Archive - February 2010

1
Technology and recording sales
2
What he said
3
Stick a fork in it?
4
The Cleveland Orchestra strike: underlying issues
5
An Orchestra Fantasy Camp–What A Great Idea

Technology and recording sales

One of the problems with looking at historical trends in recording sales is that such sales are driven to a significant degree by technological change. Over the 100 or so years since the first recording of an orchestra was made, there have been constant improvement in the technologies for both producing recordings and playing them[…]

Read More

What he said

Alex Ross of the New Yorker wrote an absolutely brilliant summary of the recent studies by the League of American Orchestras and the National Endowment for the Arts on the state of classical music audiences. It’s in print in the magazine’s February 8th issue, which is unfortunately behind a paywall. But Ross blogs about it[…]

Read More

Stick a fork in it?

Ann Midgette of the Washington Post writes about the current state of the classical CD business. It’s not good: The dirty secret of the Billboard classical charts is that album sales figures are so low, the charts are almost meaningless. Sales of 200 or 300 units are enough to land an album in the top[…]

Read More

The Cleveland Orchestra strike: underlying issues

A shared vision On February 2, 2005, Gary Hanson (ED/TCO) paid a visit to the storied offices of the AFM at 1501 Broadway in the heart of NY’s theater district. TCO was in town, set to play Carnegie Hall that evening. Hanson was clearly asking the AFM for forgiveness rather than permission – the meeting[…]

Read More

An Orchestra Fantasy Camp–What A Great Idea

Fantasy camps for adults have been popular for years—auto racing, cooking, all types of sports, you name it. For music there are camps for cabaret singers and jazz musicians, and now one for those who want to experience orchestral music-making. The article that follows below tells how the Baltimore Symphony and their Music Director, Marin[…]

Read More