Author - clee

1
Being a Black Musician
2
3 Practices That Must Die
3
How Video Game Music Can Save Classical Music
4
Ben Zander’s TED Talk
5
The Musician and the Personnel Manager
6
Nominate a Member of Your Orchestra for The Ford Musician Awards for Excellence in Community Service!
7
Reimagining the Orchestra Subscription Model
8
Hartford Symphony: RIP?
9
A Polyphonic Thanksgiving MUSICAL FEAST!
10
The View from England re: Playing in an Orchestra

Being a Black Musician

Classical music is very interesting. Although it explores a vast array of different backgrounds and walks of life, that array is mostly restricted to Western Europe and a select few regions of Eastern Europe. Unfortunately, Asian, Native American, Indian, South American, and African music is vastly overlooked. When thinking about the diversity of many orchestras, or[…]

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3 Practices That Must Die

It’s sometimes frustrating to try to imagine listening to Classical music for the first time. Most of us either grew up with it, or developed an obsession after hearing those first few notes, so the ideas of concert-going traditions are just something we do. Not something we ponder. Well, maybe we should! Why on Earth[…]

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How Video Game Music Can Save Classical Music

It’s the thought that plagues all of our minds: “Classical Music is dying.” That is, if you care one way or another. Well, lately, I’ve been watching some of Leonard Bernstein’s Young People’s Concerts, and they are absolute gold. I firmly believe that he and they New York Philharmonic inspired an entire generation of Classical[…]

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Ben Zander’s TED Talk

My husband loves to listen to TED talks while he’s puttering in the kitchen, and he recently sent me a link to Ben Zander’s TED talk from 2008, about the transformative power of classical music. (Ben Zander has been the conductor of the Boston Philharmonic since 1979, and is a noted public speaker on leadership[…]

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The Musician and the Personnel Manager

Eight services into a nine-service week, and it was still only Saturday. Tempers were frayed further by it being the second of two consecutive days in the orchestra’s least favorite venue, an aging vaudeville palace with no backstage facilities except for a cramped below-stage crossover reached by steep but badly-lit staircases apparently designed more for[…]

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Nominate a Member of Your Orchestra for The Ford Musician Awards for Excellence in Community Service!

Check out this exciting new opportunity announced recently by the League of American Orchestras: The League of American Orchestras has launched The Ford Musician Awards for Excellence in Community Service, a new program supporting orchestra musicians and the essential work they do in their communities. The program is made possible by Ford Motor Company Fund.[…]

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Reimagining the Orchestra Subscription Model

It’s no accident that the most influential book in our field may have been Danny Newman’s Subscribe Now!.  Selling tickets by subscription has long been the foundation of orchestras’ earned revenue stream. And most orchestra musicians who’ve had to pay attention to their orchestra’s finances have heard some variant on how the subscription model is fading[…]

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Hartford Symphony: RIP?

Things have gotten dire indeed in Hartford. Management issued a statement recently that unless a settlement is reached within the next few weeks, they will close down the orchestra at the end of January. In an unprecedented move, management added a service to the musicians’ schedule, requiring all contracted players (and paying them) to attend[…]

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A Polyphonic Thanksgiving MUSICAL FEAST!

Happy Thanksgiving to you and yours from everyone at Polyphonic.org!  To celebrate the holiday, we asked each of our editors to design a musical “feast” – a menu of some favorite musical selections for which they are thankful.  Enjoy! Ann Drinan – Senior Editor Appetizer: Hot brie cheese and spicy goat cheese with fancy crackers,[…]

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The View from England re: Playing in an Orchestra

Recently Nathan Kahn, SSD negotiator, posted an article on ICSOM’s Orchestra-l list-serve that was published in The Guardian in February 2006 about why so many musicians are quitting their orchestra jobs for… According to Anna Price, the author, The money’s terrible, the stress is awful and the music is plain boring. No wonder so many[…]

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