{"id":104,"date":"2014-04-11T09:52:53","date_gmt":"2014-04-11T13:52:53","guid":{"rendered":"https:\/\/www.esm.rochester.edu\/musicus\/?page_id=104"},"modified":"2014-07-30T09:44:34","modified_gmt":"2014-07-30T13:44:34","slug":"unus-amor","status":"publish","type":"page","link":"https:\/\/www.esm.rochester.edu\/musicus\/unchained-medieval-melodies\/unus-amor\/","title":{"rendered":"Unus amor"},"content":{"rendered":"<p><a href=\"https:\/\/www.esm.rochester.edu\/musicus\/files\/2014\/04\/Unus-amor-9-July-2014.pdf\">Untexted sequence melody: <em>Unus amor<\/em><\/a><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-104-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.esm.rochester.edu\/musicus\/files\/2014\/04\/Unus-Amor.mp3?_=1\" \/><a href=\"https:\/\/www.esm.rochester.edu\/musicus\/files\/2014\/04\/Unus-Amor.mp3\">https:\/\/www.esm.rochester.edu\/musicus\/files\/2014\/04\/Unus-Amor.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>The melody sung in this recorded performance was in use at Cambrai (northern France), both as a texted melody (\u201cUnus amor\u201d), but also as a purely wordless melody around 1150.\u00a0 Although the sequences in this gallery demonstrate various practices of \u201cneumatization,\u201d the singing of entirely wordless sequences was rather unusual by the twelfth and thirteenth centuries.\u00a0 However, evidence of this older tradition seems to have survived in the northern French region at this period, particularly at Cambrai Cathedral. <i>Unus amor<\/i>,in particular, was apparently associated with St. Stephen and other martyred saints.\u00a0 The singers begin with the word \u201cAlleluia\u201d to reflect the typical position of the sequence after the Alleluia chant in the mass.<\/p>\n<p>For another example of an untexted sequence melody from northern France, see <i><a href=\"https:\/\/www.esm.rochester.edu\/musicus\/unchained-medieval-melodies\/letatus-sum\/\" target=\"_blank\">Letatus sum<\/a>.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Untexted sequence melody: Unus amor &nbsp; The melody sung in this recorded performance was in use at Cambrai (northern France), both as a texted melody (\u201cUnus amor\u201d), but also as a purely wordless melody around 1150.\u00a0 Although the sequences in this gallery demonstrate various practices of \u201cneumatization,\u201d the singing of entirely wordless sequences was rather&hellip;<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"onecolumn-page.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"coauthors":[],"class_list":["post-104","page","type-page","status-publish","hentry","description-off"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/pages\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":0,"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/pages\/104\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/pages\/7"}],"wp:attachment":[{"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.esm.rochester.edu\/musicus\/wp-json\/wp\/v2\/coauthors?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}