Gigs

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Successful Practice And Rehearsal Philosophy
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4 Free Blog Resources for Artists
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Show your colleagues LOVE.
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Jazz “set” vs. “intermission” for Concert Production
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Video Blog – Gigging (‘Tis the Season!)
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We are business owners!!!!
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Video Blog – Music in Many Ways
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Back to concert season! First rehearsal – Fairfax Chamber Ensemble
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Harp Year in Review
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Music Outreach with Young Audiences

Successful Practice And Rehearsal Philosophy

Feb 21 2014
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Nicole Camacho
Nicole Camacho

New York based Flutist, composer, and improviser, Nicole Camacho is creating a name for herself as an eclectic musician via vibrant premieres of composers’ works, performing in the world of popular music, involving an element of multi-media in her solo performances, and composing new flute works with a language all her own. She is a member of the folk band KK Group led by Norwegian Singer/ Songwriter, Kjersti Kveli and a founding member of Cochlea Freedom Ensemble a free improvisation group. As a result of her deep love for community, Nicole directs a community concert production organization by the name of Music Unboxed and writes a blog dedicated to featuring what's new in the flute community called Future of Flute. :0)

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Video Blog – Gigging (‘Tis the Season!)

Dec 18 2013
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Elaine Li
Elaine Li

Elaine Li is the current Bands Collection Librarian at the University of Illinois in Urbana-Champaign. Her position centers around serving all performing groups, conductors, and conducting GTAs with their music needs including acquisition, research, creation of part folders for student performers, creating edited parts, assembling scores, preparing materials for band related classes, and maintaining one of the world's largest performance collections of band repertoire. She also manages certain responsibilities centered around performances and touring including program copy and concert PR support.

Ms. Li received her master’s degree in Library Science from the University of Illinois at Urbana-Champaign in 2012. She also holds a master’s degree in violin performance from the University of Miami and bachelor's degrees in music performance and English from the University of Florida. Prior to her appointment at the University of Illinois Bands, she was Orchestra Librarian for Sinfonia da Camera, a graduate assistant at the University of Illinois Archives, and an Ensemble Library Intern in the Frederick and Elizabeth Ludwig Fennell Library at the 2012 Interlochen Arts Camp. She was a library fellow at the 2011 Tanglewood Music Center in the Ozawa Library, working closely with members of the Boston Symphony Orchestra and Juilliard School, and was a librarian during the Aspen Music Festival 2010 season, working as Aspen Opera Theatre Company librarian and assistant librarian for the American Academy of Conducting at Aspen. From 2008 to 2010, Ms. Li was the Head Librarian of the Greater Miami Youth Symphony. She continues to perform violin locally with the Champaign-Urbana Symphony, Sinfonia da Camera, and other ensembles around Central Illinois.

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We are business owners!!!!

While I have come a long way in terms of my financial knowledge in the past few years, I wanted to make sure to convey my sincere reaction during the process of getting from point A to point B; getting from “i am a musician and that’s it” to “i am a musician and therefore i am, of course, a business owner”.  While I realize this sentiment of confusion may not be helpful to a fellow musician, I hope “teachers” and others who are in “leadership roles” find it helpful in progressing forward with an ever evolving music curriculum.  In response to such confusion it is usually a traditional thought to “create a class” dedicated to this one topic.  However, much like practice, I think it should be “LIVED” and oozing through the aura and purpose of an establishment dedicated to helping shape the minds of future artistic leaders.  Some simple ways to create an atmosphere that lends itself to this kind of thinking is:

1) a poster that says “YOU ARE A BUSINESS OWNER”

2)  Creating a blog where your teachers post strictly business resources like legalzoom.com and discuss things like “why should you declare a DBA?” or better yet “what is a DBA?”

3)  get students involved in the social media process of advertising the school/ department.  perhaps they do not yet have their own projects, but HEY! they are part of your school!  and love being there also!  in fact THEY ARE THE SCHOOL.  why not have them involved in how to help support it via poster design, tag line, name of a concert, actively marketing to invite the neighboring businesses and families to come to shows?

There you go!  3 ways of probably many many more ways to get the conversation going and LIVE the process of working toward entrepreneurship.

Polyphonic.org is doing a great job at bridging the gap and “starting the conversation”!

