[no reel no.]; No. 7. \u201cJust You Wait.\u201d
\nPiano-vocal score (3 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 8 pp. (numbered pp. 75\u201382). 22 x 30.5 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\n[no reel no.]; No. 8. \u201cThe Servant\u2019s Chorus.\u201d
\nPiano-vocal score (2\u20136 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 7 pp. (numbered pp. 83\u201389). 22 x 30.5 cm. [All pages have water damage on lower outside corner.]<\/td>\n<\/tr>\n
folder 23<\/th>\n[no reel no.]; No. 9. \u201cThe Rain in Spain.\u201d
\nPiano-vocal score (2\u20133 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 6 pp. (numbered pp. 90\u201395). 22 x 30.5 cm. [Pages 93\u201395 have water damage on lower outside corner.]<\/td>\n<\/tr>\n
folder 24<\/th>\n[no reel no.]; No. 10. \u201cI Could Have Danced All Night.\u201d
\nPiano-vocal score (3\u20134 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 10 pp. (numbered pp. 96\u2013107). 22 x 30.5 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\n[no reel no.]; No. 11. \u201cAscot Gavotte.\u201d
\nPiano-vocal score (2\u20136 staves); undated. Reproduction of published score, with sparse markings in pencil on p. 108. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 10 pp. (numbered pp. 108\u2013117). 22 x 30.5 cm. [Pages 115\u2013116 have water damage on lower outside corner.]<\/td>\n<\/tr>\n
folder 26<\/th>\n[no reel no.]; No. 13. \u201cOn the Street Where You Live.\u201d
\nPiano-vocal score (2\u20133 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 8 pp. (numbered pp. 120\u2013127). 22 x 30.5 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\n[no reel no.]; No. 21. \u201cThe Flower Market.\u201d
\nPiano-vocal score (2\u20136 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 7 pp. (numbered pp. 182\u2013188). 22 x 30.5 cm. [Pages have water damage on lower and\/or upper outside corners.]<\/td>\n<\/tr>\n
folder 28<\/th>\n[no reel no.]; No. 22. \u201cGet Me to the Church on Time.\u201d
\nPiano-vocal score (2\u20137 staves); undated. Reproduction of published score, with markings in pencil. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 16 pp. (numbered pp. 189\u2013192, 195\u2013200, 207\u2013212). 22 x 30.5 cm.
\nSketch of score (2 staves); undated. MS repro, with markings in pencil. 6 pp. 25.5 x 33 cm. [Pages 2\u20134 have water damage on outside margin.]<\/td>\n<\/tr>\n
folder 29<\/th>\n[no reel no.]; No. 24. \u201cA Hymn to Him.\u201d
\nPiano-vocal score (3 staves); undated. Reproduction of published score, with sparse markings in pencil. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 11 pp. (numbered pp. 214\u2013224). 22 x 30.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n[no reel no.]; No. 25. \u201cWithout You.\u201d
\nPiano-vocal score (3 staves); undated. Reproduction of published score. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 6 pp. (numbered pp. 226\u2013231). 22 x 30.5 cm. [All pages have slight water damage to lower outside corner.]<\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]; No. 26. \u201cI\u2019ve Grown Accustomed to Her Face.\u201d
\nPiano-vocal score (2\u20133 staves); undated. Reproduction of published score, with markings in pencil. [s.l.: s.n., s.d.]. Pl. no. 4093-252. 15 pp. (numbered pp. 232\u2013246). 22 x 30.5 cm. [Pages 233\u2013238 have water damage on lower outside corner.]<\/td>\n<\/tr>\n
folder 3<\/th>\n[no reel no.]. \u201cAscot Gavotte.\u201d
\n\u201cAscot Reprise (Partial).\u201d Conductor\u2019s score (4 staves); undated. MS repro, with performance marking (caesura) in blue pencil. 8 pp. 25.5 x 33 cm.
\n\u201cAscot Gavotte \u2013 Part 2.\u201d Conductor\u2019s score (3\u20134 staves); undated. MS repro. 9 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]. \u201cGet Me to the Church on Time,\u201d Parts 1\u20133.
\nPart 1. Conductor\u2019s score (4 staves); undated. MS repro. 7 pp. 31 x 36.5 cm.
\nPart 2. Conductor\u2019s score (4 staves); undated. MS repro. 13 pp. 31 x 36.5 cm. [Several pages have water damage on center of outside margin.]
\nPart 3. Conductor\u2019s score (3\u20135 staves); undated. MS repro. 8 pp. 25.5 x 33.5 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]. \u201cI\u2019m An Ordinary Man.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro, with sparse markings in pencil. 29 pp. 25.5 x 33.5 cm. [Several pages have water damage.]<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]. \u201cI\u2019ve Grown Accustomed to Her Face.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 25 pp. 25.5 x 33 cm. [Several pages have water damage.]<\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.]. \u201cJust You Wait.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 11 pp. 25.5 x 33 cm. [Several pages have water damage.]
\n\u201cJust You Wait \u2013 Reprise.\u201d Conductor\u2019s score (4 staves); undated. MS repro. 2 pp. 25.5 x 33 cm. [All pages have water damage.]<\/td>\n<\/tr>\n
folder 8<\/th>\n[no reel no.]. \u201cOn the Street Where You Live.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro, with sparse markings in pencil on p. 1. 18 pp. 25.5 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\n[no reel no.]. \u201cOverture.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro, with markings in red pencil. 2 copies. 12 pp., each. 25.5 x 33.5 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]. \u201cThe Pygmalion Waltzes.\u201d
\nPiano score (2 staves); undated. MS repro, with sparse markings in pencil. 9 pp. 25.5 x 33.5 cm. [Pages 2\u20135 have water damage on lower outside corner.]<\/td>\n<\/tr>\n
folder 11<\/th>\n[no reel no.]. \u201cTrailer and Exit Music \u2013 I Could Have Danced All Night.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 4 pp. 30.5 x 37 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n\u201cR. R. Bennett\u2019s orchestrations for the stage version.\u201d
\nFolder heading taken from annotation in A. Courage\u2019s hand.
\n<\/em>\u201cOverture and Opening.\u201d Full score (20 staves); undated. MS repro; pages torn from spiral bound copy. 24 pp. 32 x 36 cm.
\nNo. 11. \u201cAscot Gavotte.\u201d Full score (20 staves); undated. MS repro; pages torn from spiral bound copy. 16 pp. 32 x 36 cm.
\nNo. 13. \u201cOn the Street Where You Live.\u201d Full score (20 staves); undated. MS repro; pages torn from spiral bound copy. 17 pp. 32 x 36 cm.
\nNo. 20A. \u201cStreet Where You Live (Reprise).\u201d Full score (20 staves); undated. MS repro; pages torn from spiral bound copy. 8 pp. 32 x 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

MY SON THE WITCH DOCTOR (A. Courage & Owen Crump)<\/strong><\/p>\n\n\n\n
folder 13<\/th>\n\u201cTitle Tune\u201d (music by A. Courage; lyrics by Owen Crump).
\nSketch of piano-vocal score (3 staves); undated. Pencil MS. 2 pp. 28.5 x 37 cm.
\nSketch of vocal line (1 staff); undated. Pencil MS. 2 pp. 24 x 32 cm.
\nLyrics; undated. Typescript copy. 1 p. 21.5 x 28 cm.
\nSketches; undated. Pencil MS. 1 p. 24 x 32 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

NORTH BY NORTHWEST (Bernard Hermann) #1743<\/strong><\/p>\n\n\n\n
folder 14<\/th>\nReel 2\u2013Reel 3\/Part 1; 1743-5. \u201cThe Wild Ride.\u201d
\nFull score (26 staves); dated [1959]. MS repro. 17 pp. 32 x 36 cm. Accompanied by Post-It note: \u201cBernard Herrmann \/ \u201cNorth by Northwest\u201d 1959 \/ B. H.\u2019s MS.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

ONE PIECE BATHING SUIT (Adolph Deutsch) #1567<\/strong><\/p>\n\n\n\n\n\n
folder 15<\/th>\nReel 10\/Part 1; 1567-47. \u201cThe Tank Fills\u201d (by Adolph Deutsch and A. Courage).
