Category - Miscellaneous

1
Why there are no solo viola careers
2
What a good board looks like
3
Of models old, new, and broken
4
About that Strad vs modern violin study thingy…
5
Diversity and the theater world
6
Journalist in need of Fisking
7
A different view of orchestra economics
8
NLRB says we can be unionized – for now
9
O sweet mystery of life
10
Of choirs and orchestras

Why there are no solo viola careers

The major function of Twitter appears to be enabling people to write things that, after 24 hours or so of reflection, they probably would rather not have written. Case in point is an outpouring of frustration on the part of the violist Jennifer Stumm, who wrote on her Twitter feed last week: Bigwig last night:[…]

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What a good board looks like

It’s axiomatic in the non-profit sector that, more than any other single factor, it’s the quality of the board of directors that determines whether institutions succeed or not. Of course, it’s axiomatic that the way to make money in the market is to buy low and sell high. That doesn’t mean it’s helpful advice. But,[…]

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Of models old, new, and broken

There’s been lots of chatter in the arts blogosphere the past few days over “the model,” most prominently in the email publication You’ve Cott Mail for January 11, which cited a number of online commentaries on the subject, including a very good one from Drew McManus at Adaptistration. But the commentaries invariably miss crucial points[…]

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About that Strad vs modern violin study thingy…

My colleague Frank Almond did a very thorough take-down of the whole thing here: “These instruments were loaned with the stipulation that they remain in the condition in which we received them (precluding any tonal adjustments or even changing the strings), and that their identities remain confidential. All strings appeared to be in good condition.”[…]

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Diversity and the theater world

Tom Loughlin, who is chair of the Department of Theatre and Dance at SUNY Fredonia and has considerable performing experience in professional theater, takes on the diversity issue in his world and comes to some conclusions that could fairly be called politically incorrect: According to The Broadway League 2010-11 Demographic Report, the Great White Way[…]

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Journalist in need of Fisking

It’s hard to read most of the arts reporting in this country and not wonder what else the media gets wrong. The latest example of this, an article on the Dallas Symphony’s current situation titled How Long Can The Dallas Symphony Afford To Play In The Red? popped up yesterday: That the symphony is in[…]

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A different view of orchestra economics

In Los Angeles at least, one observer believes it’s all about the parking: Anyone scanning Disney Hall’s debut calendar in the fall of 2003 would have noticed the size of that first season’s schedule, 128 shows in all. That’s a weighty number for a new hall—one might have assumed it was chosen by venue management[…]

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NLRB says we can be unionized – for now

In what may be the last NLRB decision in a long time, a few days ago the Board ruled that musicians in several per-service orchestras were employees and not independent contractors, and thus could force their employer to recognize their union as bargaining agent: The National Labor Relations Board has found that musicians playing for[…]

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O sweet mystery of life

…or one of them at least – is what conductors actually do. I thought it was all about the hair; Justin Davidson thinks it’s more than that: “Knowing the score”—the expression implies mastery, but it doesn’t suggest the sustained and solitary study that’s required to achieve it. There are a few miles of roadway that[…]

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Of choirs and orchestras

There was a story the other day on our local public radio story that got me thinking about one of the key differences between choirs and orchestras: their relationship to the beat: We revisit our conversation with classical choral composer Eric Whitacre, who has just been nominated for a Grammy for his latest CD “Light[…]

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