Category - Higher Education

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When Jean Sibelius Almost Taught at the Eastman School
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15 seconds
3
Benjamin Franklin and the Reflective Conservatoire
4
A Note to Me: D.C.
5
Ranking Music Schools: What’s Wrong with This Picture?
6
Being in Tune
7
What’s in a Fludde?
8
Teaching, Learning, Experience (III)
9
3:30 a.m.
10
Arts Entrepreneurship — Third Dimension

When Jean Sibelius Almost Taught at the Eastman School

Feb 22 2016
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clee All posts from clee
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Careers, Classical Music, Composition, Education, Higher Education, History

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File this one under the category of “fascinating music school history.” According to Vincent Lenti’s 2004 book, “For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music,” the famed Finnish composer Jean Sibelius very nearly became a faculty member of the Eastman School to teach music theory and[…]

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15 seconds

Feb 22 2016
Browse archives for February 22, 2016
clee All posts from clee
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Getting Ahead, Higher Education, Hiring and Firing, Orchestra Life

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Every couple of years or so, someone in the mainstream media decides that Orchestral Auditions Are Interesting and does a story on them. This better-than-most iteration, written by Janelle Gelfand, appeared online at cincinnati.com, the website of  the Cincinnati Enquirer: “If a candidate has made it to the final round of our audition process, they[…]

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Benjamin Franklin and the Reflective Conservatoire

Mar 25 2015
Browse archives for March 25, 2015
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Education, Entrepreneurship, Higher Education

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I recently heard a mordantly humorous new take on Benjamin Franklin’s most famous quote: "In this world nothing can be said to be certain, except death and taxes and the immutability of conservatoires."

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A Note to Me: D.C.

Aug 21 2014
Browse archives for August 21, 2014
Margaret Miller
Margaret Miller

Margaret Miller is Assistant Professor of Viola and Coordinator of the Graduate Quartet Program at Colorado State University. She is also a core faculty of the LEAP Institute of the Arts at CSU. Prior to joining the faculty in 2004, Ms. Miller was violist of the Da Vinci Quartet for 18 years. Ms. Miller is an active soloist, chamber musician and clinician, and wants to help young musicians have a successful career.

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Back to School, Careers, Education, Entrepreneurship, Higher Education, Musicians Today, OnCampus, Students

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What I Would Tell My Younger Self… As a university professor, I often tell my studio stories from my student days in order to make a point about something, usually practicing!  I have been thinking about this topic quite a bit this summer, as the new performing/academic year is fast approaching.  This is certainly not[…]

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Ranking Music Schools: What’s Wrong with This Picture?

Aug 18 2014
Browse archives for August 18, 2014
Barbra Weidlein
Barbra Weidlein

Barbra Weidlein is co-founder/director of MajoringInMusic.com, the website for anyone thinking about majoring in music or pursuing a career in music. Audiences include high school students, current music majors, parents, music educators, and music schools.

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Back to School, Education, Higher Education, Staying informed, Students

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This is the second post in our August Guest Blog Series!  Barbra Weidlein is co-founder and director of MajoringInMusic.com, a website for prospective music and current music majors, parents, and music educators. A little over a month ago, an article popped up on USA Today College Online, about a new ranking of the “top 10″[…]

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Being in Tune

Dec 04 2013
Browse archives for December 04, 2013
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

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Arts Advocacy, Community Engagement, Education, Higher Education

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Peter Renshaw calls for a new paradigm to address the key issues confronting learning and development in the arts.

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What’s in a Fludde?

Oct 10 2013
Browse archives for October 10, 2013
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

All posts from Tony Woodcock
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Higher Education, OnCampus

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One of the most creative and inventive films I’ve seen recently was Wes Anderson’s 2012 Moonrise Kingdom, with all the strange oddities of style, camera angles, and storyline that make this director’s work so compelling and so memorable.

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Teaching, Learning, Experience (III)

Mar 01 2013
Browse archives for March 01, 2013
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

All posts from Tony Woodcock
0

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Education, Higher Education, Students

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Concert programmers, teaching artists , armies of program annotators, and museums with their rental headsets believe that audiences today lack experience and confidence in approaching an art work.

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3:30 a.m.

Feb 09 2013
Browse archives for February 09, 2013
Tony Woodcock
Tony Woodcock

New England Conservatory President [b]Tony Woodcock[/b] grew up in the Middle East, England, and Wales, where he studied music at University College, Cardiff. After leaving the university, Woodcock took positions with regional music promoters, and later ran the newly opened St. David's Hall, the National Concert Hall and Conference Centre of Wales.

Before coming to the United States, Woodcock held top positions with the City of London Sinfonia/Richard Hickox Singers, the Royal Liverpool Philharmonic, and the Bournemouth Symphony Orchestra. In Liverpool, he played a significant role in planning the 150th anniversary and commissioned Paul McCartney to write his first-ever classical piece, The Liverpool Oratorio.

Woodcock came to the US in 1998, when he was invited to take over the Oregon Symphony. He remained in that position until 2003, when he became President of the Minnesota Orchestra.

Deeply committed to education, Woodcock led the Minnesota Orchestra to win back-to-back ASCAP Leonard Bernstein Awards for Excellence in Educational Programming and secured underwriting to make the orchestra’s popular family
series admission-free.

A self-styled "recovering Brit," Woodcock took steps to permanently cure his condition. In summer 2009, he and his wife Virginia were sworn in as American citizens.

Read Tony Woodcock's blog [l=http://web.esm.rochester.edu/poly/blog/author/tony-woodcock/]here[/l].

All posts from Tony Woodcock
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Education, Higher Education, Students, The Future

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My top priority — of course — is to protect the young people who study here, our faculty and staff, and all the many thousands of concert visitors we have every year. But this mandate necessitates negotiating a way through a challenging Scylla and Charybdis of choices.

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Arts Entrepreneurship — Third Dimension

Mar 04 2011
Browse archives for March 04, 2011
James Undercofler

Jim has been a Professor at Drexel University since May, 2009. His previous appointment - since August, 2007 - was as the President and CEO of the Philadelphia Orchestra. Jim was Dean of the Eastman School of Music from 1997 to 2007. He has played a prominent role in musical arts and music education throughout his career. Before joining Eastman in 1995 as associate director for academic affairs and professor of music education, he was an active, performing chamber musician as well as first horn in the New Haven Symphony. Jim serves as board president, American Music Center; advisory board member, Arts Education Policy Review; board member, Rochester Philharmonic Orchestra, New York State Association of College Music Programs and American Symphony Orchestra League, and is a founding member, NETWORK of Performing and Visual Arts Schools and Mercury Opera of Rochester.

Read James Undercofler's blog [l=http://web.esm.rochester.edu/poly/blog/author/junder/]here[/l].

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Education, Entrepreneurship, Higher Education, Resctructuring

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After digesting the many superb responses, both published here and private, to last week’s blog entry, I spent a lot of time pondering what is really bothering me about the arts entrepreneurship “movement.”  I realized that I have been hoping for …

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