\nConductor\u2019s score (5\u20136 staves); dated June 20, 1952. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 12\/Part 6; 1567-52. \u201cChristmas Party\u201d (arr. A. Courage).
\nConductor\u2019s score (3\u20134 staves); dated June 30, 1952. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n[no reel no.]. \u201cSmoke Number \u2013 Part II and Part 2B rev.\u201d
\nPart 2; 1567-3B. Conductor\u2019s score (4 staves); dated May 23, 1952. MS repro, with sparse markings in pencil and red pencil. 14 pp. 24.5 x 33 cm.
\nPart 2B rev.; 1567-3B rev. Conductor\u2019s score (4\u20135 staves); dated July 28, 1952. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PAGAN LOVE SONG (Harry Warren, Roger Edens, and A. Courage) #1489<\/strong><\/p>\n\n\n\n\n\n
folder 18<\/th>\nReel 3\/Parts 1\u20133; 21228. \u201cYou Stay.\u201d
\nConductor\u2019s score (3\u20136 staves); dated August 25, 1950. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 7\/Parts 3A\u2013D; 21263. \u201cFete Dance.\u201d
\nConductor\u2019s score (3\u20136 staves); dated August 31, 1950. MS repro. 12 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 8\/Part 3B; 21257. \u201cQuinn\u2019s Cont\u2019d.\u201d
\nConductor\u2019s score (4 staves); dated August 30, 1950. MS repro. 3 pp. 24.5 x 33 cm.
\nAlso in folder:
\n<\/u>[no reel no.]; 21013. \u201cEtiquette.\u201d Music by Harry Warren. Lyric by Arthur Freed. Arranged by Adolph Deutsch. Composer\u2019s score (3\u20135 staves); dated June 13, 1950. MS repro, with measure numbers circled in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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THE PATSY (David Raksin) #10394<\/strong><\/p>\n\n\n\n\n\n\n
folder 1<\/th>\nReel 1C. \u201cBack to the Drawing Board\u201d (by David Raksin; orch. Ruby Raksin).
\nConductor\u2019s score (4 staves); dated May 1, 1964. MS repro. 5 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 2\/Parts B and BA. \u201cMain Title\u201d (by David Raksin; orch. A. Courage).
\nPart 2B. Conductor\u2019s score (4 staves); dated May 12, 1964. MS repro. 16 pp. 23 x 30.5 cm.
\nPart 2BA. Conductor\u2019s score (4 staves); dated May 11, 1964. MS repro. 12 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 2C. \u201cScurry\u201d (by David Raksin; orch. Ruby Raksin).
\nConductor\u2019s score (4 staves); dated May 5, 1964. MS repro. 5 pp. 23 x 30.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 12B. \u201cEnd Title\u201d (by David Raksin; orch. A. Courage).
\nConductor\u2019s score (4 staves); dated May 11, 1964. MS repro. 12 pp. 23 x 30 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PEPE (Dory Langdon & Andr\u00e9 Previn; orch.\/arr. A. Courage) #8476\u00a0<\/strong><\/p>\n\n\n\n
folder 5<\/th>\n\u201cThe Rumble,\u201d Parts 1\u20133.
\nPart 1. Conductor\u2019s score (4 staves); undated. MS repro. 6 pp. 28.5 x 36 cm.
\nPart 2. Conductor\u2019s score (4 staves); undated. MS repro. 3 pp. 28 x 36 cm.
\nPart 3. Conductor\u2019s score (4 staves); undated. MS repro. 8 pp. 28 x 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PORGY & BESS (George Gershwin)<\/strong><\/p>\n\n\n\n\n
folder 6<\/th>\nAct I.
\nFull score (30 staves), with pages from the piano-vocal score interleaved; copyright 1935. MS repro (photocopy), spiral bound. 155 pp. 28 x 36 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nAct II.
\nFull score (30 staves), with pages from the piano-vocal score interleaved; [copyright 1935]. MS repro (photocopy), spiral bound. 224 pp. 28 x 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n\n\n\n\n
folder 1<\/th>\nAct III.
\nFull score (30 staves), with pages from the piano-vocal score and the typescript libretto interleaved; [copyright 1935]. MS repro (photocopy), spiral bound [plastic comb binding broken]. 160 pp. 28 x 36 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nMedley (for Barbara Streisand) (arr. A. Courage).
\nFull score (34 staves); undated. MS repro (photocopy), with performance markings in colored pencil. 19 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE POWER AND THE PRIZE (B. Kaper) #1697<\/strong><\/p>\n\n\n\n
folder 3<\/th>\nReel 5\/Part 3; 1697-15. \u201cIn the Park.\u201d
\nConductor\u2019s score (4\u20135 staves); undated. MS repro, with measure numbers and timings circled in red pencil and markings in pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE RACK (Adolph Deutsch) #1686<\/strong><\/p>\n\n\n\n\n\n\n\n\n
folder 4<\/th>\nReel 1\/Part 1; 1686-1. \u201cMain Title.\u201d
\nConductor\u2019s score (4\u20136 staves); dated January 31, 1956. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 1\/Part 3; 1686-9. \u201cEd on Stretcher.\u201d
\nConductor\u2019s score (4\u20136 staves); dated February 3, 1956. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 4\/Part 1; 1686-3. \u201cThe Dark Kitchen.\u201d
\nConductor\u2019s score (4 staves); dated January 24, 1956. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 6\/Part 1; 1686-4. \u201cScars.\u201d
\nConductor\u2019s score (4 staves); dated January 31, 1956. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 9\/Part 1; 1686-10. \u201cFather and Son.\u201d
\nConductor\u2019s score (4 staves); dated February 3, 1956. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 10\/Part 1; 1686-2. \u201cCourt Recess.\u201d
\nConductor\u2019s score (5\u20136 staves); dated January 25, 1956. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE RIVER WILD (Jerry Goldsmith)<\/strong><\/p>\n\n\n\n\n\n
folder 10<\/th>\nReel 11\/Part 2. \u201cVacation\u2019s Over.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 51 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 11\/Part 3\u2013Reel 12\/Part 1. \u201cVacation\u2019s Over Part II.\u201d
\nSketch of score (reduced score, 9 staves); undated. MS repro (photocopy). 14 pp. 30 x 28 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 11\/Part 3\u2013Reel 12\/Part 1. \u201cVacation\u2019s Over Part II.\u201d
\nFull score (35 staves); undated. MS repro (photocopy). 55 pp. 28 x 43 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE RUSSIA HOUSE<\/strong><\/p>\n\n\n\n
folder 13<\/th>\n\u201cAlone in the World\u201d (music by Jerry Goldsmith; lyrics by Alan and Marilyn Bergman).
\nPiano-vocal score (3 staves); copyright 1990. MS repro, with measure numbers in pencil. 4 pp. 24 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SAY ONE FOR ME (James Van Heusen) <\/strong><\/p>\n\n\n\n
folder 14<\/th>\n\u201cSay One for Me\u201d (music by James Van Heusen; words by Sammy Cahn).
\nPiano-vocal score (3 staves); revised February 3, 1959. MS repro. 4 pp. 25 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270320281{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/span><\/span><\/p>\n

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SEVEN BRIDES FOR SEVEN BROTHERS (Gene de Paul <\/strong>& Johnny Mercer) #1643<\/strong>
\n<\/strong>Production formerly titled \u201cSobbin\u2019 Women\u201d<\/em>
\n<\/strong><\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n[no reel no.]; 1643-02. \u201cBarn Dance\u201d (arr. Saul Chaplin and Adolph Deutsch).
\nConductor\u2019s score (3\u20135 staves); dated November 13, 1953. MS repro (photocopy). 24 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]; 1643-03. \u201cBless Your Beautiful Hide\u201d (arr. Adolph Deutsch).
\nConductor\u2019s score (5\u20136 staves); dated November 2, 1953. MS repro. 14 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\n[no reel no.]; 1643-05. \u201cGoin\u2019 Co\u2019tin\u2019\u201d (arr. Saul Chaplin and Adolph Deutsch).
\nConductor\u2019s score (4\u20136 staves); dated November 2, 1953. MS repro, with markings in red pencil and pencil. 18 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]; 1643-08. \u201cJune Bride\u201d (arr. Conrad Salinger).
