Why Does Crowdfunding Work Sometimes and Not Others?

This is a question examined by John Terauds in a recent post in Musical Toronto titled “Crowdfunding music: Everything old is new again as artists scramble for your contributions.”  In the post, Terauds paints a picture of the enterprising and entrepreneurial young composer W.A. Mozart, who utilized different, though similar methods of “crowdfunding” his work.  There are certainly numerous examples of crowdfunding projects that have met their goal and then some, but Terauds points to one recent project that didn’t even come close to its goal.   Was this due to lack of marketing and promotion?  A project that just wasn’t interesting enough for people to support?  Why did it fall so short? Terauds admits that he doesn’t have the answer.  But at the end of his post he poses the question – is the growth of crowdfunding good or bad?  What do you think?  Read his post here.

About the author

Stephen Danyew
Stephen Danyew

Steve Danyew is a composer, saxophonist, teacher, and arts administrator based in Rochester, NY. Danyew composes works for chamber ensembles, large instrumental ensembles, choirs and more, and currently serves as Managing Editor of Polyphonic.org. His music has been hailed as “startlingly beautiful” and “undeniably well crafted and communicative” by the Miami Herald, and has been praised as possessing “sensitivity, skill and tremendous sophistication” by the Kansas City Independent. Steve received a B.M. cum laude, Pi Kappa Lambda from the Frost School of Music at the University of Miami and holds an M.M. in Composition and Certificate in Arts Leadership from the Eastman School of Music.