Recently completed PhD dissertations in Musicology

 

Eastman Graduates with a PhD in Musicology are working in universities and colleges across North America. Places of employment include the University of Chicago, UCLA, Washington University in St. Louis, Vassar, Rutgers, Notre Dame, Dickinson, Skidmore, Franklin and Marshall, University of Arkansas, Pennsylvania State University, Georgia State University, Brigham Young University, University of New Hampshire, Cincinnati College Conservatory, North Carolina School of the Arts, Oxford College of Emory University, Bowling Green State University, Western Michigan University, SUNY Geneseo, Nazareth College (Rochester), University of Ottawa, Mount Allison University, and the Chinese University of Hong Kong.  Other graduates work in administrative positions at the New World Symphony (senior vice president of musician advancement and dean), the Packard Institute for the Humanities, and A-R Editions.

 


Records - of

Author (Last)

First name

Year

Title

Advisor(s)

Fava Cristina 2012 Music and Politics in New York City in the 1930s Kim Kowalke
Morrow Matthew 2012 "Complex Impressions": Nature in the Music and Criticism of Claude Debussy Holly Watkins
Teal Kimberly 2012 Living Traditions: Embodying Heritage in Contemporary Jazz Performance Melina Esse
Kim Cindy 2011 Changing Meanings of Ornamentation in Nineteenth-Century Italian Opera Melina Esse
Mowrey Hannah 2010 The Alamire Manuscripts of Frederick the Wise: Intersections of Music, Art, and Theology Honey Meconi
Ronyak Jennifer 2010 Performing the Lied, Performing the Self: Singing Subjectivity in Germany, 1790-1832 Holly Watkins
Alajaji Sylvia 2009 Diasporic Communities and Negotiated Identities: Trauma, Recovery, and the Search for the Armenian Musical Voice Ellen Koskoff
Martinez Figueroa Adriana 2009 Music and the Binational Imagination: The Musical Nationalisms of Mexico and the United States in the Context of the Binational Relationship, 1890-2009 Ellen Koskoff
Nedbal Martin 2009 Morals Across the Footlights: Viennese Singspiel, National Identity, and the Aesthetics of Morality, c. 1770-1820 Ralph Locke
Dean Alexander 2009 The Five-course Guitar and Seventeenth-century Harmony: Alfabeto and Italian Song Roger Freitas
Axtell Katherine 2009 Maiden Voyage: The Genesis and Reception of Show Boat, 1926-1932 Kim Kowalke
Lott Marie Sumner 2008 Audience and Style in Nineteenth-Century Chamber Music, c. 1830 to 1880 Ralph Locke
Adler Ayden 2007 “Classical Music for People Who Hate Classical Music”: Arthur Fiedler and the Boston Pops, 1930-1950 Kim Kowalke
Brodsky Seth 2007 Utopian Strains: Berio, Ligeti, Rihm and Lachenmann Jürgen Thym and Daniel Albright
Nicholson Sara 2006 Beyond Quotation: Intertextuality in Popular Music Since 1990 Martin Scherzinger
Wlodarski Amy 2006 The Sounds of Memory: German Musical Representations of the Holocaust, 1945-1965 Kim Kowalke
Roth Marjorie 2005 The Voice of Prophecy: Orlando di Lasso’s Sibyls and Italian Humanism Kerala J. Snyder
Grimshaw Jeremy 2005 Music of a “More Exalted Sphere”: Compositional Practice, Biography, and Cosmology in the Music of La Monte Young Kim Kowalke
Haskins Robert 2004 An Anarchic Society of Sounds: The Number Pieces of John Cage Jürgen Thym and Robert Morris
Mak Su Yin Suzanna 2004 Structure, Design, and Rhetoric: Schubert’s Lyricism Reconsidered Gretchen Wheelock and David Beach
Pelkey Stanley 2004 British National Identities and Keyboard Music in the Later Georgian Period Ralph P. Locke
Wells Elizabeth 2004 West Side Story(s): Changing Perspectives on an American Musical Ralph P. Locke
Carli Philip 2003 Synergy in America's Early Talking Machine Industry: Technological, Commercial, Cultural, and Musical Factors in Band and Orchestral Recordings, 1894-1917 Ralph P. Locke
Kalyn Andrea 2002 Constructing a Nation's Music: Howard Hanson's American Composer's Concerts and Festivals of American Music, 1925-71 Kim Kowalke
Bittmann Antonius 2001 Negotiating Past and Present: Max Reger and Fin-de-siècle Modernisms Jürgen Thym and Ralph P. Locke
Dodds Michael 1998 The Baroque Church Tones in Theory and Practice Kerala J. Snyder
Reynolds Anne-Marie 1998 The Songs of Carl Nielsen Alfred Mann
Frandsen Mary 1997 The Sacred Concerto in Dresden, ca. 1660-1680 Kerala J. Snyder
Loveland Karl 1996 Reading Donizetti's La fille du régiment: Genesis, Transformations, and Interpretations Ralph P. Locke
Pisani Michael 1996 Exotic Sounds in the Native Land: Portrayals of North American Indians in Western Music Ralph P. Locke
McClung Bruce D. 1995 American Dreams: Analyzing Moss Hart, Ira Gershwin and Kurt Weill's Lady in the Dark Kim Kowalke
Parmer Dillon 1995 Brahms the Programmatic? A Critical Assessment Jürgen Thym
Levitz Tamara 1994 Teaching New Classicality: Busoni's Master Class in Composition, 1921-1924 Kim Kowalke
Buch Laura 1993 Seconda prattica and the Aesthetic of Meraviglia: The Canzonettas and Madrigals of Tomaso Pecci (1576-1604) Patrick Macey
Wilson Richard Todd 1992 The Development of the German Keyboard Canzona and its Reflection in the Work of Gottlieb Muffat Alfred Mann
Natvig Mary 1991 The Latin-texted Works of Antoine Busnois Patrick Macey
Archetto Maria 1991 Francesco Portinaro and the Academies of the Veneto in the Sixteenth Century Patrick Macey
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