\nConductor\u2019s score (4\u20136 staves); undated. MS repro, with markings in red pencil. 14 pp. 24 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]; 1643-04. \u201cSobbin\u2019 Women\u201d (orch. arr. Leo Arnaud; vocal arr. Jeff Alexander).
\nConductor\u2019s score (3\u20136 staves); dated November 20, 1953. MS repro, with measure numbers in red pencil and markings in pencil. 13 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]; 1643-06. \u201cWonderful, Wonderful Day\u201d (arr. Conrad Salinger).
\nConductor\u2019s score (2\u20136 staves); dated January 14, 1954. MS repro. 12 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE SHADOW (Jerry Goldsmith; orch. A. Courage)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
folder 7<\/th>\nReel 1\/Part 1. \u201cThe Poppy Fields (Main Title).\u201d
\nFull score (35 staves); undated. MS repro. 23 pp. 28 x 43 cm.
\nAlso in folder:
\n<\/u>Typescript list of film scores received by Sibley Music Library on June 22, 1995 (for Alexander Courage Collection). 1 p.<\/td>\n<\/tr>\n
folder 8<\/th>\nReel 1\/Part 3. \u201cThe Clouded Mind.\u201d
\nFull score (35 staves); undated. MS repro. 23 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 4\/Part 1. \u201cDo You Believe?\u201d
\nFull score (33 staves); undated. MS repro. 10 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 4\/Part 1A. \u201cThe Sanctum.\u201d
\nFull score (35 staves); undated. MS repro. 31 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 8\/Part 3. \u201cThe Tank.\u201d
\nFull score (35 staves); undated. MS repro. 42 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 11\/Part 1A. \u201cTime Bomb.\u201d
\nFull score (35 staves); undated. MS repro. 28 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 11\/Part 2. \u201cFrontal Lobotomy.\u201d
\nFull score (35 staves); undated. MS repro. 13 pp. 28 x 43 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SHOWBOAT (Jerome Kern; arr. C. Salinger) #1520<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 14<\/th>\n[no reel no.]; 21509. \u201cBill (Last Chorus).\u201d
\nConductor\u2019s score (4\u20135 staves); dated November 10, 1950. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\n[no reel no.]. \u201cBuck & Wing.\u201d
\nH-396. \u201cBuck & Wing.\u201d Piano score (2 staves); dated October 19, 1950. MS repro, with markings in pencil. 4 pp. 24.5 x 33 cm.
\n21503. \u201cBuck and Wing \u2013 1st Encore.\u201d Conductor\u2019s score (3\u20134 staves); dated November 10, 1950. MS repro, with markings in pencil and red pencil. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\n[no reel no.]; 21502. \u201cCan\u2019t Help Lovin\u2019 Dat Man.\u201d
\nConductor\u2019s score (3\u20135 staves); dated November 10, 1950. MS repro. 2 copies. 4 pp., each. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n[no reel no.]; H-393. \u201cHey fellah!\u201d
\nPiano-vocal score (3 staves); dated October 18, 1950. MS repro. 2 copies. 4 pp., each. 24.5 x 33 cm. Copy 1 has markings in pencil.<\/td>\n<\/tr>\n
folder 18<\/th>\n[no reel no.]; 21643. \u201cLife Upon the Wicked Stage\u201d (arr. Adolph Deutsch).
\nConductor\u2019s score (4 staves); dated December 11, 1950. MS repro, with measure numbers circled in red pencil. 18 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\n[no reel no.]; 21436. \u201cMake-Believe.\u201d
\nConductor\u2019s score (4\u20136 staves); dated October 30, 1950. MS repro. 11 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\n[no reel no.]; 21501. \u201cWhy Was I Born?\u201d
\nConductor\u2019s score (3\u20134 staves); dated November 10, 1950. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\n[no reel no.]; 21445\u201321446. \u201cYou Are Love \u2013 Nos. 1 & 2.\u201d
\n[no reel no.]; 21445. No. 1. Conductor\u2019s score (4\u20136 staves); dated October 31, 1950; revised November 8, 1950. MS repro. 10 pp. 24.5 x 33 cm.
\n[no reel no.]; 21446. No. 2. Conductor\u2019s score (4\u20136 staves); dated October 31, 1950. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SINGIN’ IN THE RAIN (Nacio Herb Brown; arr. C. Salinger) #1546<\/strong><\/p>\n\n\n\n
folder 22<\/th>\n[no reel no.]. \u201cSingin\u2019 in the Rain.\u201d
\nConductor\u2019s score (3\u20136 staves); undated. MS repro (photocopy). 12 pp. 25.5 x 35.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SPACE CAMP (John Williams)<\/strong><\/p>\n\n\n\n\n
folder 23<\/th>\nReel 11\/Part 2. \u201cHome Again.\u201d
\nDraft of score (reduced score, 8 staves); undated. MS repro (photocopy of oversized score, upper and lower systems from original copied separately). 11 pp. 35.5 x 25.5 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 11\/Part 3. \u201cEnd Credits.\u201d
\nDraft of score (reduced score, 8 staves); undated. MS repro (photocopy), with markings in red pencil. 11 pp. 33 x 40.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n

STORY OF MONTY STRATTON (Nacio Herb Brown, Adolph Deutsch; arr. A. Courage) #1424<\/strong><\/p>\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 5\/Part 1; 19370. \u201cBack to Omaha.\u201d
\nConductor\u2019s score (3\u20134 staves); dated January 28, 1949. MS repro. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 9\/Part 2; 19392. \u201cThe Turning Point.\u201d
\nConductor\u2019s score (3\u20134 staves); dated February 3, 1949. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 10\/Part 2B; 19387. \u201cYou Look Just Fine.\u201d
\nConductor\u2019s score (4 staves); dated February 2, 1949. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]; 19393. \u201cHow\u2019s About It, Honey?\u201d
\nConductor\u2019s score (4 staves); dated February 3, 1949. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]; 19426. \u201cMain Title.\u201d
\nConductor\u2019s score (2\u20134 staves); dated February 9, 1949. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SUMMER OF ’42 (Michel Legrand)<\/strong><\/p>\n\n\n\n
folder 6<\/th>\n[no reel no.]. \u201cThe Summer Knows.\u201d
\nPiano-vocal score (3 staves); copyright 1971. Reproduction of published score. [s.l.]: WB Music Corp., c1971. Pl. no. TM-414-2. 2 pp. 24 x 32 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SUPERMAN (John Williams)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 7<\/th>\n1M1. \u201cMain Title.\u201d
\n\u201c1M1, Main Title.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy), with markings in pencil and red ink. 5 pp. (pages numbered 2\u20136). 33 x 41.5 cm.
\n\u201cM59 12M8, End Credits.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy), with markings in pencil and red ink. 1 p. 33 x 41.5 cm.
\n\u201c1M1 (insert).\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. (numbered 2A). 33 x 41.5 cm.
\n\u201cNew 1M1, Main Titles, Part 1.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41.5 cm.
\n\u201c1M1, Main Title (B).\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41.5 cm.
\n\u201c1M1, Main Title.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41.5 cm.
\n\u201cNew 1M1 \u2013 Part II.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 8 pp. (pages numbered 7\u20138, 8A\u2013D, 9\u201310). 33 x 41.5 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n1M1A (\u201cnew\u201d). \u201cKrypton.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 6 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\n1M2. \u201cKryptonopolis.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n1M3. \u201cThe Dome Opens.\u201d
\n\u201c1M3. The Dome Opens.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm.
\n\u201c1M3 revised. The Dome Opens.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n2M1. \u201cThe Council\u2019s Decision.\u201d
\n\u201c2M1. The Council\u2019s Decision.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 10 pp. 33 x 41 cm.
\n\u201c2M1, New Ending (bars 140 new to 155 new).\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n2M2 (\u201cnew\u201d). \u201cThe Kryptonquake.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy), with sparse markings in red ink. 4 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n3M2(M5).
\n\u201c3M2 (M5). Baby\u2019s Trip to Earth.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 copies. 6 pp., each. 33 x 41 cm. Copy 2 constructed from half-sheets taped together.
\n\u201cNew 3M2. Baby Makes an Entrance.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm.
