Archive - 2011

1
What's the difference between practicing and child abuse?
2
Movement in Detroit: PS
3
Movement in Detroit?
4
CSO Live (not sure about the conductor, though)
5
Arts in the suburbs
6
Orchestras aren't about "peace"
7
The kid stays on the podium
8
A good idea
9
Happy New Year
10
Do Your Own Thing, Then Figure Out How To Get Paid For It

What's the difference between practicing and child abuse?

It’s not very often that practice techniques make the Wall Street Journal. It’s even less often that they become the stuff of vitriolic debate, but that’s what’s happened in response to this: A lot of people wonder how Chinese parents raise such stereotypically successful kids. They wonder what these parents do to produce so many[…]

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Movement in Detroit: PS

It’s understandable why the musicians might be wary in light of DSO management’s public statements regarding their new “offer”: DSO officials said it would up the orchestra budget to $36 million, $2 million more in player pay and benefits than its late November offer. But the offer is contingent on musicians accepting work rule changes[…]

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Movement in Detroit?

Maybe: The striking musicians and management of the Detroit Symphony Orchestra traded barbs and accusations on today while a settlement to the 15-week-old strike remained elusive — even as management appeared to sweeten its offer for the first time since November. The musicians called a news conference to accuse management of threatening to cancel the[…]

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CSO Live (not sure about the conductor, though)

In honor of yesterday’s inaugural broadcast to movie theaters of “LA Phil Live,” here’s what cutting-edge media technology looked like 50 years ago. I love the downbeat to the third bar.

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Arts in the suburbs

Anne Midgette had an interesting piece in Friday’s Washington Post on the boom in arts facilities in the DC area: If the 1970s saw an increase in performing arts organizations, the 1990s and 2000s have seen a notable increase in places built to house them. The boom is reflected nowhere better than in the Washington[…]

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Orchestras aren't about "peace"

I’ve been trying to figure out just what exactly bugs me so much about this: Music can change the state of the world, stop conflict and bloodshed, and bring peace to war-torn regions. If that sounds far-fetched then you haven’t met Russia’s famed maestro Valery Gergiev. “The power of music can be (a) very quiet[…]

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The kid stays on the podium

There’s something about conducting this kid really gets, although he really should have turned the last page of the score before he thought the piece was over: Wouldn’t it be nice if more kids this age thought Beethoven was this much fun? And why don’t they, anyway? I wonder what would happen if kids treated[…]

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A good idea

This is interesting: The St. Louis Symphony Orchestra has announced the first recipient of the Mabel Dorn Reeder Honorary Chair: It’s associate concertmaster Heidi Harris. The chair, announced in July 2010, was established with a $2 million endowment from the Mabel Dorn Reeder Foundation. It is awarded, based on “excellence in artistry and leadership within[…]

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Happy New Year

2011 has got to be better than 2010, which really sucked. Some good news is already emerging, though. The Nashville Symphony is back in its home after months of repairing flood damage, while the musicians of the Louisville Orchestra won a significant victory in bankruptcy court when the judge refused to set aside their collective[…]

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Do Your Own Thing, Then Figure Out How To Get Paid For It

I once was invited to be part of a panel discussion at the International Trombone Association’s annual convention. The subject was orchestra opportunities for trombonists. When I arrived at the venue, I looked at the sessions and concerts that had gone on in previous days, and I saw that a sackbut quartet had given a […]

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