More on Cleveland

The Cleveland strike was still ongoing as of late Monday night, at least according to Google News. The New York Times had a long article on the subject by Daniel Wakin, which seemed generally balanced and well-informed. It did include this tidbit, though:

Many of the nation’s top orchestras have reduced staff positions and administrative salaries in the last year. Orchestras have downsized seasons, canceled tours, programmed smaller works and left jobs open.

Current economic hardships, of course, are partly to blame. But industry experts point out that in the flush years of the 1990s, orchestras went on spending sprees without building up their endowments for a rainy decade. Now the crunch is on. At the same time, the old system of making the majority of ticket money from season-long subscriptions is breaking down. Big recording contracts are long gone.

It’s true that orchestra budgets expanded in the 90s. But so did orchestra endowments. The “crunch is on” not because orchestras didn’t raise endowments, but because the value of the endowments, like the value of just about every other financial instrument in the Western world, crashed – which, in turn, impacted the ability of patrons and donors to support orchestras as well.

The fact that orchestras have been cutting expenses is not, in and of itself, bad news for orchestras. In fact it’s arguably a good sign; an indication that the industry is agile enough to adjust to rapidly changing economic circumstances.

But the article is worth reading in full. There are accompanying audio snippets from orchestra staffers and musicians as well.


About the author

Robert Levine
Robert Levine

Robert Levine has been the Principal Violist of the Milwaukee Symphony since September 1987. Before coming to Milwaukee Mr. Levine had been a member of the Orford String Quartet, Quartet-in-Residence at the University of Toronto, with whom he toured extensively throughout Canada, the United States, and South America. Prior to joining the Orford Quartet, Mr. Levine had served as Principal Violist of The Saint Paul Chamber Orchestra for six years. He has also performed with the San Francisco Symphony, the London Symphony of Canada, and the Oklahoma City Symphony, as well as serving as guest principal with the orchestras of Indianapolis and Hong Kong.

He has performed as soloist with the Milwaukee Symphony Orchestra, The Saint Paul Chamber Orchestra, the Oklahoma City Symphony, the London Symphony of Canada, the Midsummer Mozart Festival (San Francisco), and numerous community orchestras in Northern California and Minnesota. He has also been featured on American Public Radio's nationally broadcast show "St. Paul Sunday Morning" on several occasions.

Mr. Levine has been an active chamber musician, having performed at the Festival Rolandseck in Germany, the Grand Teton Music Festival, the Palm Beach Festival, the "Strings in the Mountains" Festival in Colorado, and numerous concerts in the Twin Cities and Milwaukee. He has also been active in the field of new music, having commissioned and premiered works for viola and orchestra from Minnesota composers Janika Vandervelde and Libby Larsen.

Mr. Levine was chairman of the International Conference of Symphony and Opera Musicians from 1996 to 2002 and currently serves as President of the Milwaukee Musicians Association, Local 8 of the American Federation of Musicians, and as a member of the Board of Directors of the League of American Orchestras. He has written extensively about issues concerning orchestra musicians for publications of ICSOM, the AFM, the Symphony Orchestra Institute, and the League of American Orchestras.

Mr. Levine attended Stanford University and the Institute for Advanced Musical Studies in Switzerland. His primary teachers were Aaron Sten and Pamela Goldsmith. He also studied with Paul Doctor, Walter Trampler, Bruno Giuranna, and David Abel.

He lives with his wife Emily and his son Sam in Glendale.

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