\n\u201c3M2. To Earth.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm.
\n\u201c3M5. Baby Lifts Lorry.\u201d Conductor\u2019s score; undated. MS repro (photocopy). 1 p. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n4M1. \u201cKansas High School.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm. Accompanied by ink note: \u201cSuperman I Source.\u201d<\/td>\n<\/tr>\n
folder 15<\/th>\n4M2. \u201cRacing the Train.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy), with markings in ink. 4 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\n4M3. \u201cKansas Kids.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\n4M4\/5M1.
\n\u201cNew 4M4\/5M1. The Fortress of Solitude.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy), with sparse markings in ink. 7 pp. 33 x 41 cm.
\n\u201c4M4\/5M1. Jonathan\u2019s Death.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\n5M2.
\n\u201c5M2. Late Night Country Music.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm.
\n\u201c5M2. Sunday Meeting.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm.
\n\u201cNew 5M2 (M16). Father\u2019s Instruction.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 2 pp. 33 x 45 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\n5M3. \u201cKryptonite Calls.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm.
\n\u201cNew 5M3 (M16A).\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\n5M4\/6M1 (\u201cnew start\u201d). \u201cThe Fortress of Solitude.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\n6M2\/7M1. \u201cIntroducing Otis.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 8 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\n7M1. \u201cThe Mugger.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm.
\nRevised version: \u201c7M1 (M17). More Mugger (revised).\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\n7M2. \u201cThe Helicopter Sequence.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 12 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\n8M2. \u201cThe Burglar Sequence.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\n8M4. \u201cThe Cat Rescue.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\n8M5. \u201cAir Force One.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41.5 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\n9M2. \u201cChasing Crooks.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 5 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\n9M4. \u201cAnother Navy Grog, Please.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\n10M1. \u201cLois\u2019 Pad.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\n10M2. [no title].
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy), with sparse markings in red ink. 3 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\n10M3. \u201cI Like Pink.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 32<\/th>\n10M4\/11M1. \u201cI Can Fly.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 6 pp. 33 x 41 cm. Accompanied by duplicate photocopy without markings (with duplicate copies of p. 2 and p. 6). 8 pp. 28\u201332 x 39\u201343 cm.
\n\u201c11MC-R-1. Flying Part III.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 37 cm.
\n\u201c11MC (M27C). Flying, Part III.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 37.5 cm.<\/td>\n<\/tr>\n
folder 33<\/th>\n11M1. \u201cThe Truck Convoy.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 37 cm.<\/td>\n<\/tr>\n
folder 34<\/th>\n11M2. \u201cTo The Moon.\u201d
\n\u201c11M2. To The Moon.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 31.5 x 37 cm.
\n\u201cNew 11M2 (M3o<\/sub>). Miss Teschmacher Helps.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 31.5 x 37 cm.<\/td>\n<\/tr>\n
folder 35<\/th>\n11M4. \u201cClark Loses His Nerve.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 28″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270320281{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/span><\/span><\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n12M1 (\u201cnew\u201d). \u201cTo the Lair.
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\n12M2 (\u201cnew\u201d). \u201cTrajectory Malfunction.\u201d
\n\u201cNew 12M2. Trajectory Malfunction.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 2 pp. 33 x 41 cm.
\n\u201cNew12M2 fix. Trajectory Malfunction.\u201d [Contains 10 new\/revised measures for beginning of cue.] Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\n12M3 (\u201cnew\u201d). [no title].
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n12M6. \u201cEnd Credits.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 9 pp. 32.5 x 40.5 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\n13M1 (\u201cnew\u201d). \u201cMiss T\u2019s Rescue.\u201d
\n\u201cNew 13M1 (M34). Miss T\u2019s Rescue.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 3 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n13M2 (M35). \u201cChasing Rockets.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 9 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\n13M3 (M36). \u201cGolden Gate Bridge.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy), with sparse markings in red ink. 6 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\n13M4 (M37). \u201cThe Rescue of Jimmy.\u201d
\n\u201c13M4 (M37). The Rescue of Jimmy. Not Edited.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 7 pp. 33 x 41 cm. Accompanied by duplicate copy of p. 1 (upper system and lower system photocopied separately on 11\u201d x 17\u201d paper). 2 pp.<\/td>\n<\/tr>\n
folder 9<\/th>\n14M1 (M38). \u201cPushing Boulders.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\n14M2 (M39). \u201cFlying to Lois.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n14M3 (M40). \u201cTurning Back the World.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 4 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n14M4 (M41). \u201cThe Prison Yard.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 2 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n16M1\u20132 \u201cKids on the Bus\u201d and \u201cLois\u2019s Vocal.\u201d
\n\u201c16M1. Kids on the Bus.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm.
\n\u201c16M2. Lois\u2019s Vocal.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 1 p. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n[no reel no.]. \u201cEnd Credits.\u201d
\n\u201cEnd Credits.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy), with markings in red ink. 8 pp. (pages numbered 2\u20139). 33 x 41 cm.
\n\u201cLove Theme from Superman; Part II of End Credits.\u201d Conductor\u2019s score (8 staves); undated. MS repro (photocopy). 6 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\n[no reel no.]. \u201cMarch of the Villains.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 7 pp. 33 x 41 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\n[no reel no.]. \u201cSuperman Material.\u201d
\nSketches (1 staff); undated. Pencil MS, with cues added in red ink. 4 pp. 23.5 x 31 cm. Note on top of p. 1: \u201cJW\u2019s material for Superman I which Courage used on Superman IV.\u201d<\/td>\n<\/tr>\n
folder 17<\/th>\nArr. of \u201cSuperman Theme.\u201d
\nTitle on score: \u201cLacy\u2019s Theme #1.\u201d Full score (30 staves); undated. MS repro (photocopy). 10 pp. 30 x 44 cm.
\nAnnotation on original folder (in A. Courage\u2019s hand): \u201cLondon arranger.\u201d<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SUPERMAN IV (John Williams; adapted by A. Courage)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 18<\/th>\nM1. \u201cSpace Saver.\u201d
\n\u201cM1. 1M1. Space Saver.\u201d Full score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 4 pp. 30.5 x 44.5 cm.
\n\u201cM1. 1M1.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.
\n\u201cMA. 1MA. Warner Bros. Logo.\u201d Sketch of score (1 staves with markings); undated. 1 p. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nM2\/1M2. \u201cMain Title.\u201d
\nConductor\u2019s score (9 staves); undated. Pencil MS. 11 pp. 28 x 43.5 cm.
\nFull score (35 staves); undated. Pencil MS. 11 pp. 32 x 48.5 cm<\/span><\/td>\n<\/tr>\n
folder 20<\/th>\nM3. \u201cBack in Time.\u201d
\n\u201cNew M3. 1M3. Back in Time (Revised).\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black and green ink. 3 pp. 30.5 x 45 cm. Accompanied by duplicate photocopy with markings on pp. 1 and 3 in red ink. 3 pp.
\n\u201cM3. 1M3. Back in Time.\u201d Conductor\u2019s score (12 staves), with time signatures and select time cues in black ink; undated. Pencil MS. 4 pp. 30.5 x 45.5 cm. Accompanied by duplicate photocopy (constructed from half-sheets taped together), with markings on p. 2 in green ink. 4 pp.
\nAlso in folder:
\n<\/u>\u201cM27 6M1. Back at the Fortress.\u201d Conductor\u2019s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together), with markings in green ink. 2 pp. 30.5 x 45.5 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nM5. \u201cGood Morning.\u201d
\n\u201cM5A. 2M1A. Good Morning.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS, with sparse markings in red ink. 1 p. 30.5 x 39.5 cm.
\n\u201cM5. 1M5\/2M1.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. [Page 3 labeled \u201c3rd Draft.\u201d]
\n\u201cNew New M5. 1M5\/2M1 (2nd rev.) 3rd Draft.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45 cm.<\/span><\/td>\n<\/tr>\n
folder 22<\/th>\nM7. \u201cSmoke the Yokes.\u201d
\nConductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm.
\nConductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and time cues in black ink. 1 p. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nM8. \u201cNefarious.\u201d
\n\u201cM8. 2M4. Nefarios.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm. [Large X written over full page in pencil.]
