The New York Youth Symphony is concerned about exposing its members to music that was sung by Nazis:
Jonas Tarm had won the kind of opportunity most young composers can only dream of: the New York Youth Symphony had commissioned a piece from him and planned to play it this Sunday at Carnegie Hall. But the youth symphony pulled his piece this week after learning that it includes a musical quotation from the “Horst Wessel” song, the Nazi anthem.
Mr. Tarm, a 21-year-old junior at the New England Conservatory of Music, said that his nine-minute piece, which is about conflict, totalitarianism and nationalism, also incorporated the anthem of the Ukrainian Soviet Socialist Republic, with each one quoted for about 45 seconds. In a telephone interview he said that he was stunned by the symphony’s decision to pull the piece, which he described as an act of censorship.
“I was devastated,” Mr. Tarm said. “It’s one thing to have a concert canceled because of weather, or financial issues; that’s kind of like death by natural causes. But canceling because of something that it’s saying — it feels almost like murder to me.”
Shauna Quill, the executive director of the youth symphony, said that the organization had been unaware that the piece quoted from the “Horst Wessel” song until after the youth symphony orchestra performed its premiere last month at the United Palace Theater, and a member of the audience wrote a letter of complaint that was signed “a Nazi survivor.”
She said in an interview that the organization pulled the piece after deciding that it was inappropriate for a youth orchestra, whose members are between 12 and 22…
Ms. Quill said that Mr. Tarm had declined to discuss what his piece was about, even when she called to speak with him after receiving the letter of complaint. “Without this information and given the lack of transparency, we could not continue to feature his work on the program,” she said in the email she sent to students and parents.
Mr. Tarm said Ms. Quill had told him that the piece would not be played because it was offensive.
Does she think that playing music associated with the Nazi regime is going to turn her students into Nazis? Why is it “inappropriate” for a youth orchestra but presumably not for us older musicians? And do composers now have to explain to administrators what their music is “about”?
I guess we should hope that she never finds out that tune to the Deutschlandlied – which was sung throughout the Third Reich, along with the “Horst Wessel” song, as the national anthem – was composed by Haydn. She’d have to find out what Haydn thought it was “about” before allowing anyone in her orchestra to play it.
I wonder if the New York Youth Symphony has ever performed Carmina Burana?
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You have provided a very valuable and thought provoking post, though it only contains a few sentences of your own writing. Time spent standing in front of a mirror is good for Executive Directors and all of us