Interlochen Public Radio did a piece yesterday on the DSO strike; in particular the service conversion proposals that management has put on the table. The whole thing is worth reading. But I was particularly struck by comments made by Joseph Horowitz: …there are those in the industry who argue this discussion is way overdue. Joe[…]
Read MoreOne of the most damaging misconceptions about orchestras is that we raise money because we don’t make enough on ticket sales to cover the total expense of the concerts. The reality is very little of the fixed expenses of orchestras is covered by ticket sales, which typically cover, at most, the marginal expenses of putting[…]
Read MoreAfter having written about the LA Phil’s upcoming experiment with broadcasting live to movie theaters and comparing it to the Met HD project, I was interested to come across another take on the whole concept from a Canadian professor of management: Recently I attended my first Live in HD broadcast of the Metropolitan Opera’s das[…]
Read MoreTom Service, who blogs for the Guardian (UK), reports on a really good idea from the Royal Philharmonic Society and the Association for British Orchestras: The annual Salomon prize is for orchestral players – or, rather, for a single orchestral player in a UK-based professional ensemble who in the eyes and ears of their fellow[…]
Read MoreLong orchestra strikes come to resemble a labor relations version of the infamous Ice Bowl; a painful and slow grinding out of points in horrible conditions that caused almost as much pain to the spectators as to the players on the field. Detroit shows some signs of becoming almost as infamous in the history of[…]
Read MoreSunday morning I got up early to catch a 7:00 AM flight to Washington DC to attend the memorial event for Fred Zenone. As I had ample time between arrival and the beginning of the event, I decided to take the train, which got me to within a 25-minute walk of the church. After changing[…]
Read MoreDid you know that there are acoustic termites? Me neither: The vacant Ford Auditorium, once home to the Detroit Symphony Orchestra and a hot spot for pop music concerts, famous speeches and theatrical productions before it closed in 1990, is expected to be demolished as early as May… Built in 1955, the auditorium was revered[…]
Read MoreSay “Saint Paul Chamber Orchestra” to an orchestra activist and the discussion will likely turn to that orchestra’s innovative approach to hiring and firing musicians without the institution of the Music Director. But more important to our field has been their approach to the problem of ticket prices, as described in an article in the[…]
Read MoreThere’s been a certain amount of piling-on in response to comments that conductor James Gaffigan made on his blog a few weeks ago (h/t to Adaptistration and oboeinsight). After providing us with some details of his recent guest conducting, and news of his new apartment in Lucerne, he proceeds to some rather unfortunate remarks inspired[…]
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A Tale of Two Audiences Let’s talk about programming, shall we? Any music director of an American orchestra, when programming a season, is striving to create balance. What does the orchestra need to play in order to grow artistically? What does the audience want to hear? What do they need to hear in order to[…]
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Polyphonic.org – Why orchestra management is hard
[...] Horowitz doubled down on his remarks about musician compensation in a later blog post (analyzed by Drew McManus [...]