\n\u201cM8. 2M4 Nefarios.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. [Large X written over p. 1 in pencil.] Accompanied by 2 duplicate photocopies: Copy 2 has additions and excisions in green ink (photocopy comprised of half sheets previously taped together, now 4 pp., 30 x 22\u201326 cm). Copy 3 is photocopy of Copy 2 (with additions) (photocopy comprised of half sheets taped together, 2 pp., 30 x 46 cm), with large X written over both pages in pencil.
\n\u201cM8 New. 2M8. 3rd draft. Nefarios.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm.
\n\u201cM8 New. 2M8. 3rd draft. [no title.]\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 1 p. 30.5 x 45 cm.
\n\u201cM8A. 2M8A (for real). [no title.]\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm.
\nAlso in folder:
\n<\/u>\u201c10MA. [no title.]\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39 cm.
\n\u201cM25. 5M2. Headline.\u201d Conductor\u2019s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 1 p. 30.5 x 45.5 cm. [Large Xs written over both systems on p. 1 in green ink.]
\nBlank staff paper (4 staves per system). 1 p. 30.5 x 39 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nM10. \u201cTo Work.\u201d
\nConductor\u2019s score (9 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 28 x 43.5 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nM13. \u201cTrain Stopper.\u201d
\nConductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39 cm.
\nConductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 26<\/th>\nM14. \u201cThe Class.\u201d
\nConductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39 cm. [Last system of p. 1 and all of p. 2 contain revised\/extended version of cue M14.]
\nConductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 1 p. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 27<\/th>\nM15. \u201cHair Raisers.\u201d
\n\u201cM15. 3M2. Hair Raisers. Changed.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39 cm.
\n\u201cM15. 3M2. Hair Raisers.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm.
\n\u201c(M.15) 3.M.2.\u201d Full score (35 staves); undated. Pencil MS, with measure numbers and sparse markings in ink. 7 pp. 32 x 48.5 cm.
\n\u201cNew M15. 3M2. Hair Raisers. 2nd draft.\u201d Conductor\u2019s score (12 staves); undated. MS repro (photocopy) with pencil MS insertion, with additions and revisions in green ink. 2 pp. 30.5 x 45.5 cm.
\nAlso in folder:
\n<\/u>\u201cNew M14. 3M1. The Class (rev.).\u201d Conductor\u2019s score (12 staves); undated. MS repro (p. 1; photocopy) with extension (p. 2) in pencil MS, with markings in green ink. 2 pp. 30.5 x 46 cm.<\/td>\n<\/tr>\n
folder 28<\/th>\nM16. \u201cLacy.\u201d
\nConductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\nConductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and final time cue in black ink. 1 p. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 29<\/th>\nM17. \u201cThe Visit.\u201d
\nConductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\nConductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and final time cue in black ink. 2 pp. 30.5 x 45 cm. [Large X written over p. 1 in pencil.]
\n\u201cNew M17. 3M4. The Visit (rev.).\u201d Conductor\u2019s score (12 staves); undated. MS repro, with excisions in green ink. 2 pp. 30 x 45.5 cm.
\n\u201cNew Extension of M17. 3M4.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures in black ink and time cues and measure numbers in green ink. 1 p. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\nM18. \u201cFirst Nuclear Man.\u201d
\nConductor\u2019s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and final time cue in black ink. 8 pp. 30.5 x 45 cm.
\nAlso in folder:
\n<\/u>\u201cM23. 4M6. [no title.].\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm.
\n\u201cNew M25. 5M2. [no title.].\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm.
\n\u201cM27. 6M1. [no title.].\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nM22. \u201cNuc I Fight.\u201d
\nConductor\u2019s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm.
\nConductor\u2019s score (12 staves); undated. Pencil MS, with time signatures in black ink and sparse markings in green, red, and black ink. 5 pp. 30.5 x 45 cm.
\nAlso in folder:
\n<\/u>\u201cM23. 4M6. Ashes.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nM25. \u201cHeadline.\u201d
\n\u201cNew M25. 5M2. Headline (rev.).\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45 cm. Accompanied by duplicate photocopy (constructed from half-sheets taped together). 3 pp. 30.5 x 45.5 cm.
\n\u201cM25. 5M2. Headline. Old version.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm. Post-It note on p. 1 of score: \u201cErnie. This is the old M25\/5M2\u2026\u201d
\n\u201c(M25) 5.M.2 (old version).\u201d Full score (35 staves); undated. Pencil MS, with measure numbers in ink. 5 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nM26. \u201cFresh Air.\u201d
\n\u201cM26. 5M3. Fresh Air.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 7 pp. 30.5 x 39.5 cm.
\n\u201cNew M26. 5M3. Fresh Air (rev). 2nd draft.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings (revisions) in red ink. 10 pp. 30.5 x 45.5 cm.
\n\u201cNew M26. 5M3. Fresh Air (rev).\u201d Conductor\u2019s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 10 pp. 30.5 x 45.5 cm. [Photocopy of pencil MS revised score (earlier draft).]
\n\u201cNew M26. 5M3.\u201d Full score (35 staves); undated. Pencil MS, with time signatures in black ink and markings in blue and red ink. 34 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nM27. \u201cBack at the Fortress.\u201d
\n\u201cM27. 6M1. Back at the Fortress.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45.5 cm. [Large X written over p. 1 in pencil.]
\n\u201cM27. 6M1. Back at the Fortress.\u201d Conductor\u2019s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together). 2 pp. 30.5 x 46 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nM28. \u201cUnited Nations.\u201d
\n\u201cM28. 6M2.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
\n\u201cM28. 6M2. United Nations.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45.5 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nM29. \u201cNetman.\u201d
\n\u201cM29. 6M3.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.
\n\u201cM29. 6M3. Netman.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 4 pp. 30.5 x 45.5 cm. [Large Xs written over systems on pp. 1 and 3.]
\n\u201cNew M29. 6M2. Netman (rev.). Revisions inside.\u201d Conductor\u2019s score (12 staves); undated. MS repro (photocopy, constructed from half-sheets taped together), with emendations in green ink. 4 pp. 30.5 x 46 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nM30. \u201cSun Stroke.\u201d
\n\u201cM30. 6M3.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm.
\n\u201cNew M30. 6M3. Insert.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\n\u201cNew M30. 6M3. Sun Stroke (rev.) Contains new insert.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and directional markings in red and green ink. 8 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 8<\/th>\nM31. \u201cEnter Nuclear II.\u201d
\n\u201cM31. 7M1.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
\n\u201cM31. 7M1. Enter Nuclear II.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm.
\nAlso in folder:
\n<\/u>\u201cM31. M3. Back in Time.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS, with measure numbers in black ink on p. 3. 3 pp. 30.5 x 39.5 cm.
\n\u201cM33. 7M3. Flight to Earth.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\n\u201cM33. 7M3. Flight to Earth.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS. 1 p. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nM35. \u201cIntroducing Nuc II.\u201d
\n\u201cM35. 7M5.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm. Accompanied by ink MS note (1 p.): \u201cBar 35.\u201d
\n\u201cM35. 7M5. Introducing Nuc II.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 4 pp. 30.5 x 45 cm.<\/span><\/td>\n<\/tr>\n
folder 10<\/th>\nM36. \u201cLacy\u2019s Place (French Farce).\u201d
\n\u201cM36. 7M6\/8M1. Lacy\u2019s Place (\u2018French Farce\u2019).\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 8 pp. 30.5 x 39.5 cm.
\n\u201cM36. 7M6\/8M1. Lacy\u2019s Place (\u2018French Farce\u2019).\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 11 pp. 30.5 x 45.5 cm.
\nAlso in folder:
\n<\/u>\u201cSuggested treatment. Farce Sequence.\u201d Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm.
\n\u201cLacy\u2019s Theme #1.\u201d Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm.
\n\u201cLacy\u2019s Theme #2.\u201d Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm.
\n\u201cThe Nuclear Menace.\u201d Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm.
\n\u201cThe Nuclear Man.\u201d Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm.