Nov 06 2013
Browse archives for November 06, 2013
Nicole Camacho
Nicole Camacho

New York based Flutist, composer, and improviser, Nicole Camacho is creating a name for herself as an eclectic musician via vibrant premieres of composers’ works, performing in the world of popular music, involving an element of multi-media in her solo performances, and composing new flute works with a language all her own. She is a member of the folk band KK Group led by Norwegian Singer/ Songwriter, Kjersti Kveli and a founding member of Cochlea Freedom Ensemble a free improvisation group. As a result of her deep love for community, Nicole directs a community concert production organization by the name of Music Unboxed and writes a blog dedicated to featuring what's new in the flute community called Future of Flute. :0)

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Video Blog – Music in Many Ways

Sep 24 2013
Browse archives for September 24, 2013
Elaine Li
Elaine Li

Elaine Li is the current Bands Collection Librarian at the University of Illinois in Urbana-Champaign. Her position centers around serving all performing groups, conductors, and conducting GTAs with their music needs including acquisition, research, creation of part folders for student performers, creating edited parts, assembling scores, preparing materials for band related classes, and maintaining one of the world's largest performance collections of band repertoire. She also manages certain responsibilities centered around performances and touring including program copy and concert PR support.

Ms. Li received her master’s degree in Library Science from the University of Illinois at Urbana-Champaign in 2012. She also holds a master’s degree in violin performance from the University of Miami and bachelor's degrees in music performance and English from the University of Florida. Prior to her appointment at the University of Illinois Bands, she was Orchestra Librarian for Sinfonia da Camera, a graduate assistant at the University of Illinois Archives, and an Ensemble Library Intern in the Frederick and Elizabeth Ludwig Fennell Library at the 2012 Interlochen Arts Camp. She was a library fellow at the 2011 Tanglewood Music Center in the Ozawa Library, working closely with members of the Boston Symphony Orchestra and Juilliard School, and was a librarian during the Aspen Music Festival 2010 season, working as Aspen Opera Theatre Company librarian and assistant librarian for the American Academy of Conducting at Aspen. From 2008 to 2010, Ms. Li was the Head Librarian of the Greater Miami Youth Symphony. She continues to perform violin locally with the Champaign-Urbana Symphony, Sinfonia da Camera, and other ensembles around Central Illinois.

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Back to concert season! First rehearsal – Fairfax Chamber Ensemble

Sep 12 2013
Browse archives for September 12, 2013
Natalie Spehar
Natalie Spehar

"Yet another wonderful example of the tremendous versatility of the cello in the right hands, which Natalie Spehar’s clearly are." - Susan Scheid, Prufrock's Dilemma 

An accomplished classical, rock, and folk cellist, Natalie has performed as a member of several ensembles, including most recently the Great Noise Ensemble, Écouter, the Low End String Quartet and the Washington, D.C. based cello rock ensemble, Primitivity. With a strong interest in contemporary music, Natalie has enjoyed mastering and premiering new and experimental works for cello, including several recent projects with live electronics and tape. 

Natalie has performed as a soloist with Graham Reynolds in The Kennedy Center’s presentation of The Difference Engine, with the University of Wisconsin Eau Claire and University of Maryland Percussion Ensembles, and with the Canton Symphony Orchestra, and has presented world premiere performances in venues including Ravinia, Severance Hall, and the National Gallery of Art. She has also been awarded several scholarships, among them a USA Projects grant, the Canton MacDowell Club Scholarship and the Howard Hanson Scholarship toward her studies at the Eastman School of Music. In the summer of 2009, Natalie was one of five American performers selected to participate in Northeastern University’s Fusion Arts Exchange, a program and concert tour funded by the U.S. Department of State that featured young musicians from six countries, and in 2011-12 she participated in the inaugural New Music on the Point contemporary music festival as well as the inaugural Fresh Inc. Festival led by Chicago’s esteemed Fifth House Ensemble. An enthusiastic presenter of new music, Natalie has premiered new cello works by composers Tomek Regulski, Finola Merivale, Orie Sato, Keane Southard, Andrew Watts, famed Syrian recording artist Malek Jandali, and her 2011-12 season featured her in premieres of works by renowned composers Zoe Keating, Sarah Lipstate, Cornelius Dufallo and Hannah Lash. Natalie also recorded an original soundtrack for the television documentary Through the Eye of the Needle, as well as composed and recorded the solo cello original soundtrack for the award-winning animated film Test Anxiety.
 
