Category - Arts Advocacy

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Twilight in Syracuse
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More about community engagement
3
Arts Entrepreneurship — Policy Opportunity?
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Orchestras and the union movement
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The worst is yet to come
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A substitute orchestra in Detroit?
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Why conductors should STFU
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How not to make audiences feel
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Tea leaves in Detroit
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Cry me a river

Twilight in Syracuse

The Syracuse Symphony is shutting down after musicians refused to accept $1.3 million in concessions: The decision will bring the 50th anniversary season of the orchestra to an unceremonious end. There were more than 20 Syracuse and regional concerts remaining in the 2010-11 season. The orchestra’s 18 full- and part-time staffers and 61 core and[…]

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More about community engagement

The most important benefit to our field from the Detroit strike will be the ever-necessary reminder that strikes are a sub-optimal method of resolving labor-management disputes. The next most important benefit will be the jump-starting of the discussion about what’s come to be known as “community engagement.” Whether either of those will be worth the[…]

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Arts Entrepreneurship — Policy Opportunity?

I don’t think anyone would argue that we’re in a period of policy transition in the arts and culture sector.  I would even characterize it as the most significant period of policy reexamination since the 1960’s.  The difference is huge, of co…

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Orchestras and the union movement

Milwaukee is not quite equidistant from Madison and Detroit, but it does sit precisely on the line between them that a crow (or a Boeing) would fly. So it’s fitting that events in Detroit and Madison resonate so loudly with this member of the Milwaukee Symphony – an orchestra in the Rust Belt that’s had[…]

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The worst is yet to come

If you think that the Detroit Symphony labor dispute has been hard to watch, steel yourselves because the worst is yet to come. If the parties can’t find their way to a settlement in very short order, it will be even harder to watch the orchestra disintegrate. The recent “farewell” posting by the entire DSO[…]

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A substitute orchestra in Detroit?

In a front-page article in the Detroit News, Michael H. Hodges is pessimistic about the future of the DSO: …outsiders warn that suspending the season involves a leap into the unknown, one that not only threatens the orchestra’s current hold on audiences and donors, but could put the 2011-2012 season and the orchestra’s entire future[…]

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Why conductors should STFU

Because otherwise they’re going to say things as dumb as what Leonard Slatkin said today about the DSO strike: …A settlement now would serve both parties well since the DSO’s popular, high-profile music director is the scheduled conductor for next weekend’s concerts. “What’s really cool is that we would be doing Michel Camilo’s Second Piano[…]

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How not to make audiences feel

I know that audiences can be annoying, and clueless, and distracting, and all the rest – but come on, folks: I just have to write a letter concerning the recent performance of the Abilene Philharmonic. Abilenians are a welcoming group who are quick to applaud, and even provide a standing ovation. Yet a beautiful performance[…]

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Tea leaves in Detroit

Two items in Detroit’s newspapers yesterday make me think that things are not going well there. The first was in the Detroit Free Press: Management of the Detroit Symphony Orchestra reiterated today that it would make a new contract offer to its striking musicians this week and would request a response by Feb. 11. Citing[…]

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Cry me a river

It must be that overwhelming wave of affection that greets them when they come to work every day: The sudden death of Jean-Marc Cochereau, the French conductor, has prompted the very readable music writer Norman Lebrecht to issue a warning about the health hazards of conducting. M Cochereau collapsed and died from cardiac arrest on[…]

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