Eight services into a nine-service week, and it was still only Saturday. Tempers were frayed further by it being the second of two consecutive days in the orchestra’s least favorite venue, an aging vaudeville palace with no backstage facilities except for a cramped below-stage crossover reached by steep but badly-lit staircases apparently designed more for[…]
Read MoreThings have gotten dire indeed in Hartford. Management issued a statement recently that unless a settlement is reached within the next few weeks, they will close down the orchestra at the end of January. In an unprecedented move, management added a service to the musicians’ schedule, requiring all contracted players (and paying them) to attend[…]
Read More
Added to the age-old question – “how do you get to Carnegie Hall?” – may be a new one: “how do you run Carnegie Hall?” It look as if the answer might turn out to be “don’t serve on the board of directors.” Two days ago the Wall Street Journal reported on a dispute between[…]
Read More
In a previous post (“Saving the Hartford Symphony,” July 9), I offered a few observations about the situation at the Hartford Symphony Orchestra. Briefly, the situation is that the management, which is now essentially the Bushnell under an agreement struck 16 months ago, is proposing significant reductions in the number of services offered to many[…]
Read More
James Stewart, author of Den of Thieves and many other prize-winning investigative works, has turned his talent to exploring the recent contract negotiations at the Metropolitan Opera. In the March 25, 2015 issue of the New Yorker magazine, Stewart presents an amazingly detailed analysis of these negotiations and what led up to them. As one[…]
Read More
As I write this introduction to my Editor’s Choice for this month, at top of mind for me is the former Director of the Eastman School of Music, Robert Freeman. In 1972 he was named director of Eastman, a position he held for 24 years. He returned to Eastman this week to be formally honored[…]
Read MoreThe Toronto Symphony finds itself in a kerfluffle, summarized neatly in an editorial in the Toronto Star: Talk about striking the wrong note. The Toronto Symphony Orchestra is way off base with its decision to cancel performances this week by the Ukrainian-born pianist Valentina Lisitsa because of her social media comments attacking the Ukrainian government.[…]
Read More
The folks at soundnotion.tv hosted a discussion with Drew McManus and myself on the subject of substitute pay and how it was handled in last year’s Minnesota Orchestra settlement. The discussion was moderated (very well, I thought) by David MacDonald and Sam Merciers. It can be watched on YouTube here. I felt the discussion covered[…]
Read MoreThere was an unusual amount of feedback on my post last week about the pay disparity between full-time musicians and subs in Minnesota and how that might have come about. Some of the feedback confirmed my suspicions that the root of the problem was a “new model” mindset on the part of some board members.[…]
Read MoreOne of the issues at play during the Year of Three Lockouts continues to reverberate around the symphonoblogosphere – the question of pay for substitute and extra musicians, and in particular the reduction in that pay that was part of the Minnesota settlement. Drew McManus called attention to it in a year-in-review post, where he[…]
Read More
My point was not to defend Mr. Perelman, although the "feud" between him and the other board member is, at…