\n\u201cThe Nuclear Man. Additional material.\u201d Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nM37. \u201cThe Come On.\u201d
\n\u201cM37. 8M2.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\n\u201cM37. 8M2. The Come On.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 1 p. 30.5 x 45 cm. Accompanied by duplicate photocopy (constructed from half-sheets taped together). 1 p. 30.5 x 46.5 cm. [Pencil MS has large X over upper system.]
\nAlso in folder:
\n<\/u>\u201cM37. 8M2. Earache.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 1 p. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nM38. \u201cConfrontation.\u201d
\n\u201cM38. 8M3. Confrontation.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 5 pp. 30.5 x 39.5 cm.
\n\u201cM38. 8M3. Confrontation.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 8 pp. 30.5 x 45.5 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nM39. \u201cTornado Flight.\u201d
\n\u201cM39. 8M4. Tornado Fight.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm.
\n\u201cM39. 8M4. Tornado Fight. Redo.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 9 pp. 30.5 x 45.5 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nM39. [no title].
\nSeparated to Box 34, Folder 1.<\/em><\/td>\n<\/tr>\n
folder 15<\/th>\nM40. \u201cVolcano Flight.\u201d
\n\u201cM40. 9M1. Volcano Fight. 2nd draft.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm.
\n\u201cM40. 9M1. Volcano Fight. 2nd draft.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 5 pp. 30.5 x 45.5 cm.
\n\u201cM40. 9M1.\u201d Full score (35 staves). Pencil MS. 10 pp. 32 x 48.5 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nM41. \u201cRed Square Band.\u201d
\n\u201cM41. 9M2. Russian March.\u201d Sketch (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\n\u201cM41. 9M2. Red Square Band.\u201d Conductor\u2019s score (9 staves); undated. Pencil MS. 1 p. 28 x 43.5 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nM42. \u201cStatue of Liberty Fight.\u201d
\n\u201cM42. 9M3. Statue of Liberty Fight.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 6 pp. 30.5 x 39.5 cm.
\n\u201cM42. 9M3. Statue of Liberty Fight.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 9 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 30″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661270320281{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/span><\/span><\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nM43. \u201cDown With Flu.\u201d
\n\u201cM43. 9M5. [Down with Flu].\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
\n\u201cM43. 9M4. Down with Flu.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 3 pp. 30.5 x 45 cm.
\nAlso in folder:
\n<\/u>\u201cM43A. 10MA. Two-Faced Lex.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\n\u201cM43. 10MA. Two-Faced Lex.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nM44. \u201cMissile Buildup.\u201d
\n\u201cM44. 10M1. Missile Buildup.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
\n\u201cM44. 10M1. Missile Buildup.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures in black ink. 2 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nM45. \u201cThe Persuader.\u201d
\n\u201cM45. 10M2. 2nd draft.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
\n\u201cM45. 10M2. 2nd draft. The Persuader.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink and markings in red ink. 3 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nM46. \u201cAwakened.\u201d
\n\u201cM46. 10M3. Awakened.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm. [First system on page crossed out in pencil.]
\n\u201cM46. 10M3. Awakened.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 1 p. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nM47. \u201cAbducted.\u201d
\n\u201cM47. 10M4. Abducted.\u201d Conductor\u2019s score (4 staves); undated. MS repro (photocopy). 3 pp. 31.5 x 38.5 cm.
\n\u201cM47. 10M4. Abducted.\u201d Conductor\u2019s score (12 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 44.5 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nM48. \u201cMutual Distrust.\u201d
\n\u201cM48. 10M5. Mutual Distrust.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 4 pp. 30.5 x 39.5 cm.
\n\u201cM48. 10M5. Mutual Distrust.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 6 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nM49. \u201cMetropolis Fight.\u201d
\n\u201cM49. 11M1. Metropolis Fight.\u201d Conductor\u2019s score (4 staves); undated. MS repro (photocopy). 4 pp. 31.5 x 39 cm.<\/span><\/td>\n<\/tr>\n
folder 8<\/th>\nM50. \u201cLift to the Moon.\u201d
\n\u201cM50. 11M2. Lift to the Moon.\u201d Conductor\u2019s score (4 staves); undated. MS repro (photocopy). 3 pp. 31.5 x 38.5 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nM51. \u201cMoon Fight.\u201d
\n\u201cM51. 11M3. Moon Fight.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS, with time signatures in blue ink. 7 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nM52. \u201cGoodbye, Nuc.\u201d
\n\u201cM52. 11M4\/12M1. Goodbye, Nuc.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS, with time signatures in black ink and markings in red ink. 4 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nM53. \u201cCome-uppance.\u201d
\n\u201cM53. 12M2. Comeuppance.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
\n\u201cM53. 12M2. Come-uppance.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nM54. \u201cLifted.\u201d
\n\u201cM54. New 12M1. [Lifted].\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\n\u201cM54. 12M3. Lifted.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black and red ink; revised lower system taped over original. 1 p. 30.5 x 45 cm.
\nAlso in folder:
\n<\/u>\u201cNew M5. 1M5\/2M1.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\n\u201cM25. 5M2.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\nList of music cues for Superman IV.<\/em> Red ink MS. 1 p. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nM55. \u201cQuarried.\u201d
\n\u201cM55. 12M4. Quarried.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 3 pp. 30.5 x 39.5 cm.
\n\u201cM55. 12M4. Quarried.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 4 pp. 30.5 x 45 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nM58. \u201cFlying With Jeremy.\u201d
\n\u201cM58. 12M7.\u201d Conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.
\n\u201cM58. 12M7. Flying with Jeremy.\u201d Conductor\u2019s score (12 staves); undated. Pencil MS, with time signatures and select time cues in black ink. 2 pp. 30.5 x 45 cm.
\n\u201cFlying with Jeremy.\u201d Note in pencil: \u201cnew material for Superman IV, later orchestrated by AC.\u201d Sketches (8 staves); undated. Pencil MS. 1 p. 32 x 39.5 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\n[no reel no.]. \u201cEnd Credits (New Ending).\u201d
\nConductor\u2019s score (9 staves); undated. Pencil MS. 2 pp. 28 x 43 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nBreakdown sheet.
\nChart listening instrumentation for each musical cue. Pencil MS, with markings in ink. 2 pp. 28 x 43.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE TENDER TRAP (Jeff Alexander) #1681<\/strong><\/p>\n\n\n\n
folder 17<\/th>\nReel 11\/Part 1; 1681-31. \u201cHungover Squares.\u201d
\nConductor\u2019s score (3\u20134 staves); dated September 12, 1955. MS repro, with markings in pencil and red pencil. 2 pp. 24 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THREE GUYS NAMED MIKE (B. Kaper) #1509<\/strong><\/p>\n\n\n\n
folder 18<\/th>\n[no reel no.]; 1509-1. \u201cMain Title.\u201d
\nConductor\u2019s score (5\u20136 staves); undated. MS repro, with measure numbers and markings in red pencil. 11 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

TOP HAT (Irving Berlin)<\/strong><\/p>\n\n\n\n
folder 19<\/th>\n\u201cTop Hat, White Tie and Tails.\u201d
\nPiano vocal score. Photocopy of published score. New York: Irving Berlin Inc., c1935. 4 pp. 22.5 x 30.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

TRIBUTE TO A BAD MAN (David Raksin) #1581<\/strong><\/p>\n\n\n\n\n
folder 20<\/th>\nReel 10\/Part 4; 1581-42. \u201cJames Lee\u2019s Narrative.\u201d
\nConductor\u2019s score (4 staves); dated July 21, 1952. MS repro. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nReel 14\/Part 2; 1581-40. \u201cThe Spellbinder.\u201d
\nConductor\u2019s score (4\u20136 staves); dated July 21, 1952. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

TRIUMPH OF THE SPIRIT (Alexander Courage)<\/strong><\/p>\n\n\n\n
folder 22<\/th>\n[no reel no.]. \u201cSchatzlein.\u201d
\nFull score (18 staves); dated September\u2013October 1989. MS repro (photocopy). 9 pp. 43 x 28 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

UNFAITHFULLY YOURS (Alexander Courage)<\/strong><\/p>\n\n\n\n\n\n
folder 23<\/th>\n[no reel no.]. \u201cDaniella\u2019s Theme.\u201d
\nSketch of melody (1 staff); undated. Pencil MS. 1 p. 24 x 31.5 cm.
