ARNE OLDBERG COLLECTION
SC 1996.22
Ruth T. Watanabe Special Collections
Sibley Music Library
prepared by Samuel W. Tooley
Winter 1996
Location: M1B 6, 6-7
1.75 linear feet
Arne Oldberg (July 12, 1874 - Feb. 7, 1962). He graduated from
the Gottschalk Lyric School and then studied in Vienna for two
years with Theodor Leschetzky. As a student of Joseph Rheinberger
at Munich's Royal Academy of Art, he completed a three year
composition degree in one year. Oldberg joined the Northwestern
University piano faculty in 1897, was appointed professor of
music in 1899, and served as professor of piano and composition
and director of the graduate department of the Music School until
his retirement in 1941. Professor Oldberg composed chamber music,
concertos for piano, violin, or horn with orchestra, piano
pieces, sonatas, and some twenty-five orchestral works, including
four symphonies. He was a favorite American composer of Chicago
Symphony conductor Frederick Stock, and that orchestra, among
others, played his works on a regular basis. On many occasions
Oldberg played his own compositions with the orchestras.
This collection of scrapbook pages, clippings, and memorabilia documenting Oldberg's career was begun by his daughter, Elsa Oldberg Zettelman, and continued by an unnamed family friend. It was donated to the Sibley Music Library by Arne Oldberg's son, Karl Oldberg, and granddaughter, Elizabeth Zettelman Goelz, over the period spanning 1982 to 1987.
The collection is of particular interest to those studying American composers in the first half of the twentieth century. It contains 49 of Oldberg's works, much of it printed: 29 with the composer's opus number and 20 others cataloged by his son, Karl Oldberg. The collection includes works for piano, orchestra, violin, 'cello, and horn. It also contains a scrapbook and newspaper clippings relating to his life and works. Also included are concert programs featuring his works.
No Restrictions.
The Arthur Farwell Collection in Sibley Library's Special Collections contains items of interest to those studying American composers, although there are no references to Oldberg in the collection. Oldberg was one of the American composers sponsored by Arthur Farwell early in the twentieth century, and some of his music was published by Farwell in the Wa-Wan Press, Newton Center, Massachusetts. Howard Hanson studied composition with Oldberg for two years at Northwestern University (1915-1916), but Sibley Library contains no materials pertaining to their association.
Includes most of Oldberg's works arranged by opus number. Some works are bound together and in consequence may be out of order. Note: Works catalogued by Oldberg's son, Karl Oldberg, are referred to by KO number.
This series consists of concert programs in which Oldberg's music appears. Also included are programs from a few concerts Oldberg attended during his school days.
The main feature of this series is a scrapbook kept by Oldberg and containing concert programs and newspaper clippings featuring his life and works. In addition, there are similar materials in chronological files arranged by decade. Items relating to a portrait of Oldberg, obituaries of Oldberg and his wife, and a few other papers of unknown origin are included.
Three photocopies have been made of many of the clippings and programs in this collection. These have been included as a part of the collection.
Box 1
| folder 1 | Op. 1. Preludium et toccata. Chicago: Clayton F. Summy, c1896 |
|---|---|
| folder 2 | Op. 2. Fantasia fugata. Chicago: Clayton F. Summy, c1896 |
| folder 3 | Op. 4. Petite gavotte. Chicago: Clayton F. Summy, c1896 |
| folder 4 | Op. 6. Erinnerung. Chicago: Clayton F. Summy, c1896 |
| Op. 7. A summer night: seven tone poems for the pianoforte. Chicago: Clayton F. Summy, c1896 | |
| Gavotte: from string quartett op. 10, arranged for the pianoforte. Chicago: Clayton F. Summy, c1896 | |
| Op. 7, #2. Song without words. Chicago: Clayton F. Summy, c1896 | |
| folder 5 | Op. 8. Suite characteristique, no. 2: for pianoforte. Chicago: Clayton F. Summy, c1896 |
| folder 6 | Foerster, Alban. Flitting butterflies. |
| Oldberg, Arne. Op. 9, no. 3. The garden mole. Chicago: Clayton F. Summy, [no date] | |
| folder 7 | Op. 11. Tema con variazione. copy of manuscript |
| folder 8 | Op. 13, no. 2. Trois Morceaux: Chanson triste. |
| Op. 13, no. 3. Trois Morceaux: Capriccio. Chicago: Clayton F. Summy, c1902 | |
| folder 9 | Op. 13, no. 3. Trois Morceaux: Capriccio. Chicago: Clayton F. Summy, c1902 |
| folder 10 | Op. 14. La coquette. Chicago: Clayton F. Summy, c1902 |
| folder 11 | Op. 17. Symphonic concerto in G minor, for piano and orchestra. Edition for two pianos. Newton Center, MA.: The Wa-Wan Press, c1907 |
| folder 12 | Op. 21. Paolo e Francesca: dramatic overture for orchestra. New York: G. Schirmer, c1916 |
