This article by Peter Dobrin of the Philadelphia Inquirer is the best reporting on the current crisis yet to appear. Go read the whole thing: …What someone is willing to pay for orchestral musicians in this country has changed radically in recent weeks. Yes, a brief strike last month by the Chicago Symphony Orchestra resulted[…]
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I attended a meeting of the Hartford Medical Society last week to hear a presentation by Dr. Lisa Wong, a pediatrician who plays violin with the Longwood Symphony in Boston – the doctor’s orchestra. She’s written a book, Scales to Scalpels, about the orchestra and the role of music in medicine. As I was chatting[…]
Read MoreThe musicians of the Atlanta Symphony voted to ratify a tentative settlement that was pretty much what ASO management (or perhaps the Woodruff Center) wanted all along: Symphony Orchestra accepted a new collective bargaining agreement Wednesday, barely averting a postponement of the fall season. The deal will cost players $5.2 million in compensation over two[…]
Read MoreFor sure it’s not when the person asking has raised $1.2 million for her new album but doesn’t want to pay back-up musicians on the road. Fortunately for all concerned, she (very grudgingly) changed her mind after considerable public outcry. Many AFM locals had a prohibition in their bylaws about members working for free, at[…]
Read MoreMaybe not the shortest orchestral strike on record, but likely close to it: They entered the negotiating room in the Chicago Symphony Association’s lawyer’s office at 2 p.m. Monday, and by about 6:45 p.m. a tentative agreement had been reached in the Chicago Symphony Orchestra’s first musicians strike in 21 years. The orchestra announced shortly[…]
Read MoreIt’s not surprising that Norman Lebrecht was right on top of the Chicago Symphony strike. It’s also not surprising that much of what he wrote missed the point or was simply wrong: Chicago is where the present inflationary cycle started when Henry Fogel, the former manager, caved in to a union demand for a $104,000[…]
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Ask any musician who is ten years older than you how business is, and he or she will probably say, “It’s okay, but it was much better ten years ago.” If that same person asks the identical question to another musician ten years older than he is, he will probably get the same answer. “It’s […]
Read MoreWhen I was a doctoral student, I was in a class that had an assignment that asked us to think into the future twenty years and forecast what the music profession would look like. I wish I still had that paper. It would be fun to see how far off I was. Anyway, one student […]
Read MoreIf you have read my book, Lessons From a Street-Wise Professor, think back to Chapter 9: “Five Non-Linear Career Journeys.” These are stories of very successful entrepreneurial musicians. I chose to include them because they represent five different areas of the music business, but I had a secondary reason as well. They all have reached […]
Read MoreSome musicians feel that they must dumb-down their music in order to be “successful.” I once had a conversation with Maria Schneider in which she made an interesting observation: many musicians who are focused solely on making money underestimate their audiences. She commented that some musicians seem to think that if they write or present […]
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