Cleveland strike is over

It seemed to me that this might be a short strike; in the end, it came as close as a strike could be to not being a strike at all. The only work canceled was a concert in Bloomington IN, which will likely be re-scheduled.

What is reported about the settlement makes it sound like a real compromise: management’s proposal had been for a 5% cut in year 1, restoration in year 2, and a 2.5% increase in year 3, while the settlement was a two-year freeze, with a year 3 bump of somewhere under 5%.

It would be presumptuous of anyone outside of the institution to say whether or not this is a good settlement, even if there could be agreement on what “good” might mean. But it is a tribute to the intelligence of the leadership of both sides that essentially no work for the musicians, or income for the institution, was lost in the process of reaching the settlement.

My orchestra pulled off something similar with what we called a “mini-strike” at almost this exact time of year in 1994; unfortunately it took our management and board quite a while longer to figure out how to reach a settlement that both sides could live with. I’m glad for my colleagues in Cleveland that this ended so soon; walking a picket line in a Midwestern winter is no fun at all.

Cleveland Orchestra strike settled

About the author

Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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