Natalie holds a Bachelor of Music degree in Cello Performance as well as a Certificate in Arts Leadership from Eastman School of Music, where she studied with Alan Harris. An avid supporter of music outreach, Natalie has recently served as an Arts & Learning Intern for Young Audiences, Inc., an educator with Music For Life, and a performing member of the MacDowell Music Club, all national organizations dedicated to encouraging and providing community music education. She currently resides in the Washington, D.C. metropolitan area, and looks forward to the upcoming season, in which she will present several solo cello premieres in the Washington, D.C., Ohio, and New York City areas, as well as record her solo debut CD.

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Harp Year in Review

Meghan reflects back on her year, from graduating from Rice University, performing with the Houston Symphony, driving across the country, and performing over 27 “47 Strings” outreach concerts. It was a fantastic year for freelancing with lots of great memories. Can’t wait to see what the next year holds!

www.meghancaulkett.com

facebook.com/47strings

 

Sep 09 2013
Browse archives for September 09, 2013
Meghan Caulkett

Meghan Caulkett is a graduate student at the Shepherd School of Music at Rice University, where she studies with Houston Symphony Principal, Paula Page. Meghan has performed as principal harpist with numerous orchestras, in solo recitals, chamber recitals, and for people such as legendary film composer John Williams, Boston Symphony Orchestra conductor James Levine, and His Royal Highness Prince Charles. She received her Bachelor of Music Degree Summa Cum Laude from Boston University while studying with the principal harpist of the Boston Symphony Orchestra, Ann Hobson Pilot.
Originally from Tahoe City, California, she now freelances all over the greater Houston area and southeastern United States, while maintaining an active teaching studio of harp and piano students. Since November 2011, she has been the acting principal harpist of the Baton Rouge Symphony Orchestra and has recently been accepted to the Houston Symphony Substitute Musician list. This is in addition to performances with the Shepherd School of Music Symphony and Chamber Orchestras, and Symphony of Southeast Texas. Meghan was also a Da Camera of Houston Young Artist from 2011- 2012.
Recently, she founded “47 Strings”- an innovative and educational outreach program designed to bring harp recitals to 47 different charitable organizations and free community concerts within the next year. These performances include educational outreach programs for schools, hospitals, homes for the elderly, shelters for abused women and children, as well as community concerts open to the public.

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Music Outreach with Young Audiences

Meghan discusses her work with Young Audiences, a national organization that helps bring arts education to children. Her outreach concert series, 47 Strings, is a performer with Young Audiences of Houston. Learn more at www.fortysevenstrings.com and like it on facebook at facebook.com/47strings!

 

Aug 28 2013
Browse archives for August 28, 2013
Meghan Caulkett

Meghan Caulkett is a graduate student at the Shepherd School of Music at Rice University, where she studies with Houston Symphony Principal, Paula Page. Meghan has performed as principal harpist with numerous orchestras, in solo recitals, chamber recitals, and for people such as legendary film composer John Williams, Boston Symphony Orchestra conductor James Levine, and His Royal Highness Prince Charles. She received her Bachelor of Music Degree Summa Cum Laude from Boston University while studying with the principal harpist of the Boston Symphony Orchestra, Ann Hobson Pilot.
Originally from Tahoe City, California, she now freelances all over the greater Houston area and southeastern United States, while maintaining an active teaching studio of harp and piano students. Since November 2011, she has been the acting principal harpist of the Baton Rouge Symphony Orchestra and has recently been accepted to the Houston Symphony Substitute Musician list. This is in addition to performances with the Shepherd School of Music Symphony and Chamber Orchestras, and Symphony of Southeast Texas. Meghan was also a Da Camera of Houston Young Artist from 2011- 2012.
Recently, she founded “47 Strings”- an innovative and educational outreach program designed to bring harp recitals to 47 different charitable organizations and free community concerts within the next year. These performances include educational outreach programs for schools, hospitals, homes for the elderly, shelters for abused women and children, as well as community concerts open to the public.

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