\nSketch of melody (1 staff); undated. Pencil MS, with measure numbers in red ink. 1 p. 24 x 31.5 cm.
\nLead sheet (1 staff); undated. MS repro. 2 pp. 24.5 x 32 cm.
\nLead sheet (1 staff); undated. MS repro. 1 p. 24 x 32 cm.
\nConductor\u2019s score (4 staves); undated. Pencil MS, with measure numbers in red ink 1 p. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\n[no reel no.]. \u201cRumania, Rumania\u201d (by Aaron Lebedeff; arr. A. Courage).
\nConductor\u2019s score (6 staves); undated. MS repro. 8 pp. 30.5 x 46 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\n[no reel no.]. \u201cTwo Guitars.\u201d
\nConductor\u2019s score (6 staves); undated. MS repro. 4 pp. 30.5 x 46 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a><\/span><\/span><\/p>\n

THE UNSINKABLE MOLLY BROWN <\/strong>[Meredith Willson; arr. Leo Arnaud, A. Courage, and Calvin Jackson]<\/strong><\/p>\n\n\n\n\n
folder 1<\/th>\nScore No. 1, Vol. 1.
\nConductor\u2019s score (2\u20136 staves); dated August 12, 1963. MS repro, spiral bound. 133 pp. 23 x 28.5 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nScore No. 1, Vol. 2.
\nConductor\u2019s score (2\u20134 staves); dated August 12, 1963. MS repro, spiral bound. 128 pp. 23 x 28.5 cm.
\nAlso in folder:
\n<\/span>[no reel no.]; 1815-01. \u201cColorado, My Home.\u201d Conductor\u2019s score (2\u20135 staves); dated August 16, 1963. MS repro. 12 pp. 24.5 x 33 cm.
\nReel 8\/Part 2; 1815-25. \u201cGold!\u201d Conductor\u2019s score (4\u20136 staves); dated January 21, 1964. MS repro. 6 pp. 24.5 x 33 cm.
\nReel 8\/Part 1; 1815-26. \u201cJohnny Lights the Fire.\u201d Conductor\u2019s score (3\u20136 staves); dated January 21, 1964. MS repro. 8 pp. 24.5 x 33 cm.
\nReel 6\/Part 7\u2013Reel 8\/Part 1; 1815-24. \u201cThe Disillusioned Bride.\u201d Conductor\u2019s score (4\u20135 staves); dated January 21, 1964. MS repro. 7 pp. 24.5 x 33 cm.
\nReel 7\/Part 3; 1815-35. \u201cMolly Hides the Money.\u201d Conductor\u2019s score (3\u20136 staves); dated January 27, 1964. 8 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE VINTAGE (David Raksin) #1702<\/strong><\/p>\n\n\n\n\n
folder 3<\/th>\nReel 1\/Part A; 1702-31. \u201cThe Grape Stomp (Main Title).\u201d
\nConductor\u2019s score (3\u20134 staves); undated. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 1\/Part B. \u201cThe Message.\u201d
\nConductor\u2019s score (3 staves); dated January 10, 1957. MS repro. 5 pp. 24.5 x 33 cm. [Note on score: \u201cThis is alternate cutting version of opening sequence.\u201d]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 32″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661278472892{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nReel 1\/Part C; 1702-2. \u201cThe Border.\u201d
\nConductor\u2019s score (4 staves); dated December 14, 1956. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\nReel 1\/Part 1; 1702-1. \u201cFigures on a Bridge.\u201d
\nConductor\u2019s score (4 staves); dated undated. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\nReel 1\/Part 2; 1702-8. \u201cTwo of Us.\u201d
\nConductor\u2019s score (4\u20135 staves); dated December 18, 1956. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\nReel 1\/Part 3; 1702-6. \u201cA Friendly Sound\u201d
\nConductor\u2019s score (4 staves); dated December 19, 1956. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\nReel 2\/Part 1; 1702-3. \u201cEasy, Brother.\u201d
\nConductor\u2019s score (4 staves); dated December 14, 1956. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\nReel 2\/Part 2; 1702-4. \u201cMy Choice.\u201d
\nConductor\u2019s score (4 staves); dated December 17, 1956. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 7<\/th>\nReel 2\/Part 3; 1702-7. \u201cMy Name is Lucienne.\u201d
\nConductor\u2019s score (4 staves); dated December 18, 1956. MS repro. 1 p. 24.5 x 33 cm.<\/span><\/td>\n<\/tr>\n
folder 8<\/th>\nReel 3\/Part 1; 1702-12. \u201cMy Name is Giancaro.\u201d
\nConductor\u2019s score (4 staves); dated December 21, 1956. MS repro. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\nReel 3\/Part 2; 1702-9. \u201cNot the Same.\u201d
\nConductor\u2019s score (4\u20136 staves); dated December 19, 1956. MS repro. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 10<\/th>\nReel 3\/Part 3; 1702-10. \u201cBrothers. Sisters.\u201d
\nConductor\u2019s score (4 staves); dated December 21, 1956. MS repro, with sparse markings in red pencil. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\nReel 4\/Part 2. \u201cHarvest.\u201d
\n1702-11. \u201cHarvest.\u201d Conductor\u2019s score (3\u20134 staves); dated December 22, 1956. MS repro, with sparse markings in red pencil. 8 pp. 24.5 x 33 cm.
\n1702-5. \u201cHarvest \u2013 Alternative Start.\u201d Conductor\u2019s score (4 staves); dated December 18, 1956. MS repro. 1 p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\nReel 5\/Part 1; 1702-13. \u201cSomething He Loves.\u201d
\nConductor\u2019s score (4 staves); dated December 26, 1956. MS repro, with sparse markings in red pencil. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\nReel 5\/Part 2; 1702-15. \u201cA Strike.\u201d
\nConductor\u2019s score (4 staves); dated December 31, 1956. MS repro, with markings in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\nReel 5\/Part 3\u2013Reel 6\/Part 1; 1702-16. \u201cCoq Au Vin.\u201d
\nConductor\u2019s score (4 staves); dated December 28, 1956. MS repro, with sparse markings in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nReel 6\/Part 2; 1702-22. \u201cNot Enough.\u201d
\nConductor\u2019s score (4 staves); dated January 8, 1957. MS repro, with sparse markings in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 16<\/th>\nReel 6\/Part 4; 1702-14. \u201cThe Dogs.\u201d
\nConductor\u2019s score (4\u20136 staves); dated December 29, 1956. MS repro, with marking in red pencil on p. 6. 6 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 17<\/th>\nReel 6\/Part 5; 1702-19. \u201cThe Sisters.\u201d
\nConductor\u2019s score (4 staves); dated January 2, 1957. MS repro. 1 p. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 18<\/th>\nReel 7\/Part 1; 1702-20. \u201cThis Is Going to Hurt.\u201d
\nConductor\u2019s score (4 staves); dated January 2, 1957. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 19<\/th>\nReel 7\/Part 2; 1702-17. \u201cLooking for This.\u201d
\nConductor\u2019s score (4 staves); dated December 31, 1956. MS repro, with sparse markings in red pencil. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 20<\/th>\nReel 8\/Par t1. \u201cWhat Hurts You.\u201d
\nConductor\u2019s score (4\u20136 staves); dated December 31, 1956. MS repro, with marking in red pencil on p. 1. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 21<\/th>\nReel 8\/Part 2; 1702-21. \u201cIt Didn\u2019t Happen.\u201d
\nConductor\u2019s score (3\u20134 staves); dated 1957. MS repro. 4 pp. 24.5 x 33 cm.
