Category - The Future

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A substitute orchestra in Detroit?
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A suspension bridge to nowhere good
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Dear Edna, I have a question…
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The kid stays on the podium
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Why orchestra management is hard
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The times they are a'changin…
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The moralistic approach to orchestra scheduling
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The price was right
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Another take on Met HD
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Price it (right) and they will come

A substitute orchestra in Detroit?

In a front-page article in the Detroit News, Michael H. Hodges is pessimistic about the future of the DSO: …outsiders warn that suspending the season involves a leap into the unknown, one that not only threatens the orchestra’s current hold on audiences and donors, but could put the 2011-2012 season and the orchestra’s entire future[…]

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A suspension bridge to nowhere good

The future of the Detroit Symphony may well ride on the DSO board’s definition of the word “suspend“: The crisis surrounding the Detroit Symphony Orchestra strike hit a new peak Saturday, increasing the possibility that the financially crippled orchestra may not play a single note of music this season. The musicians rejected management’s final contract[…]

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Dear Edna, I have a question…

Who should I ask? Often times we have questions about our career path, life, relationships, etc.  Sometimes we seek out those close to us whom we respect to give us advice, other times we just keep our questions to ourselves, and sometimes we seek out someone we don’t actually know to ask for their expertise. […]

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The kid stays on the podium

There’s something about conducting this kid really gets, although he really should have turned the last page of the score before he thought the piece was over: Wouldn’t it be nice if more kids this age thought Beethoven was this much fun? And why don’t they, anyway? I wonder what would happen if kids treated[…]

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Why orchestra management is hard

Joseph Horowitz doubled down on his remarks about musician compensation in a later blog post (analyzed by Drew McManus here): If I sound unsympathetic to the musicians, it’s because I’ve heard one too many times the strident union litany blaming ignorant boards and incompetent managers. Running an orchestra is a thankless task. I’ve done it.[…]

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The times they are a'changin…

I went to my local Borders today to kill some time while a prescription was filled. It’s a bi-level store, but I hadn’t gone downstairs since last year this time, as it was mostly CDs and it’s been a long time since I could count on finding something I wanted to listen to on a[…]

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The moralistic approach to orchestra scheduling

Interlochen Public Radio did a piece yesterday on the DSO strike; in particular the service conversion proposals that management has put on the table. The whole thing is worth reading. But I was particularly struck by comments made by Joseph Horowitz: …there are those in the industry who argue this discussion is way overdue. Joe[…]

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The price was right

One of the most damaging misconceptions about orchestras is that we raise money because we don’t make enough on ticket sales to cover the total expense of the concerts. The reality is very little of the fixed expenses of orchestras is covered by ticket sales, which typically cover, at most, the marginal expenses of putting[…]

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Another take on Met HD

After having written about the LA Phil’s upcoming experiment with broadcasting live to movie theaters and comparing it to the Met HD project, I was interested to come across another take on the whole concept from a Canadian professor of management: Recently I attended my first Live in HD broadcast of the Metropolitan Opera’s das[…]

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Price it (right) and they will come

Say “Saint Paul Chamber Orchestra” to an orchestra activist and the discussion will likely turn to that orchestra’s innovative approach to hiring and firing musicians without the institution of the Music Director. But more important to our field has been their approach to the problem of ticket prices, as described in an article in the[…]

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