| folder 13 | Op. 24. Quintet in C# minor for piano, 2 violins, viola, and 'cello. Chicago: Clayton F. Summy, c1908 |
| folder 14 | Op. 25. Theme and variations. Chicago: Clayton F. Summy, c1907 |
| Op. 12 (Oldberg). Bach, J. S. Fantasia et fuga, C moll; für Klavier übertragen von Arne Oldberg. Chicago: Clayton F. Summy, c1907 | |
| folder 15 | Op. 26. A legend: for pianoforte. Newton Center, MA: The Wa-Wan Press, c1907 |
| folder 16 | Op. 27, no. 1. Badinage (from Three miniatures for piano). New York: G. Schirmer, c1907 |
| folder 17 | Op. 27, no. 2. Intermezzo (from Three miniatures for piano). Newton Center, MA: The Wa-Wan Press, c1908 |
| folder 18 | Op. 27, no. 3. Carillon (from Three miniatures for piano). New York: G. Schirmer, c1907. 2 copies, 1 of manuscript |
| Op. 5, no. 1. Praeludium. Chicago: Clayton F. Summy, c1896 | |
| folder 19 | Op. 28. Sonata in B flat minor for the pianoforte. Chicago: Clayton F. Summy, c1910 |
| folder 20 | Op. 30, no. 2. Canzonetta. Chicago: Clayton F. Summy, c1915 |
| Bach. J.S. Praeludium et fuga, A moll; transcribed for piano solo by Arne Oldberg. Chicago: Clayton F. Summy, c1910 | |
| folder 21 | Op. 32. Improvisation. New York: G. Schirmer, c1913. 2 copies |
| Op. 5, no. 2. Praeludium. Chicago: Clayton F. Summy, c1896. 2 copies | |
| folder 22 | Op. 44. Improvisations. copy of manuscript |
| folder 23 | Op. 44, no. 1. Andante, molto expressivo (A major version). Improvisations. copy of manuscript |
| folder 24 | Op. 45. Sonata for 'cello (or viola) and piano. 2 copies of manuscript |
| folder 25 | Op. 48. Sonata for violin and piano. copy of manuscript |
| folder 26 | Op. 51. Sonata for violin and piano in A minor. copy of manuscript |
| folder 27 | Op. 53. Ballade (for orchestra), piano reduction. manuscript and copy |
| folder 28 | Op. 54. Symphony no. 5: II Nocturne. manuscript |
Box 2
| folder 1 | KO 1a. St. Francis of Assisi: Prayer; Hymn to creation |
|---|---|
| folder 2 | KO 2. Valsette, 1937 |
| folder 3 | KO 3. Danza, all 'antica |
| folder 4 | KO 4. Prelude, 1945 |
| folder 5 | KO 4. Prelude, 1945 |
| folder 6 | KO 5. Sonatina |
| folder 7 | KO 6. Arabesque, 1953 |
| KO 4. Prelude, 1945 | |
| Moonlight | |
| folder 8 | KO 11. Trio A dur für Violine, Bratsche und 'Cello |
| folder 9 | KO 17. Fantasia, 1948 |
| folder 10 | KO 19. Sextet [for string quartet, horn, and piano] |
| folder 11 | KO 19. Sextet [for string quartet, horn, and piano] |
| folder 12 | KO 20. Le son du cor, for eight horns in F. Buffalo, NY: The Hornists' Nest, c1978 |
| folder 13 | KO 21a, 21b. Beethoven. Two pieces for six horns in F: Adagio, op. 13; Allegretto, op. 27, #2. Arranged for horns by Arne Oldberg. Buffalo, NY: The Hornists' Nest, c1978 |
| folder 14 | KO 22. Antonio Lotti. Crucifixus. arranged for 8-part horn choir by Arne Oldberg. San Antonio, TX: Southern Music, c1979 |
| folder 15 | KO 23. Bach, J.S. Prelude. arranged for 8-part horn choir by Arne Oldberg. San Antonio, TX: Southern Music, c1979. |
| folder 16 | KO 25. Serenade for horn and piano (was Le Son du Cor) |
| folder 17 | KO 26. The cricket, op. 9, #2. Chicago: Clayton F. Summy. 2 copies |
| folder 18 | KO 28. Yesterday |
| folder 19 | Improvisation, 1951 |
| folder 20 | Praeludium et fuga für Klavier, (A moll), 1913. (note at back says "München 22 March 1899") |
| folder 21 | II. Andantino cantabile. Piano reduction of movement of [Symphony?] |
Box 3
| folder 1 | Programs including Oldberg's works |
|---|---|
| folder 2 | Programs Oldberg attended (mostly from school days) |
| folder 3 | Chicago Symphony Programs |
| folder 4 | First set of copies of Programs in folders 50 and 51 |
| folder 5 | Second set of copies of Programs in folders 50 and 51 |
| folder 6 | Third set of copies of Programs in folders 50 and 51 |
| folder 7 | Repertoire Lists |
| folder 8 | Inventory of Oldberg's music produced by Sibley Rare Books Department |
Box 4
| folder 1 | Chronological file 1: Before 1940. Clippings |
|---|---|
| folder 2 | Chronological file 2: 1940s. Clippings |
| folder 3 | Chronological file 3: 1950s. Clippings, Who's Who certificate |
| folder 4 | Chronological file 4: 1960s & 1970s. Clippings |
| folder 5 | Chronological file 5: 1980s & 1990s. Clippings |
| folder 6 | Advertisements for Oldberg's music and studio teaching, photographs, Northwestern University syllabus pages featuring Oldberg. |
| folder 7 | Memorabilia. Membership certificate for Pi Gamma Mu, Christmas gift booklet including composition "Moonlight" by Oldberg. |
| folder 8 | Miscellaneous papers. Clippings, dinner program, poem, etc. |
| folder 9 | Obituaries of Arne Oldberg and Mary Sloan Oldberg. |
| folder 10 | Portrait. Photograph and information on Oldberg portrait by Walt Otto, 1944. |
Box 5
| Scrapbook |
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This page is created and maintained by Sam W. Tooley. Last updated 18 October 1996