\nAlso in folder:<\/span>
\nReel 9\/Part 1; 1702-26. \u201cThe Wine Press.\u201d Conductor\u2019s score (4 staves); dated January 10, 1957, revised January 11, 1957. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 22<\/th>\nReel 10\/Part 2. \u201cThe Old Fifer.\u201d
\nConductor\u2019s score (2 staves); dated January 10, 1957. MS repro. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 23<\/th>\nReel 11\/Part 1; 1702-25. \u201cSomething to Decide.\u201d
\nConductor\u2019s score (4 staves); dated December 21, 1956. MS repro, with sparse markings in red pencil. 5 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 24<\/th>\nReel 11\/Part 3; 1702-28. \u201cFarewell, Ernesto.\u201d
\nConductor\u2019s score (4 staves); revised January 14, 1957. MS repro, with emendation on p. 1 in red pencil. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 25<\/th>\nReel 11\/Part 5; 1702-27. \u201cNot So Far.\u201d
\nConductor\u2019s score (4 staves); undated. MS repro. 4 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

WORDS AND MUSIC (Conrad Salinger) #18958<\/strong><\/p>\n\n\n\n
folder 26<\/th>\nReel 15\/Part 1. \u201cLarry\u2019s Death.\u201d
\nConductor\u2019s score (2\u20134 staves); dated August 26, 1948. MS repro. 7 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE WITCHES OF EASTWICK (John Williams)<\/strong><\/p>\n\n\n\n
folder 27<\/th>\nReel 6\/Part 2. \u201cThe Tennis Game.\u201d
\nConductor\u2019s score (8 staves); undated. MS repro (photocopy). 6 pp. 32.5 x 40.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

YES, GIORGIO #1959<\/strong><\/p>\n\n\n\n\n\n\n
folder 28<\/th>\n[no reel no.]. \u201cAve Maria\u201d (Hymne an die Jungfrau) (by Franz Schubert).
\nPiano vocal score (3 staves). Photocopy of published score from unidentified source (pages numbered 107\u2013112). [s.l.]: Oliver Ditson Co., [s.d.]. Pl. no. ML-600-6. 2 copies. 6 pp., each. 22 x 31.5 cm. Copy 1 has markings in red ink. Copy 2 has markings in pencil.<\/td>\n<\/tr>\n
folder 29<\/th>\n[no reel no.]. \u201cCielo e mar\u201d (by Amilcare Ponchielli).
\nPiano vocal score (3 staves). Photocopy of published score, with markings in red and green ink. [s.l.]: G. Schirmer Inc., c1931. Pl. no. 30813r. 2 copies. 8 pp., each. 22 x 28 cm.<\/td>\n<\/tr>\n
folder 30<\/th>\n[no reel no.]. \u201cComme Facette Mammeta.\u201d
\nDraft of conductor\u2019s score (4 staves); undated. Pencil MS. 3 pp. 31 x 38 cm.<\/td>\n<\/tr>\n
folder 31<\/th>\n[no reel no.]. \u201cComme Facette Mammeta\u201d (arr. A. Courage).
\nFull score (22 staves); dated June 17, 1981. MS repro (reduced-size photocopy). 15 pp. 21.5 x 35.5 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 33″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661266423693{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

<\/a><\/span><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\n[no reel no.]. \u201cDid I Remember.\u201d
\nLead sheet (1 staff); undated. MS repro, with timing cues added in pencil. 2 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 2<\/th>\n[no reel no.]. \u201cDonna Non Vidi Mai\u201d [by Puccini].
\nFull score (16 staves). Photocopy of published score from unidentified source (pages numbered 86\u201396), with markings in red ink and pencil. [s.l.: s.n., s.d.]. Pl. no. P.R.113. 11 pp. 22 x 28 cm.<\/td>\n<\/tr>\n
folder 3<\/th>\n[no reel no.]. \u201cUna Furtiva Lagrima\u201d (by Donizetti).
\nConductor\u2019s score (9 staves). Photocopy of published score. [s.l.: s.n., s.d.]. No pl. no. 6 pp. 21.5 x 33 cm.<\/td>\n<\/tr>\n
folder 4<\/th>\n[no reel no.]. \u201cIf We Were In Love\u201d (John Williams).
\nLead sheet (1 staff); undated. MS repro, with pencil MS additions on p. 3. 3 pp. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 5<\/th>\n[no reel no.]. \u201cIf We Were In Love\u201d (John Williams; arr. Herb Spencer).
\nFull score (34 staves); undated. MS repro (photocopy). 13 pp. 22 x 35.5 cm.
\nConcert version. Full score (32 staves); undated. MS repro (photocopy). 15 pp. 22 x 35.5 cm.<\/td>\n<\/tr>\n
folder 6<\/th>\n[no reel no.]. \u201cMarechiare\u201d (by Francesco Paolo Tosti).Piano-vocal score (3 staves). Photocopy of published score. Milano: G. Ricordi & Co., [s.d.]. Pl. no. 126437. 4 pp. 23.5 x 30.5 cm.<\/span><\/td>\n<\/tr>\n
folder 7<\/th>\n[no reel no.]. \u201cMattinata\u201d (by Ruggiero Leoncavallo).
\nPiano-vocal score (3 staves). Photocopy of published score. [Milano]: G. Ricordi & Co., c1904. No. pl. no. 2 copies. 4 pp., each. 21.5 x 28 cm. Copy 1 has timing cues added in pencil. Copy 2 has timing cues and measure numbers in red ink.<\/td>\n<\/tr>\n
folder 8<\/th>\n[no reel no.]. \u201cNessun Dorma\u201d (by Puccini).
\nInstrumental parts (9 parts: cello, oboe II, contrabassoon III, harp II, celeste, percussion, triangle, bass drum\/cymbals, glockenspiel\/gongs). Photocopies of published parts. [s.l.: s.n., s.d.]. Pl. no. 119768. 10 pp., total. 22 x 33 cm.<\/td>\n<\/tr>\n
folder 9<\/th>\n[no reel no.]. \u201cO Sole Mio!\u201d (by Eduardo di Capua).
\nPiano-vocal score (3 staves). Photocopy of published score, from unidentified source (pages numbered 55\u201357). [s.l.]: Oliver Ditson Co., c1909. Pl. no. 5-61-67830-3. 3 copies. 3 pp., each. 22 x 28 cm. Copy 2 has timing cues added in pencil. Copy 3 has timing cues and measure numbers in red ink.<\/td>\n<\/tr>\n
folder 10<\/th>\n[no reel no.]. \u201cSanta Lucia.\u201d
\nDraft of conductor\u2019s score (4 staves); undated. Pencil MS. 2 pp. 30.5 x 39.5 cm.<\/td>\n<\/tr>\n
folder 11<\/th>\n[no reel no.]. \u201cSanta Lucia\u201d (arr. A. Courage).
\nFull score (23 staves); undated. MS repro (photocopy). 11 pp. 21.5 x 35.5 cm.<\/td>\n<\/tr>\n
folder 12<\/th>\n[no reel no.]. \u201cLa Spagnola\u201d (by Vincenzo di Chiara).
\nPiano-vocal score (3 staves). Photocopy of published score. [s.l.: s.n., s.d.]. 3 pp. 22 x 35.5 cm.<\/td>\n<\/tr>\n
folder 13<\/th>\n[no reel no.]. \u201cThis Heart of Mine.\u201d
\nLead sheet (1 staff); undated. MS repro, with pencil MS additions on p. 1. 2 copies. 2 pp., each. 24.5 x 33 cm.<\/td>\n<\/tr>\n
folder 14<\/th>\n[no reel no.]. \u201cTurandot Montage\u201d (G. Puccini; arr. A. Courage).
\n\u201cTurandot Bridge I.\u201d Draft of conductor\u2019s score (4 staves); undated. Pencil MS. 1 p. 30.5 x 39.5 cm.
\n\u201cTurandot Montage Bridge No. 2.\u201d Full score (22 staves); dated 1959. Pencil MS, with markings in ink. 1 p. 28 x 37.5 cm.<\/td>\n<\/tr>\n
folder 15<\/th>\nUnidentified [\u201cCeleste Aida\u201d] (by Puccini).
\nFull score (4\u201315 staves). Photocopy of published score (pages numbered 8\u201318). [s.l.: s.n., s.d.]. Pl. no. 10. 11 pp. 21.5 x 33 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 34″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1661266217508{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 1<\/th>\nM39 [no title].
\n\u201cM39. 8M4.\u201d Full score (40 staves); undated. 20 pp. 31 x 54 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 ALEXANDER COURAGE COLLECTION<\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

ALEXANDER COURAGE COLLECTION: Series 2 \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] Series 1: Motion Picture Scores [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1660766775093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_column_text] ABOVE AND BEYOND […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1030,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-1035","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1035"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1035\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1030"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1035"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}