2012 Festival 2011 Festival 2010 Festival 2009 Festival 2008 Festival 2007 Festival 2006 Festival 2005 Festival 2004 Festival
The Italian Baroque Organ The Craighead-Saunders Organ E.M. Skinner Organ E. & G. G. Hook & Hastings Eastman School Practice Organs

EROI Festival 2010
November 11-14, 2010
Eastman School of Music

Saturday, November 13, 8:00 pm at St. Michael's Church



Program

Kilbourn Concert Series: Weser-Renaissance Bremen, Manfred Cordes, director

For the first time in its history, the Kilbourn Concert Series goes on the road!  This special presentation offers listeners a world-class performance in one of Rochester’s most magnificent settings.  Weser-Renaissance Bremen will present a special program of the glorious instrumental and vocal music of Heinrich Schütz at St. Michael’s Church on Saturday, November 13. Schütz is generally regarded as the most important German composer before Bach. Weser-Renaissance Bremen, an acclaimed historical performance ensemble of singers and instrumentalists, appears regularly at major European early music festivals, and their local concert provides a rare opportunity to hear how Schütz’s music sounded to Baroque audiences.  Weser Renaissance will be joined by the Christ Church Schola Cantorum, Stephen Kennedy, director

Program

Lobe den Herren: Works of Heinrich Schütz (1585-1672)

Lobe den Herren, meine Seele
Soloists, ensemble, Schola Cantorum
          Psalmen Davids, 1619

Mein Herz ist bereit
Soprano, 2 violins, organ
          Symphoniae Sacrae II, 1647

O Jesu, nomen dulce
Tenor, organ
          Kleine geistliche Konzerte II, 1639

Wohl dem, der ein tugendsam Weib hat
Soloists, ensemble
          Hochzeitkomposition, 1618

Oculi omnium in te sperant, Domine
Soloists
          Cantiones Sacrae, 1625

Was hastu verwircket
Alto, organ
          Kleine geistliche Konzerte II, 1639

Sehet an dem Feigenbaum
Soloists, ensemble
          Geistliche Chor-Musik, 1648

Ist nicht Ephraim mein theurer Sohn
Soloists, ensemble, Schola Cantorum
          Psalmen Davids, 1619

Intermission

Ich hebe meine Augen auf
Soloists, ensemble, Schola Cantorum
          Symphoniae Sacrae III, 1650

Fili mi, Absalon
Bass, ensemble
          Symphoniae Sacrae I, 1629

Domine, labia mea aperies
Soprano, tenor, violin, sackbut, organ, dulzian
          Symphonia Sacrae I, 1629

Freut euch des Herren, ihr Gerechten
Alto, tenor, bass, 2 violins, organ
          Symphoniae Sacrae II, 1647

Es ging ein Sämann aus
Soloists, ensemble, Schola Cantorum
          Symphoniae Sacrae III, 1650